Live On The Queen Mary (Remastered) Professor Longhair

Album Info

Album Veröffentlichung:
1978

HRA-Veröffentlichung:
05.04.2019

Label: Capitol Records

Genre: Blues

Subgenre: Electric Blues

Das Album enthält Albumcover

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  • 1Tell Me Pretty Baby (Live On The Queen Mary, 1975)04:03
  • 2Mess Around (Live On The Queen Mary, 1975)03:59
  • 3Everyday I Have The Blues (Live On The Queen Mary, 1975)05:46
  • 4Tipitina (Live On The Queen Mary, 1975)03:42
  • 5I’m Movin’ On (Live On The Queen Mary, 1975)03:47
  • 6Mardi Gras In New Orleans (Live On The Queen Mary, 1975)02:55
  • 7Cry To Me (Live On The Queen Mary, 1975)02:47
  • 8Gone So Long (Live On The Queen Mary, 1975)04:26
  • 9Stagger Lee (Live On The Queen Mary, 1975)03:04
  • Total Runtime34:29

Info zu Live On The Queen Mary (Remastered)

Originally released in 1978 on Harvest Records, Professor Longhair's Live on the Queen Mary documents a legendary performance from the Venus and Mars album release party thrown by Paul and Linda McCartney and Wings in 1975.

Live on the Queen Mary was recorded March 24, 1975 on its titular cruise ship, while docked in Long Beach, California. Highlights include the rollicking "Mess Around," the standards "Stagger Lee," "Everyday I Have the Blues," "I'm Movin' On," and Professor Longhair's own hits "Mardi Gras in New Orleans" and "Tipitina" about which Hugh Laurie writes, "Because that live version of Tipitina, oh sweet Lord. If the record had nothing else on it, it would still be a treasure beyond price."

Professor Longhair a/k/a Henry Roeland "Roy" Byrd (December 19, 1918 – January 30, 1980) was a New Orleans blues singer and pianist. He was active in two distinct periods, first in the heyday of early rhythm and blues and later on during the resurgence of interest in traditional jazz surrounding the beginnings of the New Orleans Jazz and Heritage Festival. Professor Longhair's influence was crucial to many of his fellow New Orleans musical legends, such as Fats Domino, Allen Toussaint and Dr. John, all of whom were touched by his rumba, mambo, and calypso piano based blues sound.

"Ask what was Paul and Linda McCartney's most important contribution to music, and you just might get the answer -- this album, which is also more exciting than anything Wings ever did. Professor Longhair's first live recording came about at a March 24, 1975 party hosted by the McCartneys aboard the Queen Mary in Long Beach, CA. It captures some of the excitement that Ahmet Ertegun and several lesser-known talent scouts found when they came upon Harry Roeland Byrd playing road houses around New Orleans in the late 1940s. Highlights include the rollicking "Mess Around," and the standards "Stagger Lee," "Everyday I Have the Blues," "I'm Movin' On," and his hits "Mardi Gras in New Orleans" and "Tipitina." The lack of instrumental credits prevents one from praising the lead guitarist by name for his playing on "Everyday I Have the Blues" and "I'm Movin' On," but he and the rest of the band still do well backing this legend." (Bruce Eder, AMG)

Professor Longhair

Digitally remastered




Henry Roeland Byrd aka Professor Longhair
New Orleans is said to be a city where having a party has been elevated from a casual pastime to a way of life. Nobody understood this better than Professor Longhair, one of the pioneers of New Orleans rhythm & blues. His influence can be heard in Fats Domino, Allen Toussaint and Dr. John, among many others. Known for his unique mix of blues, jazz, calypso, ragtime, and zydeco, "Fess" (as he was known) defined and captured the essence of New Orleans in his music.

Born Henry Roeland Byrd in Bogalusa, Louisiana 1918, and raised in New Orleans, Fess started performing at an early age, often dancing down Bourbon Street for tips. In addition to piano, he learned to play guitar and drums in the early 1930s and was in and out of numerous bands. He soon found there were better ways to make money than music. He worked as a cook, then as a boxer, and eventually became a professional card player. It wasn't until the late 1940s that he returned to music.

He went into the army during World War II, and was discharged in 1943. At that point he led a variety of groups, including the Mid Drifs, Professor Longhair and the Four Hairs, and Professor Longhair and His Shuffling Hungarians. He made his recording debut with the latter group in 1949 on the Star Talent label. A year later he had a new group and a new label. The Blues Jumpers recorded for Mercury, which released Bald Head, the only Professor Longhair ever to make the R&B charts, peaking at number five.

Longhair recorded for Atlantic and Federal, and many smaller labels such as Edd, Ron, Rip. Despite recording such classics as Tipitina, Big Chief, and Going To The Mardi Gras, he never received much exposure outside of Louisiana, although his reputation in New Orleans was substantial. With songs like Tipitina, Hey Now, Baby, In The Night, Big Chief, and the great Going To The Mardi Gras, Fess was the reigning king of New Orleans.

Even though a New Orleans legend, Fess was forced to support himself by returning to cards and working as a janitor in the mid-1960s. Luckily, he was rediscovered in the early 1970s and performed at the New Orleans Jazz and Heritage Festival in 1971. He played the New Orleans festival every year thereafter until his death. He toured Europe, headlining the 1973 Montreux Jazz Festival. Paul McCartney flew him to California in 1975 to play an exclusive private party on the Queen Mary. He was an idol to people who were not even born when Bald Head was a hit.

Of his many recordings, however, perhaps his best and most fully realized is Crawfish Fiesta, recorded for Alligator Records in 1979. Bruce Iglauer, president of Alligator Records, continues the story. "I was on the phone with Professor Longhair's manager, and I mentioned that I'd love to record Fess for Alligator. I loved his eccentric, rhumba-blues New Orleans piano style and wild, cracked vocals, and he was one of my favorite musicians. I flew down to New Orleans and listened to the master pound out all his old hits and a slew of Crescent City R&B standards. I made an offer, and, much to my amazement, it was accepted. Surrounded by friends (including Dr. John on guitar) and finding himself in a studio situation where he was completely in charge (maybe for the first time ever), Professor Longhair presented Alligator with perhaps the finest album of his long career and one of the best Alligator ever released."

The album shipped out on January 30, 1980, the day Professor Longhair died. (Source: alligator.com)



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