The Sound of Black and White Raffi Besalyan

• Aram Khachaturian (1903 - 1978):
• 1 Khachaturian: Masquerade Suite: I. Waltz 03:56
• 2 Khachaturian: Spartacus: Adagio (Arr. M. Cameron for Piano) 08:33
• 3 Khachaturian: Piano Sonatina in C Major: I. Allegro giocoso 01:50
• 4 Khachaturian: Piano Sonatina in C Major: II. Andante con anima, rubato 03:03
• 5 Khachaturian: Piano Sonatina in C Major: III. Allegro mosso 03:41
• 6 Khachaturian: Gayane (Excerpts Arr. O. Levant for Piano): Lullaby 04:32
• Oscar Levant (1906 - 1972): Piano Sonatina:
• 7 Levant: Piano Sonatina: I. Con ritmo 03:28
• 8 Levant: Piano Sonatina: II. Andantino poco mosso 04:21
• 9 Levant: Piano Sonatina: III. Allegro deciso 03:04
• Earl Wild (1915 - 2010): 7 Virtuoso Etudes After Gershwin (Excerpts):
• 10 Wild: 7 Virtuoso Etudes After Gershwin (Excerpts): No. 2, Somebody Loves Me 03:00
• 11 Wild: 7 Virtuoso Etudes After Gershwin (Excerpts): No. 7, Fascinatin' Rhythm 01:48
• 12 Wild: 7 Virtuoso Etudes After Gershwin (Excerpts): No. 4, Embraceable You 03:17
• 13 Wild: 7 Virtuoso Etudes After Gershwin (Excerpts): No. 3, The Man I Love 02:50
• George Gershwin (1898 - 1937): 3 Preludes for Piano:
• 14 Gershwin: 3 Preludes for Piano: No. 1, Allegro ben ritmato e deciso 01:31
• 15 Gershwin: 3 Preludes for Piano: No. 2, Andante con moto e poco rubato 03:35
• 16 Gershwin: 3 Preludes for Piano: No. 3, Agitato 01:20
• 17 Gershwin: Rhapsody in Blue (Version for Solo Piano) 15:41
• Aram Khachaturian:
• 18 Khachaturian: Gayane (Excerpts Arr. O. Levant for Piano): Sabre Dance 02:24
• Total Runtime 01:11:54

Info for The Sound of Black and White

This program is a loving tribute to A. Khachaturian, the towering musical figure from my native Armenia and to G. Gershwin, the musical genius from my adopted home, the United States. These two composers are bridged here by the phenomenal pianist/composer and Hollywood superstar, Oscar Levant. Some of the works on the album have been my loyal recital companions since childhood, the others have become such upon my immigration to America as a young adult.

The album includes a world premiere recording of Oscar Levant's jazzy Sonatina.

Raffi Besalyan, piano

Raffi Besalyan
Hailed as “a true heir of the mainstream of Russian pianism, like Horowitz” (CHOPIN Magazine, Japan), “a keyboard phenomenon that needs to be heard by everyone interested in pianists and the piano” (Fanfare Magazine, USA), “a formidable pianist with a commanding presence and rich interpretive gifts” (American Record Guide) and “a master of his art” (The Record Geijutsu Magazine, Japan), Raffi Besalyan has established an international reputation of a magnetic and passionate performer. Active as a recitalist, orchestral soloist, and chamber musician, Besalyan appears in many important music venues worldwide. Critics on both sides of the Atlantic have praised his performances for their virility, poetry, and extraordinary technical command.

Armenian-born American pianist Besalyan made his formal New York debut in Carnegie Hall after winning the Artists International Competition and was subsequently invited to perform at Merkin Concert Hall on the Artists International “Outstanding Alumni-Winners” series. The New York Concert Review described him as “Technically brilliant . . . Besalyan played with a great deal of temperament, speed and power . . . audacious spirit and poetic substance, deeply felt tenderness.” Most recently, Besalyan made his Chicago debut in the famed Orchestra Hall at Symphony Center as the featured guest artist for the Chicago International Music Festival. Among his competition awards are top prizes received from the Josef Hofmann International Piano Competition, the New York Frinna Awerbuch International Competition, and the MTNA National Piano Competition.

