Zádor: Orchestral Works Budapest Symphony Orchestra MAV & Mariusz Smolij

• Eugene Zádor (1894 - 1977):
• 1 Tarantella 08:34
• Music for Clarinet & Strings:
• 2 Music for Clarinet & Strings: I. Andantino - Allegro 04:50
• 3 Music for Clarinet & Strings: II. Molto moderato - Allegretto scherzando 03:40
• 4 Music for Clarinet & Strings: III. Alla zingaresca 05:16
• Trombone Concerto:
• 5 Trombone Concerto: I. Moderato 04:06
• 6 Trombone Concerto: II. Allegretto 05:12
• 7 Trombone Concerto: III. Dance 04:48
• Eugene Zádor:
• 8 In Memoriam 05:47
• Sinfonia technica:
• 9 Sinfonia technica: I. The Bridge 08:04
• 10 Sinfonia technica: II. The Telegraph Pole 06:00
• 11 Sinfonia technica: III. Water Works 05:30
• 12 Sinfonia technica: IV. Factory 07:53
• Total Runtime 01:09:40

Info for Zádor: Orchestral Works

This second disc of orchestral works by Zador includes his most-performed piece, the Divertimento for Strings and the composer's own favourite, Studies for Orchestra.

Eugene Zádor, who emigrated from Hungary to the United States in 1939, described his style as exactly between La Traviata and Lulu. Although some of his works are overtly Hungarian in style, for the most part he composed in a cosmopolitan but conservative twentieth-century idiom, firmly grounded in tradition, that is strongly tonal and highly contrapuntal. The second volume of this series features the richly varied Oboe Concerto and Divertimento for Strings (his most-performed piece) and the composers own favourite, Studies for Orchestra, which, despite its great profusion of ideas and melodic lines, has a remarkable unity and consistency.

"Born in Hungary in 1894, Eugene Zador was one of many central European emigrants who worked tirelessly in Hollywood making other names famous. He was among those who had the skill to turn the work of 'tunesmiths' into the orchestral backdrops of the great motion pictures through from the 1940's to the 1960's. Most were never even credited at the end of the film, the 'tunesmith' taking the full honours. That could have been the end of the Zador story, apart from the fact that he was so prolific he continued to add to the wealth of music he had composed before he left a troubled Europe for life in the United States. 'A middle of the road extremist' was a self-description, his style of composing derived from student days with Heuberger in Vienna and Reger in Leipzig, his eventual catalogue including four symphonies, several operas and chamber music. Though his orchestral works captured the attention of major conductors and orchestras, it has sadly fallen into oblivion. Seemingly most happy writing music of cameo length, the Studies for Orchestra, is an extended score constructed from eight pieces of varying moods used to display various orchestral departments. Maybe he was also a musical magpie, with influences as diverse as Bartok, Weill and Holst, but this engaging score can hardly fail to give pleasure. Equally easy on the ear, and straight from a romantic movie, comes the Oboe Concerto, and you need to move to the three movements of the Divertimento for Strings, composed in 1954, to hear a really gifted 'classical' composer at work. The Elegie and Dance from the same year, completes this disc admirably played by the Budapest orchestra conducted by Mariusz Smolij. The soloist is the highly regarded Hungarian oboist, Laszlo Hadady, his career concentrated on France where has been for many years the principal of the Ensemble Intercontemporain." (David's Review Corner)

Budapest Symphony Orchestra MAV
Mariusz Smolij, conductor

Mariusz Smolij
is considered one of the most exciting conductors of his generation. A frequent recording artist for Naxos International, he has been consistently gaining international critical acclaim, including praise from The New York Times for “compelling performances.” Maestro Smolij has led over 130 orchestras in 28 countries on five continents, appearing in some of the world’s most prestigious concert halls. In North America, he has conducted (among many others) the Houston Symphony, the New Jersey Symphony, the Orchestra of the Chicago Lyric Opera, the St. Louis Philharmonic, the Rochester Philharmonic, the Indianapolis Symphony, the Indianapolis Chamber Orchestra, the New Orleans Philharmonic, the Hartford Symphony and Symphony Nova Scotia. Internationally, he enjoys a notable reputation, appearing with important symphonic ensembles in Germany, Italy, France, Switzerland, Holland, Israel, South Africa, Bulgaria, Hungary, the Czech Republic, the Slovak Republic and Poland. His engagements have included collaborations with the Berner Symphony and Sinfonieorchester Basel in Switzerland (recording a CD and leading a series of concerts at the Tonhalle in Zürich with the latter), performances with Sinfonia Rotterdam, the Florence Chamber Orchestra, the Israel Symphony Orchestra, the Jerusalem Symphony, Orchestre Lamoureux in Paris, the Jena and Kiel Philharmonics in Germany, Virtuosi di Madrid, the Belgrade Philharmonic, the Budapest Symphony Orchestra, the Sofia Philharmonic, the Bogota (Colombia) Philharmonic, the Johannesburg Philharmonic in South Africa, and all the leading orchestras in his native Poland—including Sinfonia Varsovia, Polish Chamber Orchestra, the Lutoslawski Philharmonic and the Warsaw National Philharmonic.

