A Scattered Light in Winter Westminster Williamson Voices & James Jordan

• 1 In the Bleak Midwinter 03:56
• 2 Kit Smart's Carol 02:35
• 3 Choral Improvisation on "Coventry Carol" 07:31
• 4 Solitude (Version for Choir & Piano) 05:56
• 5 The Stars Now Rearrange Themselves 05:04
• 6 The Burning Ladder 04:47
• 7 Salvation to All That Will Is Nigh 07:28
• 8 Brightest and Best 04:30
• 9 Coventry Carol (Arr. J. Hudson for Choir & Piano) 06:46
• 10 Magnificat 06:09
• 11 Let All Mortal Flesh Keep Silence (Arr. S. Scheibe for Choir, Cello & Piano) 07:34
• Total Runtime 01:02:16

Info zu A Scattered Light in Winter

James Jordan writes: “I think when life challenges us, our common human tendency is to look toward the stars for wisdom and answers, for the abundances and peace that sometimes one’s focus toward the heavens brings to us. Looking toward the stars and the heavens often clears our vision so we can feel authentically with our hearts. Carols during Advent and Christmastime seem to also embody that spirit of mystical searching for hope and wonder. And perhaps there is no better musical spiritual entry point for all of this than chant. So, this recording leads you musically through the journey, from simple chant to stories in the carols. And all of the music on the album reflects our hope for the future as we climb a crooked ladder leading to, hopefully, a brighter new time for our beloved Westminster college, and our lives beyond the pandemic. Our desire is to see a glimmer of light behind what seems a very closed door. This album offers music for personal reflection, with the hope that these sounds can provide for each of us “scattered” new light.”

Westminster Williamson Voices
James Jordan, director

Westminster Williamson Voices
The GRAMMY®-nominated Westminster Williamson Voices, named after the founder of Westminster Choir College, John Finley Williamson, is lauded by reviewers and audiences on both sides of the Atlantic. Founded by James Jordan in 2003, the ensemble has quickly distinguished itself in the choral world for its distinctive artistry and compelling sound, recordings, educational outreach and its passionate mission to perform new music and forge close relationships with composers. Gramophone magazine has praised the Westminster Williamson Voices as an ensemble of “intimate and forceful choral artistry” with a tone that is “controlled and silken in sustained phrases as they are vibrantly sonorous in extroverted material… (singing) with a precision and finesse normally found in the best of the UK’s large chamber choirs.” American Record Guide praised the ensemble as “without peer.” Choral Journal has described the Westminster Williamson Voices as an ensemble of “supreme artistry” and a choir that performs with “truth and precision.” The choir is one of the select ensembles at Westminster Choir College in Princeton, New Jersey, a division of Rider University’s Westminster College of the Arts www.rider.edu/westminster. It received a GRAMMY® nomination for its recording of Annelies by James Whitbourn in 2013. Each summer the ensemble is in residence at the Choral Institute at Oxford, one of the world’s leading programmes for the education of conductors.

James Jordan
Widely acknowledged as one of the most influential conductors in America, James Jordan, through his seventeen textbooks and recordings, has brought about far-reaching pedagogical and philosophical changes not only in choral music, but also in the worlds of orchestral conducting, wind conducting, piano, and music education. The Choral Journal has described his writings as “visionary.” Renowned American composer Morten Lauridsen dedicated the third movement of his Midwinter Songs to him. One of the country’s leading choral artists, Dr. Jordan is Senior Conductor at Westminster Choir College of Rider University, where he conducts the Westminster Williamson Voices and the Westminster Schola Cantorum, and teaches undergraduate and graduate choral conducting. Over thirty works have been premiered by the Westminster Williamson Voices, including the works of Mantyjaarvi, Custer, Ames, Hill, Whitbourn, Henson, and Wilberg. Dr. Jordan also conducts Anam Cara (www.anamcarachoir.com), a professional choral ensemble based in Philadelphia that has received critical acclaim for its recordings. The American Record Review wrote that Anam Cara “is a choir to please the fussiest choral connoisseur” and called their inaugural recording, Innisfree, “skillful and shining,” “glowing,” “supremely accomplished” with a “tone that produces a wide range of effects from vocal transparency to rich, full-throated glory.”

Dr. Jordan is one of the country’s most prolific writers on the subjects of the philosophy of music making and choral teaching. His trilogy of books on the philosophy and spirituality of musicing—The Musician’s Soul, The Musician’s Walk, and The Musician’s Spirit—have made a deep and profound impact upon musicians and teachers around the world. His latest projects include a new text, The Choral Rehearsal, Volume 2: Inward Bound, which deals with all aspects of score preparation, as well as a DVD, The Anatomy of Conducting, with Eugene Migliaro Corporon, conductor of the Wind Symphony and Regents Professor of Music at The University of North Texas. This DVD uses state-of-the-art animation to assist musicians in learning anatomically correct conducting technique.

Dr. Jordan is also Executive Editor of the Evoking Sound Choral Series (GIA), which now includes over seventy published works. In addition, he teaches and delivers over thirty workshops and keynote addresses each year in addition to an extensive conducting and guest- conducting schedule. Among his most recent engagements were a residency at Houston Baptist University and appearances at the North Carolina American Choral Directors Association (ACDA), Wisconsin Music Educators National Conference (MENC), Michigan ACDA, Pennsylvania/Delaware Music Teachers National Association (MTNA), Chorus America, and Arizona ACDA, as well as presentations and workshops at The University of Buffalo, The United States Army School of Music, and The Curtis Institute.

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