Schumann Elisabeth Leonskaja

• Robert Schumann (1810 - 1856): Variations on the name "Abegg" in F Major, Op. 1:
• 1 Variations on the name "Abegg" in F Major, Op. 1: Thema – Animato 00:48
• 2 Variations on the name "Abegg" in F Major, Op. 1: Variation I 01:23
• 3 Variations on the name "Abegg" in F Major, Op. 1: Variation II 01:09
• 4 Variations on the name "Abegg" in F Major, Op. 1: Variation III 01:02
• 5 Variations on the name "Abegg" in F Major, Op. 1: Variation IV. Cantabile 01:11
• 6 Variations on the name "Abegg" in F Major, Op. 1: Finale alla Fantasia. Vivace 02:46
• Papillon, Op. 2:
• 7 Papillon, Op. 2: Introduzione 00:10
• 8 Papillon, Op. 2: No. 1 00:40
• 9 Papillon, Op. 2: No. 2. Prestissimo 00:21
• 10 Papillon, Op. 2: No. 3 00:48
• 11 Papillon, Op. 2: No. 4. Presto 00:46
• 12 Papillon, Op. 2: No. 5 01:04
• 13 Papillon, Op. 2: No. 6 00:54
• 14 Papillon, Op. 2: No. 7. Semplice 00:56
• 15 Papillon, Op. 2: No. 8 01:11
• 16 Papillon, Op. 2: No. 9. Prestissimo 00:49
• 17 Papillon, Op. 2: No. 10. Vivo 02:00
• 18 Papillon, Op. 2: No. 11 03:37
• 19 Papillon, Op. 2: No. 12. Finale 02:00
• Symphonic Etudes, Op. 13:
• 20 Symphonic Etudes, Op. 13: Thema – Andante [2] 01:29
• 21 Symphonic Etudes, Op. 13: Variation I 01:47
• 22 Symphonic Etudes, Op. 13: Variation II 02:17
• 23 Symphonic Etudes, Op. 13: Variation III 01:43
• 24 Symphonic Etudes, Op. 13: Variation IV 03:28
• 25 Symphonic Etudes, Op. 13: Variation V 03:24
• 26 Symphonic Etudes, Op. 13: Thema – Andante [3] 01:28
• 27 Symphonic Etudes, Op. 13: Etude I. Un poco più vivo 01:20
• 28 Symphonic Etudes, Op. 13: Etude II 03:17
• 29 Symphonic Etudes, Op. 13: Etude III. Vivace 01:30
• 30 Symphonic Etudes, Op. 13: Etude IV 00:53
• 31 Symphonic Etudes, Op. 13: Etude V 01:24
• 32 Symphonic Etudes, Op. 13: Etude VI. Agitato 01:03
• 33 Symphonic Etudes, Op. 13: Etude VII. Allegro molto 01:46
• 34 Symphonic Etudes, Op. 13: Etude VIII. Presto possibile 02:16
• 35 Symphonic Etudes, Op. 13: Etude IX 00:43
• 36 Symphonic Etudes, Op. 13: Etude X 01:22
• 37 Symphonic Etudes, Op. 13: Etude XI 02:14
• 38 Symphonic Etudes, Op. 13: Etude XII (Finale). Allegro brillante 07:34
• Theme and Variations in E-Flat Major WoO 24 "Geistervariationen":
• 39 Theme and Variations in E-Flat Major WoO 24 "Geistervariationen": Theme – Leise, innig 01:52
• 40 Theme and Variations in E-Flat Major WoO 24 "Geistervariationen": Variation I 01:41
• 41 Theme and Variations in E-Flat Major WoO 24 "Geistervariationen": Variation II. Canonisch 01:48
• 42 Theme and Variations in E-Flat Major WoO 24 "Geistervariationen": Varation III. Etwas belebter 02:08
• 43 Theme and Variations in E-Flat Major WoO 24 "Geistervariationen": Variation IV 01:53
• 44 Theme and Variations in E-Flat Major WoO 24 "Geistervariationen": Variation V 02:50
• Piano Sonata No. 1 in F-Sharp Minor, Op. 11:
• 45 Piano Sonata No. 1 in F-Sharp Minor, Op. 11: I. Un poco adagio – Allegro vivace 13:38
• 46 Piano Sonata No. 1 in F-Sharp Minor, Op. 11: II. Aria. Senza passione, ma espressivo 02:55
• 47 Piano Sonata No. 1 in F-Sharp Minor, Op. 11: III. Scherzo. Allegrissimo 05:46
• 48 Piano Sonata No. 1 in F-Sharp Minor, Op. 11: IV. Finale. Allegro un poco maestoso 13:15
• Piano Sonata No. 2 in G minor, Op. 22:
• 49 Piano Sonata No. 2 in G minor, Op. 22: I. So rasch wie möglich 07:38
• 50 Piano Sonata No. 2 in G minor, Op. 22: II. Andantino. Getragen 04:44
• 51 Piano Sonata No. 2 in G minor, Op. 22: III. Scherzo. Sehr rasch und markiert 02:03
• 52 Piano Sonata No. 2 in G minor, Op. 22: IV. Rondo 06:52
• Total Runtime 02:13:36

