Con arte e maestria: Virtuoso violin ornamentation from the Italian Baroque Oliver Webber & Steven Devine

• Giovanni Bassano (1561 - 1617):
• 1 Bassano: Ricercata prima 02:29
• Cipriano de Rore (1515 - 1565):
• 2 Rore: Anchor che col partire 03:35
• Oliver Webber (b. 1969), Giovanni Pierluigi da Palestrina (1525 - 1594):
• 3 WebberPalestrina: Deh hor foss’io col vago della luna (Arr. by Oliver Webber) 04:07
• Ascanio Mayone (1565 - 1627):
• 4 Mayone: Canzon francese prima 02:39
• Biagio Marini (1594 - 1663):
• 5 Marini: Sinfonia ‘La Gardana’ 02:06
• Oliver Webber:
• 6 Webber: Ricercata 01:59
• Oliver Webber, Thomas Crecquillon (1505 - 1557):
• 7 WebberCrecquillon: Par trop souffrir de fortune ennemie (Arr. by Oliver Webber) 04:29
• Orlando di Lasso (1532 - 1594):
• 8 Lasso: Susanne ung jour 04:36
• Gärtner:
• 9 Gärtner: Toccata 02:34
• Biagio Marini:
• 10 Marini: Sinfonia ‘L’Orlandina’ 02:09
• Giovanni Gabrieli (1555 - 1612):
• 11 Gabrieli: Toccata del secondo tuono 02:16
• Tomas Luis de Victoria (1548 - 1611):
• 12 Victoria: Dilectus tuus candidus 06:40
• Oliver Webber, Cipriano de Rore:
• 13 WebberRore: Signor mio caro (Arr. by Oliver Webber) 03:50
• Oliver Webber:
• 14 Webber: Ciaccona 04:23
• Michelangelo Rossi (1601 - 1656):
• 15 Rossi: Toccata nona 03:48
• Dario Castello (1602 - 1631):
• 16 Castello: Sonata prima 04:05
• Carlo G (1600 - 1620):
• 17 G: Convertisti planctum 02:41
• Oliver Webber, Giovanni Paolo Caprioli (1580 - 1627):
• 18 WebberCaprioli: Vulnerasti cor meum (Arr. by Oliver Webber) 02:57
• Oliver Webber, Antonio Mortaro (1587 - 1610):
• 19 WebberMortaro: Canzona ‘La Malvezza’ (Arr. by Oliver Webber) 04:27
• Aurelio Virgiliano:
• 20 Virgiliano: [Ricercata] on 'Vestiva i colli' 01:25
• Oliver Webber, Giovanni Pierluigi da Palestrina:
• 21 WebberPalestrina: Così le chiome mie (Arr. by Oliver Webber) 03:44
• Andrea Gabrieli (1532 - 1585):
• 22 Gabrieli: Intonazione Quarto Toni 01:24
• Giovanni Pierluigi da Palestrina:
• 23 Palestrina: Io son ferito 06:08
• Total Runtime 01:18:31

Info for Con arte e maestria: Virtuoso violin ornamentation from the Italian Baroque

"The decades around 1600 bore witness to the flourishing of a remarkable musical tradition: the art of diminution, in which simple melodies were given exquisitely virtuosic embellishments, effectively creating new works. One such creation, Francesco Rognoni’s ornamentation of Palestrina’s Io son ferito, was captioned ‘con arte e maestria’ – with art and mastery – referring to the consummate craftsmanship displayed in its invention and performance. Giving new life to this tradition was the inspiration for this unique programme: alongside iconic works from the diminution canon, Monteverdi String Band members Oliver Webber and Steven Devine present newly ornamented versions of a selection of sixteenth- and early seventeenth-century works."

