In Motion Andreas Mader & Pit Brosius

• Jacques Ibert (1890 - 1962): Concertino da Camera:
• 1 Ibert: Concertino da Camera: I. Allegro con moto 04:15
• 2 Ibert: Concertino da Camera: II. Larghetto 03:49
• 3 Ibert: Concertino da Camera: III. Animato molto 04:30
• Pierre-Max Dubois (1930 - 1995): Sonatine-Tango (arr. for Saxophone and Ensemble by Pit Brosius):
• 4 Dubois: Sonatine-Tango (arr. for Saxophone and Ensemble by Pit Brosius): I. Violent et animé 01:12
• 5 Dubois: Sonatine-Tango (arr. for Saxophone and Ensemble by Pit Brosius): II. Scherzando 01:30
• 6 Dubois: Sonatine-Tango (arr. for Saxophone and Ensemble by Pit Brosius): III. Tempo de sarabande 02:22
• 7 Dubois: Sonatine-Tango (arr. for Saxophone and Ensemble by Pit Brosius): IV. Vivace 01:49
• Caroline Shaw (b. 1982): Its Motion Keeps (arr. For Viola and Ensemble by Hy-Khang Dang):
• 8 Shaw: Its Motion Keeps (arr. For Viola and Ensemble by Hy-Khang Dang) 08:19
• Heitor Villa-Lobos (1887 - 1959): Fantasia para Saxophone, W490 (arr. for Saxophone and Ensemble by Pit Brosius):
• 9 Villa-Lobos: Fantasia para Saxophone, W490 (arr. for Saxophone and Ensemble by Pit Brosius): I. Animé 04:53
• 10 Villa-Lobos: Fantasia para Saxophone, W490 (arr. for Saxophone and Ensemble by Pit Brosius): II. Lent 02:49
• 11 Villa-Lobos: Fantasia para Saxophone, W490 (arr. for Saxophone and Ensemble by Pit Brosius): III. Très animé 02:59
• Maurice Ravel (1875 - 1937): Violin Sonata No. 2 in G Major, M. 77 (arr. for Violin, Saxophone and Ensemble by Hy-Khang Dang):
• 12 Ravel: Violin Sonata No. 2 in G Major, M. 77 (arr. for Violin, Saxophone and Ensemble by Hy-Khang Dang): II. Blues 05:38
• Manuel de Falla (1876 - 1946): Suite from El amor brujo (arr. for Ensemble by Hy-Khang Dang):
• 13 Falla: Suite from El amor brujo (arr. for Ensemble by Hy-Khang Dang): I. Introducción y Escena. Introduction and Scene. 03:04
• 14 Falla: Suite from El amor brujo (arr. for Ensemble by Hy-Khang Dang): II. Canción del amor dolido. Song of a Broken Heart. 01:31
• 15 Falla: Suite from El amor brujo (arr. for Ensemble by Hy-Khang Dang): III. Danza ritual del fuego. Ritual Fire Dance. 03:53
• 16 Falla: Suite from El amor brujo (arr. for Ensemble by Hy-Khang Dang): IV. Canción del fuego fatuo. Song of the Will-o'-the-Wisp. 01:43
• 17 Falla: Suite from El amor brujo (arr. for Ensemble by Hy-Khang Dang): V. Scene (El amor popular). Scene (Popular Love). 03:27
• 18 Falla: Suite from El amor brujo (arr. for Ensemble by Hy-Khang Dang): VI. Danza del juego de amor. Dance of the Game of Love. 03:21
• Total Runtime 01:01:04

