Les Grandes Eaux de Versailles (Musiques des fêtes royales) Collegium 1704

• Jean-Baptiste Lully (1632 - 1687):
• 1Phaëton, LWV 61: Ouverture03:06
• François-André Danican Philidor (1726 - 1795):
• 2Marche pour fifres et tambours00:45
• Michel-Richard Delalande (1657 - 1726):
• 3Exaltabo te Domine, S.66: II. Psallite Domino,02:36
• Jean-Baptiste Lully: Exaudiat te Dominus:
• 4Exaudiat te Dominus: VI. Domine salvum fac Regem03:37
• 5Exaudiat te Dominus: VII. Gloria Patri e Filio02:00
• Francesco Cavalli (1602 - 1676):
• 6Fanfare01:43
• 7Kyrie (Musiche Sacre, 1656)05:26
• Marc-Antoine Charpentier (1643 - 1704): Les Arts Florissans, H. 487:
• 8Les Arts Florissans, H. 487, Scène 1: Air de violes, Guerriers [ii]00:48
• 9Les Arts Florissans, H. 487, Scène 2: "Quel bruit épouvantable" (La musique, Chœur des Arts et des Guerriers)00:59
• 10Les Arts Florissans, H. 487, Scène 2: "Renversons le ciel, la terre et l'onde" (La Discorde, Chœur des Furies)00:59
• 11Les Arts Florissans, H. 487, Scène 2: Entrée des Furies [i]00:47
• 12Les Arts Florissans, H. 487, Scène 2: "Sa gloire est un supplice à ma jalouse haine" (La Discorde, Chœur des Furies)01:48
• 13Les Arts Florissans, H. 487, Scène 2: Entrée des Furies [ii]00:53
• Jean-Baptiste Lully: Phaëton, LWV 61:
• 14Phaëton, LWV 61: Chaconne03:38
• 15Phaëton, LWV 61: Chantons, ne cessons jamais01:20
• 16Phaëton, LWV 61: Air Louré00:54
• Heinrich Biber (1644 - 1704):
• 17Missa Salisburgensis, C app.101: Kyrie02:51
• Jean-Baptiste Lully:
• 18Te Deum, LWV 55: In te Domine Speravi02:05
• André Campra (1660 - 1744): L'Europe Galante, Quatrième entrée, la Turquie:
• 19L'Europe Galante, Quatrième entrée, la Turquie: Marche des Bostangis00:56
• 20L'Europe Galante, Quatrième entrée, la Turquie: "Vivir, vivir, gran Sultana" Air des Bostangis02:52
• 21L'Europe Galante, Quatrième entrée, la Turquie: "Bello como star un flor" Air des Bostangis01:05
• 22L'Europe Galante, Quatrième entrée, la Turquie: Air pour les Bostangis00:35
• 23L'Europe Galante, Quatrième entrée, la Turquie: "Star contento" Air des Bostangis01:42
• Georg Friedrich Haendel (1685 - 1759):
• 24Processions de tambours et fanfare de trompettes02:23
• 25Zadok the Priest, HWV 25805:48
• Jean-Jacques Rousseau (1712 - 1778): Le Devin du village:
• 26Le Devin du village, Scène 6: "À jamais Colin" (Ensemble)03:07
• 27Le Devin du village, Scène 8: Allemande01:39
• 28Le Devin du village, Scène 8: "Allons danser sous les ormeaux" (Colette, les villageoises)01:28
• Esprit Joseph Antoine Blanchard (1696 - 1770):
• 29Te Deum: I. Te Deum laudamus04:10
• François Colin de Blamont (1690 - 1760): Te Deum Laudamus, FCB.001:
• 30Te Deum Laudamus, FCB.001: IV. Sanctus Dominus Deus Sabaoth02:48
• 31Te Deum Laudamus, FCB.001: XIV. In Te Domine speravi03:40
• Total Runtime01:08:28

Info zu Les Grandes Eaux de Versailles (Musiques des fêtes royales)

The Grandes Eaux de Versailles (The Versailles Fountains Show) is a selection of works from the new CDs and DVDs label “Château de Versailles Spectacles”: Les Arts Florissans, L’Europe galante, Le Devin du village, The Missa of Cavalli, “The Quarrel of the Te Deums” of Blanchard and Colin de Blamont, The Sun King Mass (DeLalande, Couperin, Lully), the Biber’s Missa Salisburgensis, the Lully’s Te Deum and Phaeton. Entirely recorded in the emblematic places of the Château, such as the Royal Opera, the Royal Chapel, La Cour de Marbre or the Little Queen's Theater (Trianon), you will find compositions interpreted by the best and most promising artists.

Collegium 1704

The Collegium 1704 and Collegium Vocale 1704 ensembles
were founded by the harpsichordist and conductor Václav Luks in 2005 on the occasion of the Bach–Prague–2005 project, marking the beginning of residential collaboration with the Prague Spring International Music Festival. Since 2007, after their huge success with Zelenka's Missa votiva in France, Collegium 1704 has been regular guest at festivals around Europe – besides performing the fundamental pieces of baroque repertoir, promoting work of Czech masters like Jan Dismas Zelenka and Josef Mysliveček.

