The Life You Save Flock of Dimes

• 1 Afraid 03:41
• 2 Keep Me in the Dark 04:26
• 3 Long After Midnight 02:51
• 4 Defeat 04:17
• 5 Close to Home 04:39
• 6 The Enemy 03:20
• 7 Not Yet Free 04:17
• 8 Pride 04:57
• 9 Theo 03:46
• 10 Instead of Calling 03:49
• 11 River in My Arms 05:21
• 12 I Think I'm God 04:53
• Total Runtime 50:17

Info zu The Life You Save

The Life You Save" ist das dritte Album von Flock of Dimes, dem Soloprojekt der Multi-Instrumentalistin und Produzentin Jenn Wasner.

In den letzten Jahrzehnten sei es als Flock of Dimes, als eine Hälfte des beliebten Duos Wye Oak oder durch eine ihrer zahlreichen Kollaborationen mit Bon Iver, Sylvan Esso und einer langen Liste weiterer musikalischer Größen hat Jenn Wasner in ihrem umfangreichen Repertoire ihr Talent bewiesen, Authentizität und Direktheit mit einer unverkennbaren, unkonventionellen Sensibilität in Einklang zu bringen.

Ihre Songtexte zeugen von ihrer scharfen Beobachtungsgabe, ihrer tiefen Empathie und ihrer nachdenklichen Art, Geschichten zu erzählen. Mit ihrem Talent, Erinnerungen, Herzschmerz und unheilbare Traumata zu ergründen, und einem Schleier aus Synkopierung oder schrägen Gitarrenklängen, die einen Song an einen Ort der stillen Großartigkeit entführen, ist ihr neues Album The Life You Save" ein weiterer Meilenstein in ihrer Karriere und geht noch einen Schritt weiter; einfach gesagt ist es das ehrlichste, intimste und persönlichste Album in Wasners Karriere.

Die zwölf Songs sind ebenso herzzerreißend wie hoffnungsvoll und tauchen tief in die Abgründe von Sucht und Co-Abhängigkeit, vererbten und erlebten Traumata und den Prozess der Friedensfindung angesichts des Leidens anderer ein. The Life You Save" ist eindringlich, schonungslos offen wie eine Botschaft aus dem Auge eines Sturms. Doch obwohl es irgendwie sowohl viszeral roh als auch verletzlich wirkt, schwebt darüber ein Gefühl von stiller Ruhe, ein Schimmer von Rückblick oder vielleicht von Akzeptanz. Es ist die Geschichte davon, wie es sich anfühlt, zwischen zwei Welten gefangen zu sein der, aus der man kommt, und der, in die man geflohen ist; von dem Glauben, dass man irgendwie die Menschen, die man liebt, mit an diesen Ort nehmen kann; von der Trauer, zu erkennen, dass man nur sich selbst retten kann.

The Life You Save" wurde von Jenn Wasner produziert und im Betty's in Chapel Hill, North Carolina, sowie im Montrose Recording in Los Angeles, Kalifornien, aufgenommen, mit zusätzlicher Produktion von Nick Sanborn. Das Album wurde von Adrian Olsen & Alli Rogers tontechnisch aufgezeichnet, von Adrian Olsen gemischt und von Huntley Miller gemastert.

Jenn Wasner, Gesang, Akustik- und E-Gitarre, Bass, Synthesizer, Elektronik
Alan Good Parker, E-Bass, Akustik-, E- und Tenorgitarre, Pedal- und Lap-Steel-Gitarre, Mandoline, Cello
Jacob Ungerleider, Klavier, Synthesizer, Orgel, Tenorgitarre
Matt McCaughan, Schlagzeug, Elektronik
TJ Maiani, Schlagzeug
Nick Sanborn, Synthesizer, Modular Processing
Adam Schatz, Saxophon, Elektronik
Meg Duffy, Akustikgitarre, Sustainer-Gitarre
Adrian Olsen, Modular Processing

Flock of Dimes
It's been a year since Jenn Wasner left Baltimore, where she grew up, where her family is, where she began playing music, where she started Wye Oak with Andy Stack and where she was a beloved and integral part of the community. "Baltimore, to me, is noise, and light, and excitement, and constant activity, and all the good and bad things that come along with that," says Wasner, who also shared that Baltimore is overwhelming in the best and worst senses of that word. She was worried that it was eating her alive.

Now she lives in a brand new place: in a quiet house in the woods in North Carolina. And so, when you listen to her debut record as Flock of Dimes, If You See Me, Say Yes, think about how when she says yes to one thing, she's saying no to another. How this record is a kind of monument to those moments of being poised on the precipice, that feeling of diving into the new but at the same time looking back at what's left behind. When standing on an edge like that, both sides - what came before, what's ahead - are in such sharp relief, and this record comes out of that intensity; from "Birthplace" to no place at all; from a deep history to a future in flux. Maybe that's why so many of these songs are built around these ecstatic moments; when it feels like something is spilling open or breaking through, from the cosmic dance-dream of "Minor Justice" to the soaring reassurance of "Everything Is Happening Today." Or "Semaphore," a signal sent from a distance, an attempt to bridge the infinite space between two people (or two cities).

Flock of Dimes started out as an outlet for Wasner's more experimental/electronic side and, following a string of 7" singles, this debut LP is the culmination of three years of rapid growth & exploration for her, physically, musically and psychologically. From the initial recording in Baltimore (with Mickey and Chris Freeland), to the process of refining and tweaking (alone and with friends in Durham, Brooklyn, and beyond), to the mixing in Dallas (with John Congleton), it's the first record where Jenn has done almost everything - writing, playing, producing- by herself. She said that making this record on her own after having spent so much time making music in close collaboration was harder than expected, but also liberating. You can hear that in the songs, too - so many of them are about being lost, and being free.

Wasner frequently talks about the various competing versions of herself; the Jenn who tells herself that she's being self-indulgent, that she should be out saving the world (whatever that means); and also the workaholic Jenn who never wants the record to be done, who identifies with Arthur Russell, for whom declaring a song finished felt like a kind of death. But the songs on this record seem to come from another Jenn - the version of herself who "believes in magic, and love, and the mysteries of the universe and shit like that". The Jenn who loves making songs more than anything.

"If You See Me, Say Yes" refers to the decision I've made to continue to share music with people" she explains of the album's title. "I realized long ago that I will always make music - it's such a crucial part of my life, and is the way that I process my experience and, hopefully, find peace. But the choice to share it is separate from that urge - and it comes down to feeling like the connection between people, even amongst strangers, is worth the risk. It's about valuing beauty and connection over fear and alienation, and trying to live with an almost radical sort of vulnerability-- on all levels, at all times." And now we see her, with her most personal, considered & introspective work to date - an album where each track is as essential as the one before it & the one that follows - and we are most definitely, resolutely saying an unconditional yes.

Dieses Album enthält kein Booklet