Thank You Diana Ross

• 1 Thank You 03:45
• 2 If The World Just Danced 03:44
• 3 All Is Well 04:32
• 4 In Your Heart 04:16
• 5 Just In Case 03:09
• 6 The Answer's Always Love 04:33
• 7 Let's Do It 03:40
• 8 I Still Believe 03:38
• 9 Count On Me 03:29
• 10 Tomorrow 03:23
• 11 Beautiful Love 04:00
• 12 Time To Call 03:31
• 13 Come Together 03:43
• Total Runtime 49:23

Info for Thank You

Mit Wertschätzung und Liebe: Diana Ross singt der Welt „Danke“. „Diese Liedersammlung ist mein Geschenk an dich mit Wertschätzung und Liebe. Ich bin ewig dankbar, dass ich in dieser Zeit die Möglichkeit hatte, diese herrliche Musik aufzunehmen“, sagte Frau Dr. Ross. Ihr neues Album „Thank You“ soll diesen Herbst über Decca Records / Universal Music Group erscheinen.

Aufgenommen in ihrem Heimstudio bietet "Thank You" eine kraftvolle, inklusive musikalische Botschaft der Liebe und des Zusammenseins. Mit seinen Liedern von Glück, Wertschätzung und Freude erkennt es von ganzem Herzen an, dass wir alle zusammen sind. Ihre Familie, Freunde und treue und ein liebevolles Publikum auf der ganzen Welt ist ein wesentlicher Bestandteil ihrer wundervollen Lebensgeschichte. In diesem besonderen Moment ist es an der Zeit, ins Licht zu treten.

Mrs. Ross hat an den 13 Songs mitgeschrieben und zusammen mit preisgekrönten Songwritern und Produzenten gearbeitet, darunter: Jack Antonoff, Troy Miller, Triangle Park, Spike Stent, Prince Charlez, Amy Wadge, Neff-U, Freddie Wexler, Jimmy Napes, Tayla Parx , Fred White und Nathanial Ledgewick.

Lassen Sie uns jetzt und für die Zukunft in Harmonie und Dankbarkeit mit Diana Ross zusammenkommen. „Ihnen allen, den Hörern, widme ich dieses Liederbuch der Liebe. Wenn du meine Stimme hörst, hörst du mein Herz. „Lass die Liebe den Weg weisen“

Diana Ross

Diana Ross
While still in high school Ross became the fourth and final member of the Primettes, who recorded for Lu-Pine in 1960, signed to Motown Records in 1961 and then changed their name to the Supremes. She was a backing vocalist on the group's early releases, until Motown boss Berry Gordy insisted that she become their lead singer, a role she retained for the next six years. In recognition of her prominent position in the Supremes, she received individual billing on all their releases from 1967 onwards.

Throughout her final years with the group, Ross was being groomed for a solo career under the close personal supervision of Gordy. In late 1969, he announced that Ross would be leaving the Supremes, and she played her final concert with the group in January 1970. The same year, following the relative failure of "Reach Out And Touch (Somebody's Hand)", Ross began a long series of successful solo releases with the US chart-topping "Ain't No Mountain High Enough". She continued to enjoy success with lightweight love songs in the early 70s, with "I'm Still Waiting" topping the UK charts in 1971, and "Touch Me In The Morning" becoming her second US number 1 in 1973.

In April 1971, she had married businessman Robert Silberstein. Motown's plan to widen Ross' appeal led her to host a television special, Diana!, in 1971. In 1972, she starred in Motown's film biography of Billie Holiday, Lady Sings The Blues, winning an Oscar nomination for her stirring portrayal of the jazz singer's physical decline into drug addiction. However, subsequent starring roles in Mahogany (1975) and The Wiz (1978) drew a mixed critical response. In 1973, she released an album of duets with Marvin Gaye, though allegedly the pair did not meet during the recording of the project. She enjoyed another US number 1 with the theme song from Mahogany, subtitled "Do You Know Where You're Going To", in 1975.

Her fourth US chart-topper, "Love Hangover" (1976), saw her moving into the contemporary disco field, a shift of direction that was consolidated on the 1980 album Diana, produced by Nile Rodgers and Bernard Edwards of Chic. Her choice of hit material continued to be inspired and the 80s started with a major hit, "Upside Down", which rooted itself at the top of the US chart for a month, and reached number 2 in the UK. Similar but lesser success followed with "I'm Coming Out" (US number 5) and "It's My Turn" (US number 9), although she enjoyed another UK Top 5 hit with the jaunty "My Old Piano". The following year a collaboration with Lionel Richie produced the title track to the movie Endless Love.

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