Filament eighth blackbird

• Bryce Dessner (1976-): Murder Ballades
• 1 Omie Wise 03:15
• 2 Young Emily 03:50
• 3 Dark Holler 02:23
• 4 Wave The Sea 01:59
• 5 Brushy Fork 01:45
• 6 Pretty Polly 02:39
• 7 Tears For Sister Polly 02:54
• Nico Muhly (1981-): Doublespeak
• 8 Doublespeak 09:03
• Ryan Lott (1979-): Son Lux
• 9 To Love 02:02
• Philip Glass (1937-): Two Pages Two Pages (Live performance with Bryce Dessner, guitar and Nico Muhly, organ)
• 10 Two Pages 16:16
• Ryan Lott: Son Lux
• 11 This is my Line 03:01
• Total Runtime 49:07

Info zu Filament

Celebrated new-music sextet eighth blackbird, whose last three Cedille Records albums garnered Grammy awards, continues to soar with Filament, a sizzling selection of four-world premiere recordings, plus a concert performance of Philip Glass’s influential Two Pages. The title Filament symbolizes the strong ties of friendship and shared musical interests connecting the composers and performers on the album.

Filament offers first recordings of Bryce Dessner’s Murder Ballades, a fresh and surprisingly upbeat take on a macabre genre of folk music; Nico Muhly’s Doublespeak, an homage to Glass and the insistent, propulsive repetitions of classic minimalism; and short pieces by Son Lux, To Love and This is my Line,” creative remixes of sounds from other tracks on the CD. Dessner, on guitar, and Muhly, on organ, join eighth blackbird for Glass’s Two Pages, recorded live-in-concert at Chicago’s Museum of Contemporary Art.

A sextet of flute, clarinet, violin, cello, percussion, and piano, eighth blackbird combines the finesse of a string quartet, the energy of a rock band, and the audacity of a storefront theater company. The Chicago-based “super-musicians” (Los Angeles Times) are “a polished, personable, routinely dazzling sextet” (New York Times). In recent concert seasons eighth blackbird has performed at Carnegie Hall (Zankel and Stern Halls), London’s Barbican Centre, and Washington, D.C.’s Library of Congress and Kennedy Center.

eighth blackbird

eighth blackbird
combines the finesse of a string quartet, the energy of a rock band and the audacity of a storefront theater company. The Chicago-based, three-time Grammy-winning “super-musicians” (LA Times) entertain and provoke audiences across the country and around the world.

Colombine’s Paradise Theatre is eighth blackbird’s new staged, memorized production. Composer Amy Beth Kirsten challenges the sextet to play, speak, sing, whisper, growl and mime, breathing life into this tale of dream and delusion. Performances have taken place at the University of Richmond, as well as DC’s Atlas Arts, and it has been called a “Tour de Force” by the Washington Post.

The 2013/14 season’s acoustic program, Still in Motion, features new works by The National’s Bryce Dessner (the folk-inspired Murder Ballades), Steve Mackey (music from his Grammy-winning Slide) and Australian composer Brett Dean (the searing Old Kings in Exile). eighth blackbird brings this show to Ohio, Missouri, Idaho, Oregon, North Carolina, Pennsylvania, Michigan, New York and California.

Other highlights include debuts with the Cincinnati Symphony (where the ensemble is an Artist in Residence) and New World Symphony; residencies at UCLA, SUNY Purchase, Baylor and Duke; a collaboration with Oberlin College’s CME; and a debut on the Lincoln Center’s Atrium series.

eighth blackbird holds ongoing Ensemble in Residence positions at the Curtis Institute of Music, University of Richmond, and University of Chicago. A decade-long relationship with Chicago’s Cedille Records has produced six acclaimed recordings. The ensemble has won three Grammy Awards, for the recordings strange imaginary animals, Lonely Motel: Music from Slide and Meanwhile.

eighth blackbird’s members hail from America’s Great Lakes, Keystone, Golden and Bay states, and Australia’s Sunshine State. There are four foodies, three beer snobs and one exercise junkie. The name “eighth blackbird” derives from the eighth stanza of Wallace Stevens’s evocative, aphoristic poem, Thirteen Ways of Looking at a Blackbird (1917). eighth blackbird is managed by David Lieberman Artists.

Dieses Album enthält kein Booklet