Telemann: The Concerti-en-suite Tempesta di Mare & Emlyn Ngai

• Richard Stone (1953 - 2001), Georg Philipp Telemann (1681 - 1767): Chamber Concerto in F Major, TWV 54:F1 (Reconstr. R. Stone):
• 1 Chamber Concerto in F Major, TWV 54:F1 (Reconstr. R. Stone): I. Vivace 04:59
• 2 Chamber Concerto in F Major, TWV 54:F1 (Reconstr. R. Stone): II. Scherzando 02:33
• 3 Chamber Concerto in F Major, TWV 54:F1 (Reconstr. R. Stone): III. Vivace da capo 04:57
• 4 Chamber Concerto in F Major, TWV 54:F1 (Reconstr. R. Stone): IV. Bourrées I & II 04:30
• 5 Chamber Concerto in F Major, TWV 54:F1 (Reconstr. R. Stone): V. Menuett & Trio 03:46
• 6 Chamber Concerto in F Major, TWV 54:F1 (Reconstr. R. Stone): VI. Loure 01:27
• 7 Chamber Concerto in F Major, TWV 54:F1 (Reconstr. R. Stone): VII. Gigue 02:30
• Georg Philipp Telemann: Concerto di camera in G Minor, TWV 43:g3:
• 8 Concerto di camera in G Minor, TWV 43:g3: I. Allegro 03:22
• 9 Concerto di camera in G Minor, TWV 43:g3: II. Siciliana 03:37
• 10 Concerto di camera in G Minor, TWV 43:g3: III. Bourrée 00:58
• 11 Concerto di camera in G Minor, TWV 43:g3: IV. Menuet 03:20
• Violin Concerto in F Major, TWV 51:F4:
• 12 Violin Concerto in F Major, TWV 51:F4: I. Presto 06:01
• 13 Violin Concerto in F Major, TWV 51:F4: II. Corsicana 04:03
• 14 Violin Concerto in F Major, TWV 51:F4: III. Allegrezza 03:12
• 15 Violin Concerto in F Major, TWV 51:F4: IV. Scherzo 04:19
• 16 Violin Concerto in F Major, TWV 51:F4: V. La caccia 01:59
• 17 Violin Concerto in F Major, TWV 51:F4: VI. Polacca 03:10
• 18 Violin Concerto in F Major, TWV 51:F4: VII. Minuetto 03:41
• Total Runtime 01:02:24

Info for Telemann: The Concerti-en-suite

Man beschäftigte sich ausgiebig mit Stilfragen im 18. Jahrhundert - nicht nur in der Mode oder in der Konversation, sondern auch in der Musik. Eine Kategorie stetiger Auseinandersetzung waren die nationalen Stile. Es gab ernsthafte Diskussionen darüber, welcher Nationalstil kulturell und ästhetisch höher einzuschätzen sei: der italienische oder der französische. Georg Philipp Telemann mochte beide - sein Markenzeichen ist der damals sogenannte vermischte Geschmack, der sich das Beste aus jedem Stil herauspickt - Virtuosität und Energie aus dem italienischen, Eleganz und Noblesse aus dem französischen.

VERMISCHTER GESCHMACK: Einige Paradebeispiele des vermischten Geschmacks bei Telemann hat jetzt das Tempesta di Mare Baroque Orchestra aus Philadelphia auf einer neuen CD mit dem Titel "The Concerti-en-suite" vorgelegt. In seinen sogenannten Konzertsuiten kreuzt Telemann das italienische Solokonzert mit der französischen Suite und ihrer Abfolge stilisierter Tanzsätze. Jeweils der erste Satz dieser Stücke ist nach dem Vorbild der Solokonzerte von Albinoni oder Vivaldi gestaltet - mit kraftvoll-dynamischen Ritornellen und virtuosen Solopassagen verschiedener Instrumente. Danach folgen die Tanzsätze, wobei sich Telemann überwiegend an französischen Mustern orientiert, aber auch italienische und polnische Tänze integriert.

MITREISSEND MUSIZIERT: Das Tempesta di Mare Baroque Orchestra hat sich inzwischen als das führende Ensemble für Alte Musik in den USA etabliert. Aber auch in Europa ist das Barockorchester in verschiedenen Besetzungen bei den bedeutendsten Festivals präsent. In Telemanns Konzertsuiten glänzen die Mitglieder von Tempesta di Mare als brillante Solisten, darunter Gwyn Roberts (Blockflöte) oder Konzertmeister Emlyn Ngai (Violine). Aber auch musikwissenschaftliche Fachkompetenz weiß das Ensemble in seinen Reihen: Der international renommierte Telemann-Spezialist Steven Zohn etwa spielt die Traversflöte. Diese Vielseitigkeit wirkt sich auf das klangliche Ergebnis aus: Eine fachlich gut konzipierte wie mitreißend musizierte Einspielung.

