Album info

Album-Release:
2022

HRA-Release:
25.03.2022

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  • Arcangelo Corelli (1653 - 1713), Nicola Francesco Haym (1678 - 1729): Sonata da camera No. 1 in C Minor:
  • 1 Corelli, Haym: Sonata da camera No. 1 in C Minor: I. Largo 01:26
  • 2 Corelli, Haym: Sonata da camera No. 1 in C Minor: II. Vivace 02:16
  • 3 Corelli, Haym: Sonata da camera No. 1 in C Minor: III. Adagio 01:29
  • 4 Corelli, Haym: Sonata da camera No. 1 in C Minor: IV. Allegro 01:00
  • Sonata a tre No. 6 in G Minor, Op. 2:
  • 5 Corelli, Haym: Sonata a tre No. 6 in G Minor, Op. 2: I. Adagio 00:58
  • 6 Corelli, Haym: Sonata a tre No. 6 in G Minor, Op. 2: II. Allegro 02:06
  • 7 Corelli, Haym: Sonata a tre No. 6 in G Minor, Op. 2: III. Grave 01:04
  • 8 Corelli, Haym: Sonata a tre No. 6 in G Minor, Op. 2: IV. Allegro 01:09
  • Sonata da camera No. 2 in D Minor:
  • 9 Corelli, Haym: Sonata da camera No. 2 in D Minor: I. Adagio 01:17
  • 10 Corelli, Haym: Sonata da camera No. 2 in D Minor: II. Allegro 01:51
  • 11 Corelli, Haym: Sonata da camera No. 2 in D Minor: III. Adagio 01:33
  • 12 Corelli, Haym: Sonata da camera No. 2 in D Minor: IV. Allegro 01:06
  • Sonata a tre No. 7 in C Major, Op. 2:
  • 13 Corelli, Haym: Sonata a tre No. 7 in C Major, Op. 2: I. Adagio 01:39
  • 14 Corelli, Haym: Sonata a tre No. 7 in C Major, Op. 2: II. Allemanda Allegro 01:39
  • 15 Corelli, Haym: Sonata a tre No. 7 in C Major, Op. 2: III. Adagio 01:33
  • 16 Corelli, Haym: Sonata a tre No. 7 in C Major, Op. 2: IV. Gavotta 01:11
  • Sonata da camera No. 3 in C Minor:
  • 17 Corelli, Haym: Sonata da camera No. 3 in C Minor: I. Adagio 01:44
  • 18 Corelli, Haym: Sonata da camera No. 3 in C Minor: II. Allegro - Adagio 01:46
  • 19 Corelli, Haym: Sonata da camera No. 3 in C Minor: III. Allegro 01:01
  • Sonata a tre No. 8 in F Major, Op. 2:
  • 20 Corelli, Haym: Sonata a tre No. 8 in F Major, Op. 2: I. Adagio 00:29
  • 21 Corelli, Haym: Sonata a tre No. 8 in F Major, Op. 2: II. Allemanda Allegro 01:46
  • 22 Corelli, Haym: Sonata a tre No. 8 in F Major, Op. 2: III. Adagio 01:13
  • 23 Corelli, Haym: Sonata a tre No. 8 in F Major, Op. 2: IV. Giga Allegro 01:28
  • 24 Corelli, Haym: Sonata a tre No. 8 in F Major, Op. 2: V. Gavotta 00:50
  • Sonata da camera No. 4 in A Minor:
  • 25 Corelli, Haym: Sonata da camera No. 4 in A Minor: I. Largo 01:56
  • 26 Corelli, Haym: Sonata da camera No. 4 in A Minor: II. Allegro 03:03
  • 27 Corelli, Haym: Sonata da camera No. 4 in A Minor: III. Largo 01:38
  • 28 Corelli, Haym: Sonata da camera No. 4 in A Minor: IV. Allegro 02:41
  • Sonata a tre No. 9 in E Minor, Op. 2:
  • 29 Corelli, Haym: Sonata a tre No. 9 in E Minor, Op. 2: I. Adagio 00:44
  • 30 Corelli, Haym: Sonata a tre No. 9 in E Minor, Op. 2: II. Allemanda Allegro 01:10
  • 31 Corelli, Haym: Sonata a tre No. 9 in E Minor, Op. 2: III. Adagio 00:34
  • 32 Corelli, Haym: Sonata a tre No. 9 in E Minor, Op. 2: IV. Giga Allegro 01:11
  • Sonata a tre No. 12 in G Major, Op. 2:
  • 33 Corelli, Haym: Sonata a tre No. 12 in G Major, Op. 2: I. Partite di Ciaccona 03:11
  • Sonata No. 3 in D Major:
  • 34 Corelli, Haym: Sonata No. 3 in D Major: I. Adagio 02:43
  • 35 Corelli, Haym: Sonata No. 3 in D Major: II. Allegro 02:22
  • 36 Corelli, Haym: Sonata No. 3 in D Major: III. Adagio 02:53
  • 37 Corelli, Haym: Sonata No. 3 in D Major: IV. Allegro 01:16
  • 38 Corelli, Haym: Sonata No. 3 in D Major: V. Allegro 02:49
  • Sonata da camera No. 12 in G Major:
  • 39 Corelli, Haym: Sonata da camera No. 12 in G Major: I. Ciaccona. Largo - Allegro 03:24
  • Total Runtime 01:05:09

