Debussy: Préludes I & II & Etudes (Remastered) Monique Haas
Album info
Album-Release:
1963
HRA-Release:
23.02.2018
Label: Deutsche Grammophon (DG)
Genre: Classical
Subgenre: Instrumental
Artist: Monique Haas
Composer: Claude Debussy (1862-1918)
Album including Album cover
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- Claude Debussy (1862 - 1918): Préludes / Book 1, L.117:
- 1 1. Danseuses de Delphes 03:22
- 2 2. Voiles 03:11
- 3 3. Le vent dans la plaine 02:14
- 4 4. Les sons et les parfums tournent dans l'air du soir 03:31
- 5 5. Les collines d'Anacapri 03:10
- 6 6. Des pas sur la neige 03:59
- 7 7. Ce qu'a vu le vent d'ouest 03:13
- 8 8. La fille aux cheveux de lin 02:46
- 9 9. La sérénade interrompue 02:29
- 10 10. La cathédrale engloutie 06:38
- 11 11. La danse de Puck 02:51
- 12 12. Minstrels 02:11
- Préludes - Book 2, L.123:
- 13 1. Brouillards 02:56
- 14 2. Feuilles mortes 03:26
- 15 3. La puerta del vino 02:54
- 16 4. "Les fées sont d'exquises danseuses" 03:05
- 17 5. Bruyères 02:57
- 18 6. "General Lavine" - eccentric 02:25
- 19 7. La terrasse des audiences du clair de lune 04:16
- 20 8. Ondine 03:11
- 21 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. 02:29
- 22 10. Canope 03:10
- 23 11. Les tierces alternées 02:31
- 24 12. Feux d'artifice 04:11
- 12 Etudes, L.136:
- 25 1. Pour les "cinq doigts" (d'après Monsieur Czerny) 02:41
- 26 2. Pour les Tierces 03:18
- 27 3. Pour les Quartes 05:15
- 28 4. Pour les Sixtes 04:09
- 29 5. Pour les Octaves 02:38
- 30 6. Pour les huit doigts 01:37
- 31 7. Pour les Degrés chromatiques 02:15
- 32 8. Pour les Agréments 04:32
- 33 9. Pour les Notes répétées 02:57
- 34 10. Pour les Sonorités opposées 05:33
- 35 11. Pour les Arpèges composés 03:46
- 36 12. Pour les Accords 04:03
- Pour le piano, L. 95:
- 37 3. Toccata 03:55
- Préludes / Book 1, L.117:
- 38 8. La fille aux cheveux de lin (2) 02:58
- 12 Etudes, L.136:
- 39 6. Pour les huit doigts (2) 01:28
- Préludes - Book 2, L.123:
- 40 12. Feux d'artifice (2) 03:53
Info for Debussy: Préludes I & II & Etudes (Remastered)
Monique Haas was one of DG's principal pianists in the 1950s. Her play is marked by its elegance, passion and wonderful articulation.
Monique Haas (1909-1987) received the Premier Prix in 1927 from the Paris Conservatoire before going on to study privately with Rudolf Serkin, Georges Enescu and Robert Casadesus. As was common with most French pianists of her generation, she was an active advocate of French composers, ranging from Baroque composers such as François Couperin and Jean-Philippe Rameau through composers such as Debussy, Ravel, and Messiaen. This isn’t to say that she only focused on French composers. Mozart, Chopin, and Bartók, as well as Hindemith, also were part of her repertoire.
Monique Haas, piano
Digitally remastered
No biography found.
This album contains no booklet.