Info zu In Motion

„In Motion“ erkundet die vielfältigen Wege, auf denen Musik Bewegung einfängt – durch Rhythmus, Tanz, den Lauf der Zeit und die sich ständig wandelnden Klangfarben. Der Saxophonist Andreas Mader vereint sich mit einem außergewöhnlichen Ensemble aus Freunden unter der Leitung von Pit Brosius zu einem lebendigen Programm, das Meisterwerke von Ibert, Villa-Lobos, Ravel, de Falla, Caroline Shaw und Dubois neu interpretiert. Neue Arrangements stellen das Saxophon in den Mittelpunkt eines intimen Kammerensembles und eröffnen so neue Perspektiven auf bekannte Werke, während sie zugleich die bemerkenswerte Ausdruckskraft des Instruments zur Geltung bringen. Inspiriert von der Idee, dass „die Zeit, wie die Gezeiten, ihren Lauf nimmt“, entfaltet sich das Album als eine Reise voller Energie, Eleganz und ständiger Verwandlung. Aufgenommen in der hervorragenden Akustik des Trifolion Echternach in Luxemburg und in High-Definition-Sound von Bert van der Wolf-Oude Avenhuis von Northstar Recording eingefangen, verbindet „In Motion“ künstlerische Fantasie mit außergewöhnlicher klanglicher Klarheit. Das Ergebnis ist ein Album, das die Zuhörer in eine fesselnde musikalische Landschaft einlädt, in der klassische Tradition, rhythmische Vitalität und zeitgenössische Kreativität in Darbietungen voller Wärme, Virtuosität und unwiderstehlicher Dynamik zusammenfließen.

Andreas Mader, Saxophone
Cécile Vonderwahl, Violine
Wen Hung, Violine
Nikita Gerkusov, Viola
Choul-Won Pyun, Kontrabass
Alberto Navarra, Flöte
Ivan Sherstnev, Oboe
Max Mausen, Klarinette
Nur Koç, Fagott
Cristiana Custodio, Horn
David Busawon, Trompete
Pit Brosius, Dirigent

Andreas Mader
studies at the Conservatorium van Amsterdam in the class of Arno Bornkamp, where he also received his bachelor’s degree „cum laude“. Additionally, Andreas had the possibility to study with Claude Delangle at the CNSM de Paris with the Erasmus Programme. He has received tutorship from Pierre-Laurent Aimard, Sven Arne Tepl and Walter van Hauwe.

He is prize-winner of the International AEOLUS-Competition 2015 in Düsseldorf, the Andorra International Saxophone Competition 2016 and won the 1st prize at the Bertold Hummel-Competition in Würzburg in 2017.

As a soloist he has performed with the Düsseldorfer Sinfoniker, the Kracow Philharmonic Orchestra, the Kammerphilharmonie Graubünden and the Philharmonie Südwestfalen.

Andreas grew up in Jochberg, Tyrol and started his saxophone lessons at the music school of Kitzbühel. Later he attended the preliminary study at the Conservatory Tyrol. At the same time, he collected his first experiences as a Soloist with the chamber orchestra “Innstrumenti” and the Ensemble “Windkraft, Kapelle für neue Musik”.

Pit Brosius
Luxembourgish conductor Pit Brosius is recognised as one of the distinctive musical voices of his generation and is known for passionate, energetic and finely detailed interpretations. In the 2025/26 season he made his debut with the Orchestre National de Metz Grand Est. As Artistic and Music Director of the Orchestre National des Jeunes du Luxembourg, he has been shaping the orchestra’s development for several years.

He has appeared on the concert stage with soloists including Antje Weithaas, Alena Baeva, Johannes Moser, and pianist and entertainer Hyung-ki Joo. Alongside his conducting activities, music outreach plays an important role in his work: through a wide range of concert and educational formats, he aims to make classical music vivid and accessible to a broad audience. Opera also holds a special place in his artistic work. He gained important experience as assistant to the Belgian conductor David Reiland and has been involved in productions at Oper Leipzig, the Opéra de Saint-Étienne, and Opera Zuid. He also has a strong interest in historically informed performance practice, whose insights he integrates into modern concert programmes, while regularly collaborating with ensembles specialising in contemporary music.

Pit Brosius studied orchestral conducting and bassoon at the Conservatorium van Amsterdam and the Conservatorium Maastricht. Alongside his conducting career, he teaches conducting at the Conservatoire du Nord and has served as Assistant Professor of Conducting at the Conservatoire royal de Liège since 2026.

Booklet für In Motion