Chédeville: Les saisons amusantes (D'après Antonio Vivaldi) Ensemble Danguy & Tobie Miller

• Nicolas Chédeville (1705 - 1782): Le Printems ou Les Saisons amusantes, Op. 8:
• 1 Le Printems ou Les Saisons amusantes, Op. 8: I. Le Printems (Allegro) 03:22
• 2 Le Printems ou Les Saisons amusantes, Op. 8: II. Le Printems (Adagio) 02:08
• 3 Le Printems ou Les Saisons amusantes, Op. 8: III. Le Printems (Pastorello) 03:32
• 4 Le Printems ou Les Saisons amusantes, Op. 8: I. Les Plaisirs de l'Été (Allegro) 03:08
• 5 Le Printems ou Les Saisons amusantes, Op. 8: II. Les Plaisirs de l'Été (Largo) 02:40
• 6 Le Printems ou Les Saisons amusantes, Op. 8: III. Les Plaisirs de l'Été (La Caccia) 03:26
• 7 Le Printems ou Les Saisons amusantes, Op. 8: I. La Moisson (Allegro) 02:59
• 8 Le Printems ou Les Saisons amusantes, Op. 8: II. La Moisson (Largo) 02:10
• 9 Le Printems ou Les Saisons amusantes, Op. 8: III. La Moisson (Allegro) 03:31
• 10 Le Printems ou Les Saisons amusantes, Op. 8: I. L'Automne (Allegro) 04:39
• 11 Le Printems ou Les Saisons amusantes, Op. 8: II. L'Automne (Largo) 01:37
• 12 Le Printems ou Les Saisons amusantes, Op. 8: III. L'Automne (Allegro) 03:14
• 13 Le Printems ou Les Saisons amusantes, Op. 8: I. Les Plaisirs de la Saint-Martin (Allegro) 03:08
• 14 Le Printems ou Les Saisons amusantes, Op. 8: II. Les Plaisirs de la Saint-Martin (Largo) 01:47
• 15 Le Printems ou Les Saisons amusantes, Op. 8: III. Les Plaisirs de la Saint-Martin (Allegro) 02:44
• 16 Le Printems ou Les Saisons amusantes, Op. 8: I. L'Hiver (Allegro) 02:55
• 17 Le Printems ou Les Saisons amusantes, Op. 8: II. L'Hiver (Largo) 02:00
• 18 Le Printems ou Les Saisons amusantes, Op. 8: III. L'Hiver (Allegro) 02:44
• Total Runtime 51:44

Info for Chédeville: Les saisons amusantes (D'après Antonio Vivaldi)

The life of Nicolas Chédeville (1705-1782) covers exactly the golden age of the hurdy-gurdy and the musette, the French baroque bagpipe. His time witnessed an ‘art of living’ that revelled playfully in the idealization of nature as a mirror of ancient Arcady, and his works contributed to the soundscape of his time, one that portrayed this idyllic milieu in operatic dramas whose heroes were constantly questing for the past … In 1739 he published Les Saisons amusantes, concertos by Antonio Vivaldi arranged for bagpipes and hurdy-gurdies. These transcriptions of concertos from Cimento dell armonia e dell’inventione include arrangements for the hurdy-gurdy of three concertos from the Four Seasons (Spring, Autumn, and Winter). The same year Chédeville made further bucolic arrangements of another three Vivaldi concertos from the same set, calling them Les Plaisirs de l’Été, La Moisson, and Les Plaisirs de la Saint-Martin (a version of Vivaldi’s Il Piacere). Tobie Miller, a star virtuoso of the hurdy-gurdy whose first recording for Ricercar (La Belle Vielleuse, RIC 382) was heaped with critical praise, tackles this repertoire with infectious spontaneity.

Ensemble Danguy
Tobie Miller, baroque hurdy-gurdy, direction

Tobie Miller
The Canadian hurdy gurdy player, recorderist and singer, Tobie Miller, grew up in a family of classical musicians. After studies in Early Music Performance (B.Mus) at McGill University (Montreal, Canada), she moved to Basel (Switzerland) to pursue postgraduate studies at the prestigious Schola Cantorum Basiliensis (Aufbaustudium Diplom with High Distinction, 2008, and M.A. Musical Pedagogy, 2012). Her work in Basel was supported by two grants from the Canada Council for the Arts, and by the J.B.C. Watkins Award. She was the recipient of a further grant from the Canada Council in 2011-2012 for her work on the baroque hurdy gurdy and transcriptions of J.S. Bach's solo cello and violin repertoire for the same instrument.

Currently based in Basel, Tobie continues to perform and record both as a soloist and with numerous ensembles including the Ensemble Baroque de Limoges (recording of Haydn and Mozart concerti, on the Laborie label), Les Musiciens de Saint Julien (recording on Alpha label), Per Sonat (recordings on the Christophorus label), Le Miroir de Musique (recordings on the Ricercar label), Leones (recordings on the Christophorus and Naxos labels) and her own ensembles, La Rota and Ensemble Danguy. She has recently recorded her transcriptions of J.S. Bach's solo works for cello and violin on the Raumklang label, as well as a cd of 18th century French hurdy gurdy sonatas on the Ricercar label (both forthcoming).

One of the only hurdy gurdy players to come to the instrument through early music, she is recognized as a virtuoso of the baroque hurdy gurdy, and performs in various formations, including in duo with the Austrian hurdy gurdy player, Matthias Loibner, as well as with well- known conductors such as Jordi Savall, Christophe Coin, and Wieland Kuijken. While maintaining a busy performing career, she also teaches regularly at workshops and festivals including the Over the Water Hurdy Gurdy Festival (2005-2010), Les Journées de La Flûte à Bec (2006), Asociaciòn Ibérica de la Zanfona (2010, 2015), Sherborne Early Music Society (2015), and at the Schola Cantorum Basiliensis (2008, 2012). In 2015 she was the invited soloist for the 11th International Zona de la Zanfona festival in Galicia.

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