Jazz At Oberlin (Live At Oberlin College / 1953 (Mono Remastered)) The Dave Brubeck Quartet

• 1 The Way You Look Tonight (Live At Oberlin College / 1953) 07:51
• 2 How High The Moon (Live At Oberlin College / 1953) 09:11
• 3 These Foolish Things (Live At Oberlin College / 1953) 06:33
• 4 Perdido (Live At Oberlin College / 1953) 07:46
• 5 Stardust (Live At Oberlin College / 1953) 06:30
• Total Runtime 37:51

Info for Jazz At Oberlin (Live At Oberlin College / 1953 (Mono Remastered))

College-Jazzkonzerte waren lange Zeit ein fester Bestandteil, aber 1953 waren sie eine Seltenheit. Es war das Dave Brubeck Quartet, das Pionierarbeit im Bereich Jazz an Universitäten leistete, und die hier vorgestellten Shows sind die ersten, die jemals aufgenommen wurden. Oberlin mit seinem berühmten Konservatorium bot den passenden Rahmen, und das Quartet präsentierte ein Programm mit fünf großartigen Jazzstandards in langen und oft überraschend freien Aufführungen, bei denen Dave und Paul Desmond an der Spitze ihres Spieles standen.

Hier werden die vollständigen Original-Alben Jazz at Oberlin und Dave Brubeck & Paul Desmond at Wilshire-Ebell präsentiert, die beide aus Live-Performances bestehen, die 1953 an den beiden Colleges aufgenommen wurden. Diese Ausgabe des Oberlin-Konzerts präsentiert Desmonds legendäres Solo auf "The Way You Look Tonight" zum ersten Mal in seiner vollständigen Form in 24bit.

"Obwohl ein wenig unterschätzt, ist Jazz at Oberlin eine der frühen klassischen Aufnahmen von Dave Brubeck. Das Zusammenspiel zwischen dem Pianisten und dem Altisten Paul Desmond bei "Perdido" grenzt ans Wunderbare, und ihre Darbietungen von "The Way You Look Tonight", "How High the Moon" und "Stardust" sind unvergesslich. Brubecks Klavierspiel bei These Foolish Things" ist an einer Stelle so perkussiv und atonal, dass es wie das von Cecil Taylor klingt, der erst zwei Jahre später auftauchen sollte. Mit dem Bassisten Ron Crotty und dem Schlagzeuger Lloyd Davis, die das Quartett ruhig und beständig unterstützen, konnten Brubeck und Desmond ihre abenteuerlichsten Stücke spielen. Sehr empfehlenswert." (Scott Yanow, AMG)

Dave Brubeck, piano
Paul Desmond, alto saxophone
Lloyd Davis, drums
Ron Crotty, bass

Digitally remastered

Please Note: we do not offer the 192 kHz version of this album, because there is no considerable or audible difference to the 96 kHz version!

Dave Brubeck
designated a “Living Legend” by the Library of Congress, was one of the most active and popular musicians in both the jazz and classical worlds. With a career that spanned over six decades, his experiments in odd time signatures, improvised counterpoint, polyrhythm and polytonality remain hallmarks of innovation.

Born into a musical family in Concord, California — his two older brothers were also professional musicians — he began piano lessons with his mother at age four. He was 12 when his father moved the family to a cattle ranch in the foothills of the Sierras. Dave’s life changed dramatically. Piano lessons ended and cowboy life began. He worked with his father on the 45,000 acre cattle ranch. When he was 14, he started playing in local dance bands on weekends. When he enrolled at the College of the Pacific, in Stockton, California, his intention was to study veterinary medicine and return to the ranch. While working his way through school as a pianist in local nightclubs, the lure of jazz became irresistible and he changed his major to music. Graduating in 1942, he enlisted in the Army, and shortly thereafter married Iola Whitlock, a fellow student at Pacific. While serving in Patton’s Army in Europe, he led a racially integrated band. After his discharge from military service in 1946, he enrolled at Mills College in Oakland, California to study composition with French composer, Darius Milhaud. Milhaud encouraged him to pursue a career in jazz and to incorporate jazz elements into his compositions. This cross-genre experimentation with like-minded Milhaud students led to the formation of the Dave Brubeck Octet in 1947. In 1949, Brubeck with Cal Tjader and Ron Crotty, fellow Octet members, cut their first award-winning Dave Brubeck Trio recordings. After suffering a near fatal diving accident in 1951, Dave formed the Dave Brubeck Quartet with alto saxophonist Paul Desmond, who was also a member of the Octet. The legendary Brubeck-Desmond collaboration lasted seventeen years and beyond.

The Dave Brubeck Quartet’s recordings and concert appearances on college campuses in the ‘50s and early ‘60s introduced jazz to thousands of young people. The Quartet’s audiences were not limited to students, however. The group played in jazz clubs in every major city and toured in package shows with such artists as Duke Ellington, Ella Fitzgerald, Charlie Parker, Dizzy Gillespie, and Stan Getz. The Dave Brubeck Quartet repeatedly won top honors in trade magazines and critic’s and reader’s polls. In 1954 Dave Brubeck’s portrait appeared on the cover of Time Magazine with a story about the jazz renaissance and Brubeck’s phenomenal ascendancy.

In 1958 the Quartet made their first of many international tours. The U.S. State Department sponsored the Quartet’s performances in Poland, India, Turkey, Sri Lanka, Afghanistan, Pakistan, Iran and Iraq. Exposure to many different cultures was reflected in the group’s repertoire that sometimes incorporated exotic elements. The 1959 recording “Time Out” experimented in time signatures beyond the usual jazz 4/4. To everyone’s surprise “Time Out” became the first jazz album to sell over a million copies and “Blue Rondo a la Turk” and “Take Five” (now in the Grammy Hall of Fame) began to appear on jukeboxes throughout the world.

Early in his career Brubeck wrote primarily for this Quartet, and some of those pieces, such as “In Your Own Sweet Way” and “The Duke” became part of standard jazz repertoire. His first orchestral composition, “Elementals“, written for an improvising jazz combo and symphony orchestra was premiered and recorded in 1962. Choreographed by Lar Lubovitch, “Elemental Brubeck” is currently in the repertoire of the San Francisco Ballet and several other dance companies.

Throughout his career Brubeck experimented with integrating jazz into classical forms. In 1959 his Quartet premiered and recorded his brother Howard’s “Dialogues for Jazz Combo and Orchestra” with the New York Philharmonic, Leonard Bernstein conducting. In 1960 he composed “Points on Jazz” for the American Ballet Theatre, and in later decades composed for and toured with the Murray Louis Dance Company. His musical theater piece “The Real Ambassadors” starring Louis Armstrong and Carmen McRae was recorded and performed to great acclaim at the 1962 Monterey Jazz Festival.

The “classic” Dave Brubeck Quartet (Paul Desmond, alto sax from 1951; Eugene Wright, bass from 1958; Joe Morello, drums from 1956) was dissolved December 1967. Baritone saxophonist Gerry Mulligan joined a newly formed Dave Brubeck Trio (with Jack Six, bass and Alan Dawson, drums) the following year. This group recorded and toured the world together for seven years. In this period Brubeck also performed with three of his musical sons, Darius, Chris and Dan billed as “Two Generations of Brubeck” frequently with Gerry Mulligan or Paul Desmond as guest artists. ...

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