In recent years, Besalyan has dazzled his audiences in North and South America, Europe, Russia, and Asia, appearing as a soloist with the Osaka Symphony Orchestra (Japan), the Orchestra Sinfonica Del Festival Di Chioggia in Venice (Italy), the Yerevan Symphony Orchestra (Armenia), the Belgorod Symphony (Russia), the Kharkov Symphony (Ukraine), the New Jersey Festival Orchestra, the Owensboro Symphony (Kentucky), and the Moscow Chamber Orchestra, among others. The Armenian Reporter Int’l (New York) stated that a “standing ovation and cries of ‘Bravo’ and ‘Encore’ went to pianist Raffi Besalyan . . . [he] mesmerized the audience with his gracious, delicate, yet powerful presentation of Rachmaninoff’s Concerto No. 3.”

Since his highly successful tour of Japan in 2001, Besalyan visits the country on a yearly basis for concerts and master classes arranged by IMC Music in Tokyo and MAS Management. Articles about Raffi Besalyan have appeared in the CHOPIN Magazine, Asahi, Sankei, Kobe, Nikkei, and Yomiuri newspapers. After a recital in Osaka, Sotokuan Press wrote, “The entire hall was devoured by Besalyan’s glorious touch and crystalline sound . . . Besalyan was not just playing the piano, he was creating wonderful art, and treated the piano with his love for the music.”

Some of the highlights also include recitals for Pro Musica of Detroit; The Embassy Series in Washington, D.C.; the “Keyboard Karma” series of Vancouver; “Overture Concerts” in Nelson, Canada; a concert tour and master classes in Japan including a performance of Rachmaninoff’s 3rd Concerto with the Osaka Symphony; solo recitals in Izumi Hall and Phoenix Hall in Osaka; recitals and master classes in Tokyo and Kyoto; a recital tour in celebration of Niigata Nippo newspaper’s 70th Anniversary; recitals in Rachmaninoff Hall and Small Hall of the Moscow Conservatory in Russia; a performance at the Kennedy Center in Washington, D.C.; appearances in New York with the Jasper Quartet for Brooklyn Friends of Chamber Music and with Metropolitan Opera tenor Jon Garrison; live broadcasts of solo recitals on WPR’s Sunday Afternoon Live from the Chazen; a fundraising recital for the Madison Symphony Orchestra in Madison (Wisconsin); and recitals with pianist Sara Davis Buechner in New York City.

Besalyan’s debut solo album, Dance, Drama, Decadence (IMC Music, Japan), has earned international accolades since its release in June 2012. The album received the prestigious Jun-Tokusen Award from The Record Geijutsu, Japan’s leading classical music magazine, and was chosen as “Classical Album of the Month” by Mainichi Shinbun, one of Japan’s largest newspapers. Dance, Drama, Decadence was selected as the “Best New Release of the Month” by Tokyo FM Music Bird, a prominent radio channel, where the CD premiered in its entirety. In addition, Ongaku no Tomo of Japan recommended and archived the CD as a study reference for music students and professors. Fanfare Magazine featured Besalyan in an extensive interview followed by rave reviews of the album, and another glowing review appeared in American Record Guide. Besalyan was also interviewed by Wisconsin Public Radio’s Norman Gilliland on The Midday, and Dance, Drama, Decadence was aired on WPR (Madison, WI) and KHPR (Honolulu, HI). The album features virtuoso works by Rachmaninoff, Liszt, and Ravel and premiere recordings of colorful folkloristic pieces by Armenian composers Komitas and Baghdassarian.

In 2014, Besalyan signed with GRAMMY® Award-winning record label Sono Luminus. His first recording for the label will be released in early 2015. Besalyan has also recorded The Bach-Busoni Edition Vol. 1 with Sara Davis Buechner which was released by Koch International Classics in September 2008.

Besalyan received his Bachelor’s, Master’s, and Doctor of Musical Arts degrees from the Yerevan Komitas State Conservatory as a student of Sergey Barseghyan. He received an additional Master of Music degree from Rowan University under Veda Zuponcic and studied at the Manhattan School of Music with legendary American pianist Byron Janis and with Sara Davis Buechner. His studies at the Moscow State Conservatory included classes with Alexei Nasedkin, Victor Merzhanov, and Naum Shtarkman.

In 2014, Dr. Besalyan joined the faculty of Georgia State University in Atlanta where he is currently Assistant Professor of Piano. A former faculty member of the University of Wisconsin-Stevens Point and Rowan University in New Jersey, Besalyan also served on the faculties of Festival Musica in Laguna in Venice, Italy, and the International Summer Music Festival at Rowan. Besalyan has been active as an adjudicator for PTNA and Osaka International Music Competition in Japan, International Chopin Piano Competition in Asia, competitions in Italy, and for various chapters of MTNA. Besalyan is an assistant consultant on several piano projects for Dover Publications.

Booklet for The Sound of Black and White