Better Man (Original Motion Picture Soundtrack) Robbie Williams
Album info
Album-Release:
2024
HRA-Release:
27.12.2024
Album including Album cover
I`m sorry!
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 1 Feel (From Better Man: Original Motion Picture Soundtrack) 03:00
- 2 I Found Heaven (From Better Man: Original Motion Picture Soundtrack) 03:02
- 3 Rock DJ (From Better Man: Original Motion Picture Soundtrack) 04:01
- 4 Relight My Fire (From Better Man: Original Motion Picture Soundtrack) 02:36
- 5 Come Undone (From Better Man: Original Motion Picture Soundtrack) 03:08
- 6 She's the One (From Better Man: Original Motion Picture Soundtrack) 04:18
- 7 Something Beautiful (From Better Man: Original Motion Picture Soundtrack) 04:01
- 8 Land of 1000 Dances (From Better Man: Original Motion Picture Soundtrack) 04:05
- 9 Angels (From Better Man: Original Motion Picture Soundtrack) 05:29
- 10 Let Me Entertain You (From Better Man: Original Motion Picture Soundtrack) 03:38
- 11 Better Man (From Better Man: Original Motion Picture Soundtrack) 04:20
- 12 My Way (From Better Man: Original Motion Picture Soundtrack) 07:04
- 13 Forbidden Road (From Better Man: Original Motion Picture Soundtrack) 03:17
Info for Better Man (Original Motion Picture Soundtrack)
Better Man (Original Motion Picture Soundtrack) enthält Songs aus Better Man„, die speziell für den Film unter der Regie von Michael Gracey (“The Greatest Showman") neu aufgenommen und arrangiert wurden. Basierend auf der wahren Geschichte von Robbies Leben wird er im Film als CGI-Affe dargestellt.
Die Veröffentlichung von Robbies musikalischem Biopic-Film „Better Man“ kommt am 02.01.25 in die deutschen Kinos kommt und in dem Williams durchgehend als CGI-Affe dargestellt wird… Basierend auf der wahren Geschichte von Robbies Leben und unter der Regie von Michael Gracey („The Greatest Showman“), wird der Film aus Robbies Perspektive erzählt und fängt seinen unverwechselbaren Witz und seinen unbeugsamen Geist ein. Der Film folgt seinem Weg von der Kindheit über das jüngste Mitglied der Boyband Take That bis hin zu seinen beispiellosen Erfolgen als rekordbrechender Solokünstler – und das alles, während er sich den Herausforderungen stellt, die stratosphärischer Ruhm und Erfolg mit sich bringen können. Im Gespräch über den Film hob Regisseur Michael Gracey hervor, dass Robbie sich immer wieder als Affe bezeichnete. „Robbie sagte Dinge wie: ‚Ich tanze auf dem Rücken wie ein Affe‘. Nach einer Weile dachte ich: ‚Wäre es nicht toll, Robbie als Affen im Film darzustellen?‘ Denn Robbie erzählt diese Geschichte – und so sieht er sich selbst.“
Robbie ist einer der höchstdekorierten Musikkünstler der Welt: Sechs der 100 meistverkauften Alben in der britischen Geschichte, 85 Millionen verkaufte Alben weltweit, 14 britische Nummer-1-Alben und 18 BRIT Awards – mehr als jeder andere Künstler. Im Juli kehrte er für eine von der Kritik gefeierte und ausverkaufte Headline-Show in den BST Hyde Park in London zurück. Im November 2023 veröffentlichte Netflix Robbies mit Spannung erwartete vierteilige Dokumentarserie mit dem Titel Robbie Williams“, die in 22 Ländern die Nummer 1 auf Netflix wurde. Seit er 2006 Soccer Aid für UNICEF mitbegründet hat, hat Robbie bis heute weltweit 106 Millionen Pfund für wohltätige Zwecke gesammelt.
Robbie Williams
Robbie Williams
Out of all the members of Take That, Robbie Williams never really seemed to fit in. Roguishly handsome where his bandmates were merely cute, Williams was tougher and sexier than the rest, which made him more distinctive. He also fought regularly with the other members and their management, primarily because he was occasionally adverse to being so heavily packaged. So it didn't come as a surprise that he was the first to leave the band, departing early in the summer of 1995 to pursue a solo career (by some accounts, he was fired from the group). Although he was the first out of the gate, it took Williams awhile to get started. For most of 1995, he attempted to boost his credibility by tagging along with Oasis, hoping that Noel Gallagher would give him a couple of songs. He never did, but all of his time with Oasis launched Williams into a world of heavy partying, drinking, and drugging. Over the course of 1996, he was only heard from in gossip columns, and every published picture indicated he had put on considerable weight. Occasionally, he was quoted as saying his new music would abandon lightweight dance-pop for traditional Brit-pop, but his first single was a cover of George Michael's Freedom '90. Released late in 1996, the single was a disaster, but his second single, 1997's Old Before I Die, was more in the vein of his early pronouncements, featuring a distinct Oasis influence.
Williams finally released his first solo album, Life Thru a Lens, in 1997. The album became a big hit in Britain, prompting his second, I've Been Expecting You, in 1998. (The Ego Has Landed, a U.S.-only compilation designed for breaking Williams to American audiences, was released stateside in the spring of 1999.) Sing When You're Winning followed in late 2000, gaining success with the video hit Rock DJ, while a big-band album of standards (Swing When You're Winning) appeared a year later. During 2002, Williams celebrated an enormous new contract with EMI (rumored to be upwards of $80 million dollars), but suffered the loss of his longtime production partner, Guy Chambers. Escapology, the fifth Robbie Williams album (and the last including Chambers' input), sold millions of copies in Europe, though it failed to persuade American audiences. As a result, the 2003 concert record Live at Knebworth wasn't released in the States. He introduced a new musical partner, Stephen Duffy, with a pair of songs from his compilation Greatest Hits, then reappeared in 2005 with Intensive Care. Although the album topped charts in Europe and Williams set an impressive concert record -- his 2006 world tour sold over 1.5 million tickets in one day -- a certain creative atrophy was setting in, despite the new input of Duffy. Within a year, he had recorded and released Rudebox, a dance album recorded with half a dozen outside producers, some featured guests, and several covers instead of self-penned material. Rudebox hit number one across Europe soon after release. (Stephen Thomas Erlewine, AMG)
This album contains no booklet.