In 2008, they began the Prague-Dresden Musical Bridge concert series, which continues the rich cultural traditions of the two cities. Collaboration with the renowned soloists Magdalena Kožená, Vivica Genaux, and Bejun Mehta naturally led, in 2012, to a second concert series, called Collegium 1704 in the Rudolfinum (formerly Baroque Opera Stars), held at the Rudolfinum – Dvořák Hall in Prague. Since autumn 2015, the two concert series merged into one Season held in Prague and Dresden.

Following international successes with opera performance of Handel’s Rinaldo (directed by Louise Moaty) in 2009, the year of 2013 was devoted to rediscovery of the Czech composer Josef Mysliveček. His opera l’Olimpiade (directed by Ursel Herrmann) was presented by Collegium 1704 in Prague, Caen, Dijon, Luxembourg, Theater an der Wien and nominated for The International Opera Awards.

Recent and upcoming concert appearances include the 2015 Salzburger Festspiele (also 2016), Berliner Philharmonie, Theater an der Wien, Konzerthaus Wien, Concertgebouw Amsterdam, Wigmore Hall, Versailles, Lucerner Festival, Chopin Festival and as residential ensemble at the prestigious Oude Muziek Utrecht and Bachfest Leipzig.

Radio and television stations throughout Europe broadcast many Collegium 1704 concerts live and recorded.

In 2014, Collegium 1704 and Vaclav Luks collaborated with Bejun Mehta on a DVD project of Gluck's opera Orfeo ed Euridice and a BBC Two documentary “Mozart in Prague”, starred by Ronaldo Villazon. Its recordings on the Accent, Zig-Zag Territoires and Supraphon labels are continuously acclaimed by the general public and music critics alike (including Diapason d'Or, Coup de Coeur by TV Mezzo, nomination for The Gramophone Awards by Gramophone Magazine etc.). In September 2013, the long-awaited Collegium 1704 recording of J. S. Bach's Mass in B minor was issued. Their most recent project is the world premiere recording of Missa Divi Xaverii and Litaniae de Sancto Xaverio by J. D. Zelenka, which earned a Diapason d'Or 2016 and was selected as an Editor's Choice by Gramophone Magazine.

…and why 1704?

1704 is a symbolic year of Jan Dismas Zelenka, our armorial composer. In August 1704 the church of St. Nicholas in Prague witnessed the magnificent performance of Zelenka’s Jesuit allegory play – Via Laureata. As we don't know anything about Zelenka's previous life, this event signifies the arrival of some of the most remarkable personalities of the 18th century music of the European music scene.

Václav Luks
began his studies at the Pilsen Conservatory and at the Academy of Performing Arts in Prague (French horn, harpsichord). He then continued his studies with specialized research on early music at the Schola Cantorum Basiliensis in Basil, Switzerland in the studios of J.–A. Bötticher and J. B. Christensen in the field of period keyboard instruments and historical performance practice.

During his studies in Basel and in the years that followed, he gave concerts all over Europe and overseas (USA, Mexico, Japan) as the horn soloist of the Akademie für Alte Musik Berlin. After returning from abroad in 2005, he transformed Collegium 1704 from a chamber music ensemble that had already existed when he was a conservatory student (since 1991) into a Baroque orchestra, and he founded Collegium Vocale 1704. The immediate impetus for their founding was a project initiated by Václav Luks titled Bach – Prague – 2005 presenting the major vocal works by J. S. Bach. Thisproject marks the beginning of residential collaboration with the Prague Spring International Music Festival.

With Václav Luks, Collegium 1704 has quickly established itself among the world’s elite ensembles devoted to performing the music of the 17th and 18th centuries, and with his international artistic activities, Luks has played a significant part in the renaissance of the music of the Bohemian composers Jan Dismas Zelenka and Josef Mysliveček.

In 2008, he founded the successful concert series Music Bridge Prague – Dresden. Since the autumn of 2012, we have been able to encounter Václav Luks regularly at Prague’s Rudolfinum, where he is realizing a concert series with Collegium 1704 that focuses on the art of singing in the 17th and 18th centuries. Since autumn 2015, the two concert series were merged into one Season held in Prague and Dresden.

Recent and upcoming concert appearances of Václav Luks with his ensembles include the 2015 Salzburger Festspiele (also 2016), Berliner Philharmonie, Theater an der Wien, Konzerthaus Wien, Concertgebouw Amsterdam, Wigmore Hall, Versailles, Lucerner Festival, Chopin Festival and prestigious residences at the Utrecht Early Music Festival and Bachfest Leipzig.

Besides working intensively with Collegium 1704, he also collaborates with other renowned ensembles, such as La Cetra​ ​​​Barockorchester Basel​,​ Dresdner Kammerchor​ or the Nederlandse Bachvereniging. Václav Luks has made both orchestral and solo recordings for the ACCENT, Supraphon, and Zig-Zag Territoires labels, and he has been invited to sit on juries of international competitions (Johann Heinrich Schmelzer Wettbewerb Melk, Prague Spring International Music Competition, Bach-Wettbewerb Leipzig).

Booklet für Les Grandes Eaux de Versailles (Musiques des fêtes royales)