Little Girl Blue (Remastered) Nina Simone

• 1 Mood Indigo 04:02
• 2 Don't Smoke In Bed 03:11
• 3 He Needs Me 02:30
• 4 Little Girl Blue 04:18
• 5 Love Me Or Leave Me 03:22
• 6 My Baby Just Cares for Me 03:38
• 7 Good Bait 05:27
• 8 Plain Gold Ring 03:50
• 9 You'll Never Walk Alone 03:47
• 10 I Loves You Porgy 04:10
• 11 Central Park Blues 03:06
• Total Runtime 41:21

Info for Little Girl Blue (Remastered)

Recorded in New York City, December 1957. Eunice Kathleen Waymon's beautiful, mellifluous voice is one of the most distinctive and celebrated in music. As Nina Simone she recorded more than 40 albums during a long and distinguished career that stretched over five decades. She was described variously as a jazz singer, a soul singer, and a folk singer — really she was all of these and more. Her heartfelt songs remain in the public consciousness to this day, having been made famous by both her and by those who re-recorded them.

Little Girl Blue, aka Jazz As Played In An Exclusive Side Street Club, released in 1957, was her first release for Bethlehem Records. Nina was in her mid-20s at the time of this recording and still had aspirations of becoming a classical concert pianist. She lost millions of dollars in royalties after selling the rights for the songs on this album to Bethlehem records a mere $3,000.

'Little Girl Blue showcases (Simone's) ballad voice as one of mystery and sensuality and showcases her up-tempo jazz style with authority and an enigmatic down-home feel that is nonetheless elegant... Of course, one of Simone's signature tunes was her version of 'I Loves You, Porgy', which appears here for the first time and was released as a single. Her own 'Central Park Blues' is one of the finest jazz tunes here, and it is followed with yet another side of Simone's diversity in her beautiful take on the folk-gospel tune 'He's Got the Whole World In His Hands', with quiet and determined dignity and drama. Another of her instrumentals compositions, 'African Mailman', struts proud with deep Afro-Caribbean roots and rhythms.' (Thom Jurek, allmusic.com)

Nina Simone, vocals, piano
Jimmy Bond, bass
Al Heath, drums

Digitally remastered

Nina Simone
Nina Simone (1933-2003) holds a unique place amongst the great jazz performers of all time. What sets her apart from other jazz masters is not only her captivating and sultry voice and skillful command of the piano, but her aptitude in almost every genre of music there is. She has taken soul, jazz, and pop to new levels, as well as proving herself in blues, gospel, Broadway, folk, classical, and opera. She also performed and recorded many of her own compositions.

Born Eunice Waymon in North Carolina, Simone grew up in a family with eight children. She started out as a classical pianist, but in 1954 the financial necessity of her family led her to take a job in an Atlantic City nightclub. After auditioning for the gig, the owner told her that she could have it, but only if she agreed to sing as well. Thus, Nina ("little one") Simone (French actress Simone Signoret), was born.

In the late 1950s, Simone began recording on a small label, Bethlehem Records. In 1959, she had a Top 20 hit. "I Loves You Porgy," a song from George Gershwin’s musical "Porgy and Bess." This was the only song that Simone recorded in her entire career that made the Top 40. Hits were not a big concern, however. Simone did just fine performing in nightclubs and making albums, most of them live recordings. She recorded nine albums in the early 1960s alone.

In the mid-‘60s, inspired by the Civil Rights Movement, Simone composed several songs, including "Old Jim Crow" and "Mississippi Goddam" which were issued on her first album with Philips (Nina Simone in Concert). "Mississippi Goddam" was written in response to the death of four black children in a church bombing, in 1963. It was her protest songs that best demonstrated Simone’s amazing ability to communicate, deeply and clearly, human emotion, especially those of Black people in the U.S.A. It was around this time that people began referring to Simone as the "High Priestess of Soul," after she put out an album of the same name. Along with her original songs, Simone chose some diverse covers. Songs like Weill–Brecht’s "Pirate Jenny," "I Put a Spell on You," and "See Line Woman," were among some of the others that Simone transformed into classics. Her experimentation with timing, her use of silence, her low and intense vocals, her impeccable piano playing capabilities, and her inimitable live act, turned every song she sang into a fresh and magnificent Nina Simone creation. In the late 60s and early 70s, Nina was recording for RCA. An original song, "Young, Gifted & Black" was considered somewhat of a Black national anthem of the time. This song, inspired by Lorraine Hansberry’s play of the same title, was has since been covered by Aretha Franklin and Donny Hathaway. During this brief period of time, Simone was remarkably prolific, releasing nine albums. Despite the quantity and quality of her product, Simone was not particularly well served by RCA.

Later in the decade, Simone’s personal life began to see some trouble. She divorced her husband and manager, Andy Stroud, and became disillusioned by the record industry when she found herself in financial trouble after all the effort she had put forth. Disgusted with show business, as well as with racism in the U.S.A., Simone moved to Barbados in 1974. In the years to come she lived in Liberia, Switzerland, Paris, the Netherlands, and the South of France. The frequency of her recordings slowed significantly after she left RCA, but in 1978, Simone released Baltimore, for the label CTI, which contained the definitive version of Judy Collins’s "My Father." Since then Simone has recorded several albums, most recently "A Single Woman," a studio album released in 1993. She has written her autobiography, I Put a Spell on You, received an Honorary Doctorate in Music and Humanities, and has continued to perform at festivals and events around the world.

Despite her self imposed exile and her obvious outspoken lack of appreciation for the recording industry, Nina Simone is a legend of incalculable magnitude. Still today she is able to arouse new and young listeners, as well as hold the attention of life-long devoted fans. Nina Simone has burned her soulful, musical wonders on the psyche of jazz lovers everywhere, and has inspired love and compassion in places seemingly bereft of such trying emotions. Rachel F. Newman (Source: Verve Music Group)

Booklet for Little Girl Blue (Remastered)