Ravel: Ma Mère l'Oye, Le tombeau de Couperin & Shéhérazade, ouverture de féerie Les Siècles & François-Xavier Roth
- Maurice Ravel (1875 - 1937): Ma Mère l'Oye, M. 62:
- 1Prélude. Très lent03:05
- 2Ma Mère l'Oye, M. 62, Premier tableau: I. Danse du rouet et scène. Allegro01:58
- 3Interlude. Un peu moins animé01:15
- 4Ma Mère l'Oye, M. 62, Deuxième tableau: II. Pavane de la Belle au bois dormant. Lent01:38
- 5Interlude. Plus lent00:50
- 6Ma Mère l'Oye, M. 62, Troisième tableau: III. Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré04:00
- 7Interlude. Lent00:40
- 8Ma Mère l'Oye, M. 62, Quatrième tableau: IV. Petit Poucet. Très modéré03:32
- 9Interlude. Lent01:20
- 10Ma Mère l'Oye, M. 62, Cinquième tableau: V. Laideronnette, impératrice des pagodes. Mouvement de marche03:24
- 11Interlude. Allegro01:07
- 12Apothéose. Le jardin féerique. Lent et grave03:35
- 13Shéhérazade, ouverture de féerie, M. 1713:13
- Le Tombeau de Couperin, M. 68a:
- 14I. Prélude. Vif03:00
- 15II. Forlane. Allegretto05:39
- 16III. Menuet. Allegro moderato04:42
- 17IV. Rigaudon. Assez vif03:16
Info for Ravel: Ma Mère l'Oye, Le tombeau de Couperin & Shéhérazade, ouverture de féerie
When Ravel orchestrated his works, the scoring emerged with total spontaneity, as if by magic, for he had already worked out his orchestral colours with immense care at the piano. The fascination of the Orient or the fantastic, poetic homages, the enthralling world of childhood – everything here is suffused with subtle refinement, in the use of forms inherited from the 18th century as in the choice of sonorities suited for storytelling. Who better than Les Siècles could recreate this world, as magical as that of the rarely performed Shéhérazade overture?"
François-Xavier Roth, conductor
Les Siecles & Francois-Xavier Roth
Formed in the summer of 2003 by François-Xavier Roth, Les Siècles comprises outstanding young players pooled from the very finest French ensembles. Roth’s founding ambition was for his orchestra to offer a new approach, not only to repertoire but also to the nature of the concert form.
With a vast period-instrument collection at its disposal, spanning the baroque, classical, romantic and modern eras, the orchestra’s repertoire is notably wide in range. Les Siècles is one of a small number of ensembles to employ period and modern instruments, playing each repertoire on appropriate instruments. Its flexible and historically informed work delivers a unique strand of creative programming. François-Xavier Roth and the musicians of Les Siècles have made a distinctive mark at home and abroad, presenting an orchestra for the 21st century. They have given well over 600 performances in France alone, including regular performances in Paris Philharmonie and appearances at leading festivals throughout France. In addition to its work in France, Les Siècles is increasingly visible on the international scene. Its global profile has been magnified in recent seasons with concerts in Belgium, the Netherlands, Luxembourg, London, Germany, Portugal, Italy, China and Japan.
Les Siècles are associated artist in Paris Philharmonie.
Les Siècles are also in residency in the Aisne department, associated artist at La Cité de la Musique de Soissons and give regularly concerts in Sénart, Nîmes, Amiens, Caen, Royaumont, La Côte-Saint-André, Aix-en-Provence and in other places as London (BBC Proms, Royal Festival Hall), Amsterdam (Concertgebouw), Berlin (Konzerthaus), Bremen, Bruxelles (Klara Festival), Montecarlo, Wiesbaden, Köln, Luxembourg, Tokyo, Essen… Their recordings of the three Stravinsky’s ballets (L’Oiseau de Feu, Petrouchka et le Sacre du Printemps) received the Jahrespreis 2015 der Deutschen Schallplatten Kritik and won the Edison Klassiek award in Holland. Their Debussy disc was elected Sunday Times Disc of the year and Editor’s choice in the BBC Music Magazine and Gramophone. In march 2017, Les Siècles started to work with Harmonia Mundi label for their last release : Ravel’s Daphnis & Chloé. The disc received many awards : Gramophone Editor’s choice june 2017, Rondo Magazin CD des Monats may 2017, Music web international recording of the month, 5 stars of Diapason, FFFF of Télérama, Le choix de France Musique, la Clé du mois de Resmusica, The Arts Desk Cd of the week, Supersonic Pizzicato, Top Mezzo, Limelight magazine’s five stars.
The musicians of Les Siècles propose regularly several educational actions in schools, hospitals, retirement homes and prisons. The orchestra is partner of Jeune Symphonie de l’Aisne, Jeune Orchestre Européen Hector Berlioz and Demos (musical and social educational project) in Hauts-de-France and Île-de-France. The orchestra is one of the initiator of “Music in the hospital” project proposed in the pediatric haematology-oncology Trousseau Hospital’s service in Paris. He also created an educational residency in La Petite Bibliothèque Ronde de Clamart. Les Siècles are also the creator and the main feature of the TV show « Presto » which has been broadcast regularly on France 2 since 2007. Mécénat Musical Société Générale is the main sponsor of Les Siècles.
The orchestra is also financed by the French Ministère de la Culture et de la Communication and DRAC Hauts-de-France. Since 2011, the orchestra is supported by the Département de l’Aisne to reinforce its artistic and educational presence on this territory, especially in the Cité de la Musique de Soissons. The orchestra regularly performs in Hauts-de-Seine with the support of the city of Nanterre. Les Siècles is resident orchestra in Théâtre-Sénart of Lieusaint, and associated artist in Théâtre de Nîmes, Théâtre du Beauvaisis, Les Musicales de Normandie festival and the Berlioz Festival of La Côte-Saint-André.
The orchestra is sponsored by the Palazzetto Bru Zane-Centre de musique romantique française, the Echanges and Bibliothèques association and occasionally by the SPEDIDAM, ADAMI, Bureau Export, Institut Français, SPPF and FCM.
Les Siècles is administrator member of the FEVIS and the Association Française des Orchestres, then associated member of SPPF.