Bach: Cantates pour la Pentecôte The Montreal Baroque & Eric Milnes

• Johann Sebastian Bach (1685-1750): Also hat Gott die Welt geliebt, BWV 68:
• 1I. Also hat Gott die Welt geliebt04:14
• 2II. Mein gläubiges Herze03:41
• 3III. Ich bin mit Petro nicht vermessen00:41
• 4IV. Du bist geboren mir zugute03:19
• 5V. Wer an ihn gläubet, der wird nicht gerichtet02:13
• Johann Sebastian Bach (1685-1750): Erhöhtes Fleisch und Blut, BWV 173:
• 6I. Erhöhtes Fleisch und Blut00:35
• 7II. Ein geheiligtes Gemüte03:21
• 8III. Gott will, o ihr Menschenkinder01:54
• 9IV. So hat Gott die Welt geliebt03:52
• 10V. Unendlichster, den man doch Vater nennt01:02
• 11VI. Rühre, Höchster, unsern Geist02:12
• Ich Liebe Den Höchsten von ganzem Gemüte, BWV 174:
• 12I. Sinfonia05:34
• 13II. Ich liebe den Höchsten von ganzem Gemüte09:08
• 14III. O Liebe, welcher keine gleich01:05
• 15IV. Greifet zu, faßt das Heil03:56
• 16V. Herzlich lieb hab ich dich, o Herr01:29
• Erwünschtes Freudenlicht, BWV 184:
• 17I. Erwünschtes Freudenlicht03:05
• 18II. Gesegnete Christen, glückselige Herde06:36
• 19III. So freuet euch, ihr auserwählten Seelen01:43
• 20IV. Glück und Segen sind bereit03:54
• 21V. Herr, ich hoff je, du werdest die00:59
• 22VI. Guter Hirte, Trost der Deinen02:22
• Total Runtime01:06:55

Info zu Bach: Cantates pour la Pentecôte

Seven Sundays after Easter Sunday, the religious holiday of Pentecost begins. Pentecost focuses on the idea that Jesus was not sent to judge the world, rather, he was sent to save it. Bach’s cantatas BWV 68, 173, 174, and 184 were all written for this holiday, and all are featured on this new release. This release is the sixth album in ATMA’s venture to record the sacred cantatas of Bach alongside the Montreal Baroque Festival. Using the latest scholarship on the original performances of Bach’s works, this cycle has been performed with historical techniques in mind. For example, the choral sections are performed by the four soloists with one singer per part.

Montréal Baroque
Eric Milnes, direction
Monika Mauch, soprano
Pascal Bertin, countertenor
Charles Daniels, tenor
Jean-Claude Sarragosse, bass
Susie Napper, co-direction
Mathias Maute, co-direction

Eric Milnes
is Director of New York Baroque, Artistic Director and Conductor of The Trinity Consort, Portland, Oregon, harpsichordist with The New York Collegium, Ensemble Rebel and Les Boréades, and Director of Music at St. John's of Lattingtown Episcopal Church in New York. He has performed at the Boston Early Music Festival, the Berkeley Bach Festival, the Utrecht (Holland) Festival, and the New England Bach Festival, and in every major North American and European city. His performances have been broadcast on WNCN, New York, WQXR, New York, WBGN, Boston, National Public Radio, the CBC, and Norwegian, Swedish and German state radio stations. Mr. Milnes has recorded for a number of labels, including ATMA.

The Montreal Baroque
ensemble brings together some of Montreal's finest early music performers. The ensemble was created especially for the Montreal Baroque Festival, which has taken place annualy in scenic Old Montreal. An initiative of Montreal gambist and cellist Susie Napper, the Montreal Baroque Festival is held over four days at the end of June ever since 2003. Thanks to her exceptional charisma and mild extravagance, Susie Napper, fittingly nominated “Personality of the Year 2002” by the Conseil Québécois de la Musique, has succeeded in developing a truly exciting and popular cultural event.

Booklet für Bach: Cantates pour la Pentecôte