Emlyn Ngai, Violine
Tempesta di Mare Baroque Orchestra

Emlyn Ngai
enjoys a diverse life as both a modern and historical violinist. In addition to being associate concertmaster of the Carmel Bach Festival and director of the festival’s Circle of Strings, Emlyn is a member of the Adaskin String Trio with which he has performed extensively across Canada and the United States and has been recorded for broadcast by CBC Radio, Radio-Canada, and National Public Radio. As concertmaster of Tempesta di Mare, the Philadelphia Baroque Orchestra, he has performed across the US and in Europe, and has made eight releases on the British label Chandos. Tempesta’s recordings and live performance broadcasts are distributed nationally through NPR and internationally via the European Broadcasting Union. His association with such early music groups as Apollo’s Fire, Boston Baroque and Joshua Rifkin’s Bach Ensemble has taken him to Bermuda, Germany, Spain, and the UK as well as across the US. Recording credits include Centaur, MSR Classics, New World Records, and Telarc. His recordings for the label Musica Omnia have received acclaim in American Record Guide, BBC Music Magazine, Gramophone, and The Strad. Emlyn holds degrees from McGill University, Oberlin College Conservatory, and the Hartt School. His teachers have included Frona Colquhoun, Sydney Humphreys, Thomas Williams, Eugene Drucker and Philip Setzer. It was during his studies with Marilyn McDonald at Oberlin that he won first prize on baroque violin in the 1995 Locatelli Concours Amsterdam and appeared at the Teatro Donizetti in Bergamo with Ensemble Il Giardino Armonico and the Berliner Tage für Alte Musik.

An enthusiastic educator, Emlyn has taught at Boston University, Mount Holyoke College, and McGill University and has been a faculty member of Amherst Early Music, Madison Early Music Festival and the Oberlin Baroque Performance Institute. Currently he teaches modern and baroque violin, chamber music and performance practice at The Hartt School, where he also co-directs the Collegium Musicum.

Tempesta di Mare
performs baroque music on baroque instruments with what the Philadelphia City Paper describes as “zest and virtuosity that transcends style and instrumentation.” Led by co-directors Gwyn Roberts and Richard Stone with concertmaster Emlyn Ngai, Tempesta di Mare's repertoire ranges from staged opera with full orchestra to chamber music.

Tempesta di Mare is named for baroque master Antonio Vivaldi’s concerto meaning “storm at sea,” a title reflecting composers’ belief in the power of their music to evoke drama. Roberts and Stone founded Tempesta in 1996 to pursue their ideal of baroque music as a rhetorical, dramatic art form. The group’s debut CD of recorder sonatas by Veracini, released that year on PGM, received BBC Music Magazine's highest rating, with such praise as “world-class virtuosity” and “breathtaking results.”

Hailed by the Philadelphia Inquirer for its “off-the-grid chic factor,” Tempesta’s Greater Philadelphia Concert Series has enjoyed a rapid rise to prominence since its launch in 2002, with press endorsements from Philadelphia to Paris. With an emphasis on breaking new ground, Tempesta di Mare has brought numerous world, national and regional modern premieres to the area. Tempesta di Mare—the only permanent baroque ensemble in Pennsylvania that consistently performs orchestral repertoire with truly orchestral forces—is one of just three baroque orchestras nationwide to receive the National Endowment for the Arts Artistic Excellence Award in 2007, and again with two more Artistic Excellence awards for 2008.

Tempesta di Mare’s CD Flaming Rose, Handel's German Arias with soprano Julianne Baird, was released in August 2007 on the British label Chandos, the world's largest independent classical record company. In a market dominated by European ensembles, Tempesta di Mare is the first and only American baroque music group on the Chandos roster. Its first Chandos release, the world premiere recording of the complete lute concerti of Silvius Leopold Weiss, was released in June 2004. A third Chandos disc, modern premieres of orchestral music by Johann Friedrich Fasch, recorded live in concert on our Greater Philadelphia Concert Series in 2007, was released in April 2008.

Tempesta has toured from Oregon to Prague, with praise ranging from “the energy of a rock solo and the craft of a classical cadenza” (Washington Post) to “an experience of intimate dialogues” (Lidové Noviny, Prague). National broadcasts of performances include Performance Today, Sunday Baroque and Harmonia. Concerts are carried locally on WHYY-91FM's Showcase and video of recent performances can be seen on WYBE Public Television. WHYY TV12 has also produced three short documentaries about the group.

Booklet for Telemann: The Concerti-en-suite