Arve Henriksen, Eivind Aarset, Terje Isungset
Biographie Arve Henriksen, Eivind Aarset, Terje Isungset
Arve Henriksen
Born in 1968, Arve Henriksen studied at the Trondheim Conservatory from 1987-1991, and has worked as a freelance musician since 1989.
He has worked with many musicians, including Jon Balke Magnetic North Orchestra/Batagraf, Edward Vesala, Jon Christensen, Marilyn Mazur, Nils Petter Molvær, Misha Alperin, Arkady Shilkloper, Arild Andersen, Stian Carstensen, Dhafer Youssef, Sidsel Endresen, Pekka Kuusisto, Christian Wallumrød Ensemble, Nils Økland, Karl Seglem, Per Oddvar Johansen, Iain Ballamy, Thomas Strønen, Gjermund Larsen, Svante Henryson, Mats Eilertsen, David Sylvian, Jon Hassell, Hope Sanduval, Laurie Anderson, John Paul Jones, Erik Honoré, Toshimaru Nakamura, Trygve Seim Ensemble, Jan Gunnar Hoff, Tord Gustavsen, Giovanni Di Domenico, Tatsuhisa Yamamoto, Gavin Bryars, John Potter, Johanna McGregor, Imogen Heap, Guy Sigsworth, Ryuichi Sakamoto, Bill Frisell, Terje Rypdal, Maria Schneider, Kate Havnevik, Live Marie Roggen, Silje Nergaard, Odd Nordstoga, Kari Bremnes, Sondre Bratland, Jannis Anastasakis, Lars Danielsson, The Source, Vox Clamantis and many more.
He has played in many different contexts, bands and projects, ranging from working with koto player Satsuki Odamura to the rock band Motorpsycho via numerous free improvising groups with Ernst Reisiger, Sten Sandell, Peter Friis-Nilsen, Lotte Anker, Hasse Poulsen, Terje Isungset, Benoit Delbecq, Steve Arguelles, Lars Juul and Marc Ducret.
He has collaborated with the composers Peter Tornquist, Helge Sunde, Terje Bjørklund and Tõnu Kõrvits in cooperation with orchestras and chamber settings like Cikada String Quartet, Nidaros String Quartet, Zapp 4, The Norwegian Chamber Orchestra, Kristiansand and Trondheim Symphony Orchestra, London Sinfonietta, Britten Sinfonia, Deutsche Kammerphilharmonie Bremen, The Norwegian Wind Ensemble and Trondheim Soloists.
He has worked together with video and visual artists like Anastasia Isachsen, Tord Knudsen and Lillevan.
Today he is connected to and in collaboration with:
Supersilent (Helge Sten and Ståle Storløkken)
Trio Mediaeval´s Rimur (Linn Andrea Fuglseth , Berit Opheim and Anna Maria Friman)
Sinikka Langeland´s Starflowers and Magical Forest (Anders Jormin, Trygve Seim and Markku Onaskari)
Saumur (Hilmar Jensson and Skuli Sverrisson)
Warped Dreamer (Teun Verbrüggen, Jozef Dumoulin and Stian Westerhus)
Atmosphéres (Jan Bang, Eivind Aarseth and Tigran Hamasyan)
"Sommeren der ute" (Ellen Bødtker, Jan Erik Vold and Eirik Raude)
Fennesz-Henriksen (Christian Fennesz)
And various percussive settings including Audun Kleive, Helge Norbakken and Ingar Zach.
Henriksen has composed and commissioned music for festivals, films and documentary programs. He has a long discography counting over 140 records in total. Received together with Supersilent The Alarm Award 2004. He has been the artist in residence at Moers Jazzfestival 2006, OIOI-festival in Bergen 2008 and at Molde Jazz Festival 2009. From 2004-2006 he was a part of the European Jazz Launch project. He has received Norsk Jazzforums Buddy Award 2005. Radka Toneffs Memorial Award 2007, Paul Acket Award at North Sea Jazz Festival 2011 and DNB and Kongsberg Jazzfestival´s Musician Award 2011. He has been nominated to Nordisk Råds musikkpris 2009 and also nominated to European Jazz musician of the year 2009. In 2016 he became Doctor Honoris Causa at The University of Gothenburg. Nominated with Supersilent for Nordisk Råds Musikkpris to be announced in October 2017. Commissioned music for The Humber Bridge project Hull City of Culture 2017.
Eivind Aarset
is a guitarist with a unique musical vision that absorbs and reflects all manner of music while retaining an enviable individualism and high quality craftsmanship that can span from quiet intimacy to searing intensity. His debut as a bandleader on Jazzland Recordings was described by the New York Times as "One of the best post-Miles electric jazz albums," setting a high benchmark that Aarset has consistently met and exceeded, both in the studio and in live performance.
As one of Norway's most in-demand guitarists, Eivind Aarset has worked with Jon Hassell, David Sylvian, Bill Laswell, Jan Garbarek, Paolo Fresu, Marilyn Mazur, J.Peter Schwalm, Mike Manieri, Marc Ducret, Michel Benitas Ethics, Martux-M, Stefano Battaglia, Michele Rabbia, Talvin Singh, and Andy Sheppard. He has worked with Nils Petter Molvaer's band, (appearing on all of Molvaer's albums, including the breakthrough album "Khmer" and 2006's award-winning "ER"). He also has collaborated with Dhafer Youssef, both live and in the studio.
Aarset's musical awakening happened when, at the age of 12, he heard Jimi Hendrix. "I started on the guitar as soon as I heard him," he recalls with a smile. "I bought a second hand Hendrix record and that was it. Then I started getting into rock bands like Deep Purple, Black Sabbath, Santana and Pink Floyd before my brother introduced me to the music of Miles Davis, the Mahavishnu Orchestra, Weather Report and Return to Forever. After a while, I got into the ECM sound of Jan Garbarek, and Terje Rypdal, who was a big influence. Then I went on the road with a fulltime heavy metal band, a fantastic experience, until I got tired of being angry every night! Then I quit and became a session musician."
As part of the band, Ab & Zu, he created the unique guitar style and sound he would later develop further as part of saxophonist Bendik Hofseth's group. However, it was his involvement with Bugge Wesseltoft and the Oslo Jazz underground that crystallized the sound he was seeking: "What drew me to this music was the hypnotic grooves and musical freedom I found," says Eivind. "There's no established rules or tradition in what I am doing, you can make the rules up as you go along. Rhythm is the centre of the music, the landscape the soloist travels through. It's fresh territory and I have no idea where this scene will end up, but there's a lot of great sounds and new music being created which makes it such an exciting scene."
Terje Isungset
Internationally known as the pioneer of Ice Music, Terje Isungset created the musical concept in 1999 as an extension to his interest in creating sound from naturally born materials. By seeking out different types of ice and playing them both acoustically and amplified, Terje successfully refined the techniques required to allow ice to ‘sing’, and in the following year Terje was commissioned to perform Ice Music by creating the world’s first Ice Music concert inside a frozen waterfall in Lillehammer, Norway. In 2001 Terje recorded the first of 10 Ice Music albums, with the first release called ‘Iceman Is’. His second ice music album ‘Igloo’ which attracted critical acclaim, was celebrated in the winter of 2006, by being played at the inaugural Ice Music Festival in Geilo, Norway.