Info for Haym: Flute Music

This recording presents all of Haym's surviving instrumental works assigned specifically to be played on the flute. His Opus 2 Nos. 6-9 are for two violins or flauti (recorders) and continuo, and No.12 is specifically for two flauti and continuo. Of the 6 Sonate da Camera only the first four are by Haym. Since early-18th-century Italian repertoire for flute is inextricably tied up with that of the violin and its Corellian model, this recording also features an adaptation for flute of a Corelli violin sonata and a direct borrowing from the violin repertoire with extemporaneous adjustments by the performers in Corelli's 'Ciaccona'.

Born in Rome in 1678 into a family of German origins, Nicola Francesco Haym (1678-1729) was employed as a violone and cello player by Cardinal Pietro Ottoboni in the orchestra led by Arcangelo Corelli. Later he moved to London where he took a leading role in establishing Italian opera which was beginning to flourish, while serving as a continuo cellist in the Drury Lane theatre and the Queen's Theatre. In 1713, Haym started to work as librettist for Handel and the collaboration continued until 1728. During this period Haym acquired the role of secretary at the Royal Academy of Music.

Haym's sonatas with flute are the first flute sonatas by an Italian composer to be published. The Sonate a Trè (Op.2) and the Sonate da camera a flauto traversa, haubois o violino solo, are strongly influenced by Corelli in the profound knowledge of counterpoint and the wide spectrum of expression of feelings and affects. From his familiarity with Corelli's music, Haym was able to assimilate the gravity of style and nobility of expression while retaining his own musical personality.

Played by the Cappella Musicale Enrico Stuart, consisting of Chiara Strabioli (transverse flute and recorder), Romeo Ciuffa (recorder and transverse flute), Rebeca Ferri (cello) and Marco Vitale (harpsichord). Founded in 1998 the Capella Musicale Enrico Stuart specializes in 17th- and 18th- century repertoire in which wind instruments play a central role. They previously made for Brilliant Classics highly praised recordings of Boismortier and Valentini.

Cappella Musicale Enrico Stuart
Chiara Strabioli, transverse flute & recorder
Romeo Ciuffa, transverse flute & recorder
Rebeca Ferri, cello
Marco Vitale, harpsichord




Cappella Musicale Enrico Stuart
In 1998 Romeo Ciuffa and Giancarlo delle Chiaie founded CAPELLA MUSICALE ENRICO STUART (C.M.E.S), a group with a changeable cadre specialized in a Seventeenth and Eighteenth century repertoire in which wind instruments take centre stage. The ensemble takes its name from an important personality who lived during difficult times in British and European history, Enrico Carlo Edoardo Stuart, duke of York, son of Giacomo the Third Stuart, heir to the throne and brother of Carlo Edoardo, who tried various times, without success, to retake the throne. The Stuart family, of Catholic faith, chose Rome for their exile and formed a close relationship with the papal courts. Enrico, already decorated as Cardinal by Pope Benedict XIV, became Bishop of Frascati (our base) which he enriched with a continuous cultural project resulting in the founding or the ‘aboracense’ library. The library contains various musical scores including a Magnificat by N. Porpora, commissioned by Enrico Stuart himself, benefactor and patron of the arts of Frascati for more than thirty years. Although initially C.M.E.S. was formed by a choir and a varying instrumental ensemble, the group is now a mainly instrumental ensemble which occasionally presents, depending on the programme, a number of soloist voices. Amongst our most significant representations are Dido and Aeneas by H. Purcell, Il Festino del giovedì grasso avanti cena by A. Banchieri, Messa a 4 voci, Magnificat, Il ballo dele Ingrate, Tirsi e Clori by C. Monteverdi, Stabat Mater by Pergolesi, witty poems and masses by G. P. da Palestrina. C.M.E.S.’ repertoire includes compositions (masses, hymns, motets, oratorios) by M. A. Charpentier, M. R. Delalande and De Brossard and instrumental and vocal music by the likes of Rameau, Lully, Vivaldi and Bach.



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