La Suave Melodia Les Timbres & Harmonia Lenis

• Andrea Falconiero (1585/6-1656)
• 1 I. La Suave Melodia 02:21
• 2 II. L'Eroica 02:41
• 3 III. Brando dicho el Melo 01:16
• 4 IV. Folias echa para mi Senora Dona Tarolilla 04:06
• Dario Castello
• 5 I. Libro Primo Sonata Quinta 04:48
• 6 II. Libro Secondo Sonata Duodecima 08:19
• Giovanni Paolo Cima
• 7 Concerti Ecclesiastici: Sonata a tre 03:25
• Tarquinio Merula (1594/5-1665)
• 8 Canzoni overo Sonate concertate per chiesa: La Cattarina 03:30
• Marco Uccellini (1603-1680)
• 9 Sonate , Correnti et Arie da Camera e da Chiesa: Sonata La Luciminia contenta 03:38
• Giovanni Battista Buonamente
• 10 Il quarto libro de varie sonate: I. Sinfonia seconda 03:14
• 11 Il quarto libro de varie sonate: II. Gagliarda quarta 01:18
• Giovanni Gabrieli (1554/7-1612)
• 12 Canzoni et Sonate: Sonata XXI con tre violini 04:16
• 13 Il Secondo Libro delle divine lodi musicali: Canzon a doi soprani in echo 03:15
• Francesco Turini (ca.1589-1656)
• 14 Madrigali, Sonateà due & à tre Libro primo: Sonata a due canti 04:37
• Giovanni Gabrieli (1554/7-1612)
• 15 Keyboard works: Canzon II 02:43
• Giovanni Martino Cesare
• 16 Musicali melodie: La Gioia 03:52
• Giovanni Paolo Cima
• 17 Concerti Ecclesiastici: Sonata à 2. Violino e Violone 04:26
• Agostino Guerrieri
• 18 Sonate di violino Opera Prima: La Viviani, sonata a 3 06:12
• Total Runtime 01:07:57

Info zu La Suave Melodia

The ensemble LES TIMBRES was revealed to the public when they were awarded a First Prize at the prestigious International Music Competition in Bruges (Belgium) in 2009. They decided to join the Flora cd label, and started this collaboration with Jean-Philippe Rameau's 'pièces de Clavecin en Concerts' in 2014, which received a 'Diapason d'Or'. For the present recording, they invited the Japanese ensemble HARMONIA LENIS, with whom they have been working on a Franco-Japanese collaboration since 2010. This recording illustrates the evolution of the music in Northern Italy around 1600, when a new singing style for solo voice emerged in which words prevailed over sounds and ,at the same time, a period of profound change in the repertoire of instrumental music also began. During the 16th century, instruments were mainly limited to doubling or accompanying voices. The instrumental repertoire consisted mostly of arrangements of vocal works, or else of often rather simple dances. However, by the end of the century, instruments began to acquire an autonomous status. Indeed, several, sepcifically instrumental styles emerged, giving rise to new forms of music making.

Yoko Kawakubo, violin
Myriam Rignol, viola da gamba
Julien Wolfs, organ, harpsichord
Kenichi Mizuuchi, flutes
Akemi Muramaki, harpsichord, organ

Keine Biografie vorhanden.

Dieses Album enthält kein Booklet