Oliver Webber, violin
Steven Devine, organ, harpsichord

Oliver Webber
has had a passion for the music of Monteverdi and his contemporaries since his student days in the Hague. He has been a been a key figure at the heart of historical performance for 20 years, and can be heard in concert and on disc with many of the UK’s best known period instrument ensembles: he is the leader of Ludus Baroque (Edinburgh) and principal and guest leader with the Gabrieli Consort & Players, the London Handel Orchestra, the Early Opera Company and the Hanover Band. As a soloist he has performed on violin, viola d'amore and violino piccolo at major London and British venues, as well as festivals throughout Europe such as the Festival Paganiniano di Carro, Italy, and Vrijdag van Vredenburg in Utrecht. He is also frequently called upon as a leader and director abroad, with De Swaen (Amsterdam) and Barokkanerne (Oslo), and in 2012 he led the string band for Andrew Parrott's ground-breaking recording of Orfeo.

Much in demand as a chamber musician, Oliver is a member of the Parley of Instruments, Passacaglia, Abbandonata and the London Handel Players, whose recent recordings for Somm have been described as “performances that are perfection itself, with a dazzling beauty of tone and of phrasing”.

Almost uniquely among performers, Oliver makes his own gut strings; with luthier George Stoppani he has helped to re-string several baroque orchestras (including the Gabrielis) in the light of the most recent historical research. He is a professor at the Guildhall School of Music and Drama, and lectures throughout Europe on various aspects of historical performance. He is currently engaged in a project to re-create the Italian violin band of the 17th century in all its original glory: the Monteverdi Violins are the first part of this enterprise; other research interests include ornamentation from 1580 to 1850, and historical violin and bow holds. Bringing the fruits of scholarly research to life on the concert platform is a driving force behind his work.

Oliver lives in London with his wife and 2 sons, although they spend as much time as possible in the mountains of Liguria.

Steven Devine
enjoys a busy career as a music director and keyboard player working with some of the finest musicians.

He is the Principal Keyboard Player with the Orchestra of the Age of Enlightenment and also the principal keyboard player for The Gonzaga Band, The Mozartists and performs regularly with many other groups around Europe. He has recorded over thirty discs with other artists and ensembles and made six solo recordings. His recording of Bach’s Goldberg Variations (Chandos Records) has been received critical acclaim – including Gramophone magazine describing it as “among the best”. The complete harpsichord works of Rameau (Resonus) has received five-star reviews from BBC Music Magazine and Steven’s latest recording of Bach’s Italian Concerto has been voted Classic FM’s Connoisseur’s choice. Steven has released Bach’s Well-Tempered Clavier (“it’s the one of all I’ve heard in the past ten years that I am happiest to live with.” Early Music Review) – available on this site.

He made his London conducting debut in 2002 at the Royal Albert Hall and is now a regular performer there – including making his Proms directing debut in August 2007 with the Orchestra of the Age of Enlightenment. He has conducted the Mozart Festival Orchestra in every major concert hall in the UK and also across Switzerland. Steven is Music Director for New Chamber Opera in Oxford and with them has performed repertoire from Cavalli to Rossini. For the Dartington Festival Opera he has conducted Handel’s Orlando and Purcell’s Dido and Aeneas. He is currently conductor and Artistic Advisor for the English Haydn Festival in Bridgnorth.

Steven works regularly with the Norwegian Wind Ensemble, Trondheim Barokk, the Victoria Baroque Players (BC, Canada) and Arion Baroque Ensemble (Montreal).

He teaches harpsichord and fortepiano at Trinity Laban Conservatoire in London and is Early Keyboard Consultant to the Royal Birmingham Conservatoire and Royal Welsh Colleges.

Finally, Steven is thrilled to be a member of the ground-breaking Art of Moog: an electronic music group specialising in the performance of Bach.

“He proved to be inspired, directing a performance full of vigour and forward movement and some excellent singing. Church Times May 2019

“one cannot ignore the immensely intelligent and impeccably placed keyboard continuo work of Steven Devine.” International Record Review, January 2012

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