Info zu Schumann

Mysterien und Rätsel: Das Repertoire, das Elisabeth Leonskaja vorstellt, spiegelt drei Aspekte von Robert Schumanns Charakter wider: seine multiple Persönlichkeit, sein Interesse für Kryptogramme und musikalische Rätsel sowie seine Leidenschaft für das Übersinnliche. Schumann wurde in eine Epoche hineingeboren, in der die Entwicklung hin zur Einheit von Metaphysik, Philosophie, Magie und Musik ihren Höhepunkt erreichte – Aspekte, die die späten Werke des Komponisten formten; sie sind noch wesentlich mehr von Mysterien und Rätseln umgeben, als es einige Musikwissenschaftler und Forscher in Betracht ziehen und anerkennen wollten. Der dramaturgische Höhepunkt dieser Aufnahmen ist die am Ende der ersten CD platzierte Interpretation der Symphonischen Etüden in Form von Variationen op. 13, eines der grandiosesten Werke der Klavierliteratur.

"... ein pianistisches Ereignis sondergleichen ... Die vollendet durchgestaltete und harmonisierende Fassade dieses Musizierens fesselt ... Kunst, die jeden Takt mit Wohlklang, Ebenmaß und satter Gelassenheit tränkt ...." (Fono Forum)

Elisabeth Leonskaja, Klavier

Elisabeth Leonskaja
has long been among the most celebrated pianists of our times. In a world dominated by commercial media, she has remained true to herself and to music, in the tradition of great Russian musicians such as David Oistrakh, Sviatoslav Richter and Emil Gilels. Like them, she has always stood for the quintessence of music even under the most difficult political conditions. And like them, she has never been interested in showy appearances. On stage, however, she overwhelms the audience with the power of the music; this has been the substance and the goal of her life.

Born into a Russian family in Tbilisi, Elisabeth Leonskaja gave her first concerts at the age of eleven. While still a student at the Moscow Conservatory, she won prizes at major international piano competitions, including the Enescu Prize, the Marguerite Long-Jacques Thibaud Competition and the Queen Elisabeth of Belgium Prize. Her musical development was decisively influenced by her collaboration with Sviatoslav Richter who recognized her exceptional talent and encouraged her by inviting her to play duo concerts with him. This musical and personal friendship continued until Richter’s death in 1997.

Leonskaja left the Soviet Union in 1978 and made Vienna her home. Since then, she has performed as soloist with the world’s finest orchestras and has worked with many renowned conductors. She is a regular guest at numerous international festivals, such as the Wiener Festwochen, the Schleswig-Holstein Music Festival, the Schuertiade Schwarzenberg, the Spring Festival Tokyo and the December Nights in Moscow. Her name is also to be found among international recitalists in the most prominent piano series of major musical centers oft he world from Paris to Vienna to Melbourne.

In addition to her many solo engagements, chamber music remains an important part of her work. She has performed many times with string quartets, such as the Belcea, Borodin Artemis and Jerusalem quartets. She also had a longstanding musical friendship with the Alban Berg Quartet, and their piano quintet recordings are legendary.

Numerous LPs and CDs bear witness to the pianist’s high artistic level, and her recordings have repeatedly been awarded prizes. The most recent appeared on eaSonus (www.easonus.com). “Paris”, with works by Ravel, Enescu and Debussy, was named the Solo Recording of the Year 2014 by the ICMA Jury. “Saudade”, an homage to Russian culture with works by Tchaikovsky, Shostakovich and Rachmaninoff, was released in November 2017. A complete recording of Franz Schubert’s piano sonatas in two volumes of four CDs each has been available since April 2016 and May 2019 respectively. A double-CD with variations and sonatas by Robert Schumann followed in January 2020.

In her second homeland, Austria, Elisabeth Leonskaja is an honorary member of the Vienna Konzerthaus. In 2006 she was awarded the Austrian Cross of Honor for Science and Art, First Class, for her outstanding service to the culture of the country. It is the highest award in Austria. In Georgia, she was named Priestess of Art in 2016, this country’s highest artistic honor. In 2020 she received the International Classical Music (ICMA) Lifetime Achievement Award.

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