Caitlin Broms-Jacobs & Madeline Hildebrand
Biographie Caitlin Broms-Jacobs & Madeline Hildebrand
Caitlin Broms-Jacobs
Renown for her “gorgeous singing tone” and “sensitive musicality”, (Winnipeg Free Press) Caitlin Broms-Jacobs enjoys a multifaceted career of orchestral, recital, chamber music, and concerto performances. She is the principal oboist of the Manitoba Chamber Orchestra, a position she has held since 2009. Caitlin has been lauded as “always sublime”, and “a delightfully musical player, with elegant tone and delivery” (Winnipeg Free Press). Caitlin has appeared several times as a soloist with the MCO, playing concertos by Vivaldi, Bach, and others. Caitlin’s solo and chamber music performances were featured on the MCO’s 2021 livestream concert series, and her recent arrangement and performance with her MCO colleagues of J.S. Bach’s Goldberg Variations was highly regarded. In April 2022, Caitlin was featured as soloist with the Manitoba Chamber Orchestra for the premiere of Prayer in a Green Cathedral, a new oboe concerto written especially for her by one of Canada’s finest composers, Kevin Lau.
Caitlin can often be heard performing with the Winnipeg Symphony Orchestra as guest principal oboist; she has played countless concerts with the WSO, including numerous performances in the pit for the Manitoba Opera and Royal Winnipeg Ballet. Caitlin has appeared on several occasions as a valued guest principal for the Calgary Philharmonic, as well as for the Group of 27 Chamber Orchestra. She has performed with orchestras across Canada including the Toronto Symphony Orchestra and the National Ballet Orchestra and has performed frequently as principal for Canzona Chamber Choir and MusikBarock ensemble, playing oboe, oboe d’amore, and English Horn in concerts of music by J.S. Bach.
Caitlin served as principal oboist of the Pacific Music Festival Orchestra, and has played under esteemed conductors such as Andrey Boreyko, Jun Markl, JoAnn Falletta, Nello Santi, Yakov Kreizberg, Bramwell Tovey, Daniel Raiskin, and Anne Manson. Caitlin previously held the position of principal oboist of the Saskatoon Symphony Orchestra.
An avid chamber musician, Caitlin has presented numerous recitals in Winnipeg and across Canada, and has been featured for many seasons on Winnipeg’s Millennium recital series. Her performances with pianist Madeline Hildebrand have been greatly appreciated for their expressive music making, compelling and unusual repertoire, as well as for the duo’s captivating spirit.
Caitlin premiered contemporary works for oboe and English Horn for Groundswell New Music as a soloist and with chamber ensemble; her performances have been broadcast on CBC radio and Classic 107. Caitlin was the Artistic Director and co-founder of the highly successful Liberty Village New Artist Series, a series of chamber music concerts held at the Academy of Spherical Arts in Toronto in 2009.
Originally from Toronto, Caitlin studied with Keith Atkinson at the Royal Conservatory of Music’s Young Artists Performance Academy. She holds a Bachelor of Music degree from the Eastman School of Music where she studied with Richard Killmer. Caitlin furthered her studies with San Francisco Symphony Orchestra principal oboist Eugene Izotov.
Madeline Hildebrand
Acclaimed Canadian pianist Jon Kimura Parker describes Madeline Hildebrand as “an extraordinary young artist whose communicative skills convey the essence of all that she plays. Her pianism is of the highest level, and she has an instinctive understanding of beautiful sound.”
Madeline is a versatile pianist, quickly becoming a top-pick as a soloist and collaborator across Canada and the US. She has appeared recently in concert with Philip Glass (Winnipeg New Music Festival), the Kronos Quartet (Mass MoCA), with Yarn/Wire (DiMenna Center, New York), and as a soloist for Music Toronto’s COSE series. Of her recent performance of Joan Tower’s Petroushskates at the Bang on a Can LOUD Weekend, Tower states, “I was really impressed with how Madeline navigated that part with such ease and power at the same time…IT was one of the BEST performances of that piece I have heard.”
Whether cooperating with a singer or a sine wave, Madeline’s collaborative virtuosity leads much of her work. Her first prize win in the Women’s Musical Club’s McLellan Competition included a concerto debut with the Winnipeg Symphony Orchestra. She has appeared in costumed performances as part of the WSO’s Beyond the Score educational series, and in chamber collaborations with many of Manitoba’s top musicians. An Eckhardt-Gramatté National Music Competition prize winner, her passion for creating unique musical experiences has led to numerous collaborations with living composers. She can be heard on T. Patrick Carrabré’s latest Western Canadian Music Award winning album 100,000 Lakes, and was spotlighted in Banff Centre’s 2022 Evolution: Classical led by the Gryphon Trio. She has performed with Canadian violinist Andrew Wan and cellists Ariel Barnes and Paul Marleyn. Other musical highlights include sharing the stage with Philip Glass in a performance of his Etudes (Winnipeg’s New Music Festival 2018), transforming a riverbank into a dazzling interactive light show featuring Six Pianos (Winnipeg Nuit Blanche 2020), performing with the Kronos Quartet (MoMA 2023), and traveling to Dublin to play the International ClarinetFest 2024 with Trio Joya. She has been presented as a soloist and collaborator by the Winnipeg Symphony Orchestra Soundbytes Series, GroundSwell, Virtuosi Concerts, Cluster Festival, the Women’s Musical Club of Winnipeg, Winnipeg’s Millennium Centre’s summer chamber concerts, Agassiz Chamber Music Festival, Augustfest, and the Brandon Chamber Players. She is a vigorous advocate for bringing classical music to rural communities as evidenced by her solo tours with Home Routes and Living Room Live. While in New York, Madeline appeared in concert with Groupmuse, Yarn/Wire, at Greenwich House, and at Mise en Place.
Madeline Hildebrand completed her Doctorate of Musical Arts in Piano Performance at Stony Brook University, NY, where she won the prestigious position as an IDEA (inclusivity, diversity, equity, accessibility) grad, crafting pathways through curriculums for new interdisciplinary degree programs, and devising service-learning projects for the music department. Her formative teachers include Gilbert Kalish, Christina Dahl, Jane Coop, Judy Kehler Siebert, and Michelle Sawatzky. Her playing has taken her coast to coast in Canada and the USA, Italy, Romania, to Armenia and Georgia upon the invitation of composer David Braid, and most recently to the Netherlands and Ireland.
Madeline founded the Young Artists Program for Winnipeg’s Virtuosi Concert Series, where she served on the board for seven years. She is an alumni of summer festivals: Bang on a Can, Kneisel Hall, Banff Centre, Orford Music Academy, and Cassalmaggiore International Festival. She has been an instructor at festivals Rosamunde Academy and Music at Port Milford. As an adjudicator and master class clinician, she has appeared at numerous festivals throughout Canada, and enjoys her present post as interim instructor at Brandon University.
This season, Madeline joins oboist Caitlin Broms-Jacobs in concerts featuring the dramatic and enchanting melodies of Eastern Europe (see Fierbois), and the duo looks forward to launching their CD in October. Fierbois will tour Western Canada with Prairie Debut in the 25/26 season. See Madeline’s performance calendar for details.
When not weaving melodies and harmonies at the piano, Maddy can be found sewing her own one-of-a-kind cloth creations.
To read a recent interview with Madeline, click on Mennotoba, where you can find answers to five great questions asked by writer Erin Koop Unger. Madeline is grateful for the support of the Manitoba Arts Council.