Maestro Smolij is currently Music Director of Acadiana Symphony Orchestra in Louisiana and Riverside Symphonia in New Jersey. He is the former Artistic Director of Lutosławski Philharmonic in Wrocław (Poland), Toruń Symphony Orchestra as well as International Festival Wratislavia Cantans in Poland.

Maestro Smolij has been a permanent conductor with several acclaimed orchestras and musical institutions in the United States and Europe. Between 2000 and 2003, at the invitation of Maestro Christoph Eschenbach, he served as Resident Conductor of the Houston Symphony, where he led the orchestra in over one hundred concerts, presenting an impressively wide spectrum of orchestral repertoire. He was also assistant conductor of the New Jersey Symphony Orchestra, where he led the ensemble in over one hundred and twenty performances, receiving the highest accolades from critics and public alike.

Maestro Smolij served on the faculty of the School of Music at Northwestern University in Chicago-Evanston as a professor of conducting and director of the chamber orchestra from 1996 to 2000. At that time, he was the youngest full-time conducting faculty member among the top conservatories and universities in North America.

In Europe, Maestro Smolij has been closely associated with one of Eastern Europe’s oldest and most renowned orchestras, the Wroclaw (Breslau) Philharmonic in Poland. He is credited with restructuring the orchestra’s operations and its artistic season, and with introducing innovative artistic concepts and new repertoire. He has not only conducted this orchestra in Poland, but successfully led it during foreign tours in Germany (Rheingau Music Festival), the Czech Republic (Janacek May Festival), France (opening concerts in Strasbourg for “The Year of Polish Culture”) and during its first historic tour of the United States (concerts in New York’s Lincoln Center and Philadelphia’s Kimmel Center, among others). Between 2002 and 2004 he presided over the International Festival Wratislavia Cantans. In 2004 he appeared in the Concertgebouw in Amsterdam with the Rotterdam Chamber Orchestra; in 2002 he made his Paris conducting debut with the Orchestre des Concerts Lamoureux in the prestigious Salle Gaveau. In 2001 he made his highly acclaimed debut at New York’s Carnegie Hall with the Sinfonia Varsovia. His frequent collaboration with this premiere Polish orchestra includes concerts on three continents—Europe, North America and Asia—and a series of recording projects featuring masterworks of Polish and American symphonic music. His first CD—with music by Copland, Gershwin and Bernstein—was released in July 2002; his second (with music by Andrzej Panufnik) was issued by Naxos in November 2006.

His prolific recording output includes 13 CDs for Naxos primarily featuring Eastern European composers including Miklos Rozsa, Eugene Zador, Andrzej Panufnik and Tadeusz Szeligowski. His 2015 recording of music by prominent Polish woman composer Grażyna Bacewicz received prestigious Frederyk Award, equivalent of Polish Grammy.

The American Symphony Orchestra League in New York City named Maestro Smolij to its prestigious list of the most promising young conductors in America and featured him during its special Conductors Preview.

Maestro Smolij has introduced many American audiences to several unknown works by Eastern European composers, and he regularly performs American orchestral music in Europe. In January 1996, he led the Polish Radio Orchestra in Krakow, Poland, in an all-American program which was broadcast to several Eastern European countries. In 2001, he led a special gala performance of American symphonic music in the Hall of the National Theater in Warsaw, Poland, that was recorded and broadcast by both Polish and American radio stations. The Hungaroton label issued his recording of music by American composer Bill Karlins in 2000. With the Wroclaw Philharmonic he has given the European and Polish premieres of works by American composers such as Barber, Copland, Kernis, Rouse, Ellington and others. As an extremely effective advocate and promoter of Polish music outside of his native country, Maestro Smolij frequently programs and performs works by Polish composers. In 1998, he organized the Polish Music Festival in Chicago, the single largest presentation of Polish music abroad in the last quarter of a century.

Maestro Smolij’s reputation as a conducting pedagogue extends to both sides of the Atlantic. He is a faculty member of the International Workshops for Conductors in the Czech Republic, teaches at professional conducting seminars in the USA and Poland, and was invited to present conducting master classes at the Zürich Conservatory in Switzerland. Born near Katowice, Poland, Maestro Smolij is an accomplished violinist. Founder of the internationally recognized Penderecki String Quartet, he performed and recorded with this ensemble in Poland, Germany, France, Italy and the United States. After studies in Europe he studied conducting in the United States, earning a doctoral degree from the Eastman School of Music.

Booklet for Zádor: Orchestral Works