Trios Live Joshua Redman

• 1 Mack the Knife 12:06
• 2 Never Let Me Go 06:39
• 3 Soul Dance 06:46
• 4 Act Natural 12:28
• 5 Mantra #5 07:41
• 6 Trinkle, Tinkle 05:58
• 7 The Ocean 06:39
• Total Runtime 58:17

Info for Trios Live

Mit dem neuen Album „Trios Live“ zeigt Joshua Redman sich nun wieder im Trio, und dies gleich in zwei Kombinationen: So ist er auf den Aufnahmen aus dem Jazz Standard, New York, mit Drummer Gregory Hutchinson im Verbund mit Matt Penman zu hören, während in der Washingtoner Blues Alley Reuben Rogers den Bass übernommen hat. Das Ergebnis ist ein energetisches Trio-Live-Album mit drei Eigenkompositionen und einigen Interpretationen von, nun ja – nicht ganz Standards. So ist nicht nur Monks Tinkle Tinkle in einer brillanten Interpretation zu hören, sondern auch Brecht/Weills Moritat (Mackie Messer) aus der Dreigroschenoper und eine höchst leichtfüßige Version des Led Zeppelin-Rock-Epos‘ The Ocean.

„Dieses Album ist all jenen gewidmet, die, überall auf der Welt, in jedem Alter, gleich welcher Identität, welcher Zugehörigkeit oder Überzeugung, jeden Tag und jede Nacht aufbrechen, um Jazz live zu hören“, so schreibt Joshua Redman. „Ihr seid die Zeugen dieser Musik; Ihr bezeugt den Moment. Ihr seid da. Ihr wart da. Ihr machtet es möglich. Ihr machtet es wahr. Ihr seid der Anlass. Ihr seid der Punkt.“

„Mit der Struktur des Trios hat er sich eine ideale Arbeitsfläche geschaffen, in jeder Hinsicht. Melodisch, harmonisch - und rhythmisch sowieso.“ (Jazzthing, Juni)

„Die kleine Besetzung zwingt die Musiker dazu, die Spannung in jeder Sekunde aufrechtzuerhalten. Nach drei Eigenkompositionen Redmans und drei Jazzstandards verwandelt das Trio schließlich „The Ocean' von Led Zeppelin in packenden Jazz.“ (stereoplay)

'Joshua Redman ist einer der präsentesten Jazzmusiker der vergangenen 15 Jahre, was einiges über ihn sagt – nicht nur über seinen natürlichen Flow als Improvisationskünstler und seine Stärke als Bandleader, sondern auch über seine Bereitschaft Worte zu benutzen, um den Jazz draußen zu repräsentieren.“ (New York Times)

Joshua Redman, Tenor & Sopran Saxophone
Matt Penman, Bass
Reuben Rogers, Bass
Gregory Hutchinson, Schlagzeug

Joshua Redman
is one of the most acclaimed and charismatic jazz artists to have emerged in the decade of the 1990s. Born in Berkeley, California, he is the son of legendary saxophonist Dewey Redman and dancer Renee Shedroff. He was exposed at an early age to a variety of musics (jazz, classical, rock, soul, Indian, Indonesian, Middle-Eastern, African) and instruments (recorder, piano, guitar, gatham, gamelan), and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. The early influences of John Coltrane, Ornette Coleman, Cannonball Adderley and his father, Dewey Redman, as well as The Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, The Police and Led Zeppelin drew Joshua more deeply into music. But although Joshua loved playing the saxophone and was a dedicated member of the award-winning Berkeley High School Jazz Ensemble and Combo from 1983-86, academics were always his first priority, and he never seriously considered becoming a professional musician.

