Paris-Concert (Remastered) Circle

• 1 Nefertitti 19:16
• 2 Song for the Newborn 06:48
• 3 Duet 10:31
• 4 Lookout Farm / Kelvin 73° (Variation -3) 16:07
• 5 Toy Room - Q & A 24:39
• 6 No Greater Love 17:36
• Total Runtime 01:34:57

Info for Paris-Concert (Remastered)

Circle war eine Band, deren Kreativität hell loderte. Chick Corea und Dave Holland hatten gerade Miles Davis‘ Band verlassen und brannten darauf, alle Parameter Neuer Musik in einem Improvisationskontext auszuloten. Anthony Braxton, von Stockhausen genauso inspiriert wie von Coltrane, brachte aus dem AACM neue Einflüsse mit. Barry Altschuls Erfahrungen umfassten die intensive Arbeit mit Paul Bley. Zusammen waren sie eine Zeit lang unvergleichlich. Corea nannte das 1971 aufgenommene Paris Concert einen wahr gewordenen Traum. Der Melody Maker schrieb: „Paris Concert ist ein Beweis dafür, dass dies eine der aufregendsten talentierten Bands der letzten Jahre war, denn diese 94 Minuten Musik bersten schier vor Einfallsreichtum.“

Anthony Braxton, Blasinstrumente, Percussion
Chick Corea, Klavier
David Holland, Kontrabass, Cello
Barry Altschul, Percussion

Recorded on February 21, 1971 at the Maison de l'O.R.T.F., Paris
Engineered by Jean Deloron
Produced by Manfred Eicher

Digitally remastered

Anthony Braxton
is recognized as one of the most important musicians, educators, and creative thinkers of the past 50 years, highly esteemed in the creative music community for the revolutionary quality of his work and for the mentorship and inspiration he has provided to generations of younger musicians. Drawing upon a disparate mix of influences from John Coltrane to Karlheinz Stockhausen to Native American music, Braxton has created a unique musical system that celebrates the concept of global creativity and our shared humanity. His work examines core principles of improvisation, structural navigation and ritual engagement—innovation, spirituality and intellectual investigation. His many accolades include a 1981 Guggenhiem Fellowship, a 1994 MacArthur Fellowship, a 2013 Doris Duke Performing Artist Award and a 2014 NEA Jazz Master Award.

Chick Corea
An NEA Jazz Master, 16-time Grammy® winner, prolific composer and undisputed keyboard virtuoso, Chick Corea has attained living legend status after four decades of unparalleled creativity and an artistic output that is simply staggering.

From straight ahead to avant-garde, bebop to fusion, children’s songs to chamber music, along with some far-reaching forays into symphonic works, Chick Corea has touched an astonishing number of musical bases in his illustrious career while maintaining a standard of excellence that is awe-inspiring. A tirelessly creative spirit, Chick Corea continues to forge ahead, continually reinventing himself in the process.

Chick Corea began his career with apprenticeships with the likes of Stan Getz, Sarah Vaughan and Miles Davis’s band, where he participated in such landmark sessions as In a Silent Way and Bitches Brew. Embarking on a solo career in 1966, Chick Corea has been at the forefront of jazz, both as a renowned pianist forging new ground with his acoustic jazz bands and as an innovative electric keyboardist with Return to Forever and the Elektric Band. His extensive discography boasts numerous essential albums, beginning with his 1968 classic, Now He Sings, Now He Sobs.

Chick Corea continues to make a significant impact on the scene, as evidenced by 2007’s Grammy®-winning The Enchantment (duets with banjo virtuoso Bela Fleck), 2008’s The New Crystal Silence (duets with long-standing collaborator Gary Burton), 2009’s Returns (documenting Return To Forever’s 2008 reunion tour) and 2009’s Grammy®-winning Five Peace Band Live (with John McLaughlin, Christian McBride, Kenny Garrett and Vinnie Colaiuta).

2011 demonstrated Chick Corea’s virtuosity in all its forms: he mounted a hugely successful world tour with Return to Forever IV, received a Latin Grammy® for the Corea, Clarke & White album Forever, released the acclaimed piano duet album Orvieto with Stefano Bollani, recorded his second concerto, The Continents, with a 30-piece orchestra (due for release on Deutsche Grammophon in February 2012) and capped the year with a month-long, career-spanning residency at New York’s Blue Note, featuring ten bands, including John McLaughlin, Herbie Hancock and Bobby McFerrin.

David Holland
Over the course of a nearly five-decade career, bassist/composer Dave Holland has never stopped evolving, reinventing his concept and approach with each new project while constantly honing his instantly identifiable voice.

From the electric whirlwind of Miles Davis’ Bitches Brew-era band to the elegant flamenco of his collaboration with Spanish guitar legend Pepe Habichuela; accompanying the great vocalist Betty Carter in her last years to forging a new sound with the pioneering avant-garde quartet Circle alongside Chick Corea, Anthony Braxton, and Barry Altschul; standing alongside legends like Stan Getz, Hank Jones, Roy Haynes, and Sam Rivers to providing early opportunities to now-leading players like Chris Potter, Kevin and Robin Eubanks, or Steve Coleman; Dave Holland has been at the forefront of jazz in many of its forms since his earliest days.

In 2013, Holland unveiled his latest quartet, Prism, a visceral electric band featuring his longtime collaborator and Tonight Show bandleader Kevin Eubanks, along with keyboardist Craig Taborn and drummer Eric Harland. In addition, Holland continues to lead his Grammy-winning big band; his acclaimed quintet with saxophonist Chris Potter, trombonist Robin Eubanks, vibraphonist Steve Nelson, and drummer Nate Smith; and the Overtone quartet, with Potter, Harland, and pianist Jason Moran.

Born in Wolverhampton, England in 1946, Holland shifted seamlessly between jazz traditions from the beginning. He moved directly from Ronnie Scott’s storied Soho jazz club to Miles Davis’ ground-breaking electric ensemble, where he met ongoing collaborators like Chick Corea, Jack DeJohnette, and Herbie Hancock. He also became a prolific sideman outside the jazz world, recording with rock and folk musicians including Bonnie Raitt, John Hartford, and bluegrass legend Vassar Clements.

A Fellow of the Guildhall School of Music & Drama in London, where he studied from 1965-68, Holland has received honorary doctorates from Birmingham Conservatoire in England and both Boston’s Berklee College of Music and New England Conservatory. He served as artistic director for the Banff Centre Jazz Workshop in Alberta, Canada for seven years in the 1980s and is currently an artist in residence at the Royal Academy of Music and the University of Miami.

Booklet for Paris-Concert (Remastered)