In 1991 Redman graduated from Harvard College summa cum laude, Phi Beta Kappa with a B.A. in Social Studies. He had already been accepted by Yale Law School, but deferred entrance for what he believed was only going to be one year. Some of his friends (former students at the Berklee College of Music whom Joshua had met while in Boston) had recently relocated to Brooklyn, and they were looking for another housemate to help with the rent. Redman accepted their invitation to move in, and almost immediately he found himself immersed in the New York jazz scene. He began jamming and gigging regularly with some of the leading jazz musicians of his generation: Peter Bernstein, Larry Goldings, Kevin Hays, Roy Hargrove, Geoff Keezer, Leon Parker, Jorge Rossy and Mark Turner (to name just a few). In November of that year, five months after moving to New York, Redman was named the winner of the prestigious Thelonious Monk International Saxophone Competition. This was only one of the more visible highlights from a year that saw Redman beginning to tour and record with jazz masters such as his father, Jack DeJohnette, Charlie Haden, Elvin Jones, Joe Lovano, Pat Metheny, Paul Motian, and Clark Terry. For Joshua, this was a period of tremendous growth, invaluable experience and endless inspiration. Visit: http://www.joshuaredman.com/bio

Brad Mehldau
Jazz pianist Brad Mehldau has recorded and performed extensively since the early 1990s. Mehldau’s most consistent output over the years has taken place in the trio format. Starting in 1996, his group released a series of five records on Warner Bros. entitled The Art of the Trio (recently re-packaged and re-released as a 5-Disc box set by Nonesuch in late 2011). During that same period, Mehldau also released a solo piano recording entitled Elegiac Cycle, and a record called Places that included both solo piano and trio songs. Elegiac Cycle and Places might be called “concept” albums made up exclusively of original material with central themes that hover over the compositions. Other Mehldau recordings include Largo, a collaborative effort with the innovative musician and producer Jon Brion, and Anything Goes—a trio outing with bassist Larry Grenadier and drummer Jorge Rossy.

His first record for Nonesuch, Brad Mehldau Live in Tokyo, was released in September 2004. After ten rewarding years with Rossy playing in Mehldau’s regular trio, drummer Jeff Ballard joined the band in 2005. The label released its first album from the Brad Mehldau Trio—Day is Done—on September 27, 2005. An exciting double live trio recording entitled Brad Mehldau Trio Live was released on March 25th, 2008 (Nonesuch) to critical acclaim. On March 16, 2010 Nonesuch released a double-disc of original work entitled Highway Rider, the highly anticipated follow up to Largo. The album was Mehldau’s second collaboration with renowned producer Jon Brion and featured performances by Mehldau’s trio—drummer Jeff Ballard and bassist Larry Grenadier—as well as percussionist Matt Chamberlain, saxophonist Joshua Redman, and a chamber orchestra led by Dan Coleman. In 2011 Nonesuch released Live in Marciac – a two CD release with a companion DVD of the 2006 performance, and Modern Music, a collaboration between pianists Brad Mehldau and Kevin Hays and composer/arranger Patrick Zimmerli. In 2012 Nonesuch released an album of original songs from the Brad Mehldau Trio – Ode - the first from the trio since 2008’s live Village Vanguard disc and the first studio trio recording since 2005’s Day is Done. Ode went on to garner a Grammy-Nomination. Nonesuch released the Brad Mehldau Trio’s Where Do You Start, a companion disc to the critically acclaimed Ode, in the fall of 2012. Whereas Ode featured 11 songs composed by Mehldau, Where Do You Start comprises the Trio’s interpretations of 10 tunes by other composers, along with one Mehldau original. In 2013 Mehldau produced and performed on Walking Shadows, the acclaimed Nonesuch release from Joshua Redman. 2013 also saw a number of collaborative tours including a duo tour with mandolin virtuoso Chris Thile, piano duets with Kevin Hays and a new electric project with prodigious drummer Mark Guiliana entitled “Mehliana.” Mehliana: Taming the Dragon, the debut release by Mehliana, was released to critical acclaim in early 2014. Visit: http://www.bradmehldau.com/brad/

Booklet for Trios Live