Tribute To Calvin Russell Calvin Russell

• 1 Shadow Of Doubt 04:33
• 2 Wild Wild West 04:17
• 3 Behind The 8 Ball 05:53
• 4 Crossroads 05:39
• 5 Trouble 06:15
• 6 Nothin' Can Save Me 05:11
• 7 Time Flies 04:27
• 8 Too Old To Grow Up Now 03:15
• 9 Baby I Love You 03:17
• 10 All We Got Is Rock And Roll 04:38
• 11 Ain't Leaving Your Love 03:52
• 12 Rats And Roaches 02:58
• 13 5M2 03:45
• 14 Soldier 04:44
• Total Runtime 01:02:44

Info zu Tribute To Calvin Russell

Talented musicians come together at the crossroads to pay tribute to a legend of American country blues.

Calvin Russell and France, that's quite a story, if not history with a capital H. Spotted singing his compositions by a French producer in the corner of a club in Austin, Texas, it took several albums produced in France before his talent was recognised at home.

Tour after tour, album after album, it was in Europe that he blossomed (he played 178 concerts in Europe during his 1994 tour).

Today, on both sides of the Atlantic, the songs of the late wanderer with Comanche origins continue to take listeners on a journey.

The blues, rock and country music of CharlElie Couture, Popa Chubby, Axel Bauer, Gérard Lanvin, Johnny Gallagher, Hugh Coltman, Théo Charaf, Beverly Jo Scott, Craig Walker, Fred Chapellier, David Minster, Neal Black, Boney Fields and Haylen have all been invited to take part in this adventure.

"Anyone who loved, listened to or saw the great Calvin Russell in concert will love [this] magical and poignant tribute. A big well done to all the artists who pay this magnificent tribute to a talented songwriter who died too soon." (RockMétalMag)

Manu Lanvin, vocals, guitars
Axel Bauer, vocals, guitars
Beverly Jo Scott, vocals
Boney Fields, vocals
CharlElie Couture, vocals, harmonica
Claude Langlois, lap steel
Craig Walker, vocals
David Minster, vocals
Fred Chapellier, guitars
Haylen, vocals
Hugh Coltman, vocals, guitars
Johnny Gallagher, guitars
Neal Black And The Healers, vocals, guitars
Popa Chubby, vocals, guitars
Théo Charaf, vocals

Manu Lanvin
After releasing his first three albums between 2000-2006, in which he mainly focused on rock music, Manu Lanvin finally found his most natural path with the Devil Blues, a power trio that suits him perfectly. ​

Undoubtedly, it was his collaboration with Texan singer Calvin Russell that triggered this new direction. In 2009, he co-wrote, produced, and directed Russell's testament album "Dawg Eat Dawg." This sharp turn was a wise choice because as soon as the album "MAUVAIS CASTING" was released in 2012, success and events rapidly followed for our national bluesman. ​

In 2013, he played 120 concerts, including prestigious stages in Europe and the United States (such as Olympia, Apollo Theater, and Montreux Jazz Festival), and was jointly invited by Claude Nobs and Quincy Jones to perform at the Jazz Foundation of America's galas in New York. He was selected to represent France at the International Blues Challenge (IBC) in Memphis in 2014, and finally won the Cognac Blues Passions Prize in July 2015. During this infernal tour, the Devil Blues found time to produce the brilliant "SON(S) OF THE BLUES" in 2014, which retains a large part of the musical heritage of the southern United States and Highway 61. ​

On November 13, 2015, Paris and particularly the Bataclan suffered an unprecedented terrorist attack. Youth, freedom, and the world of entertainment were targeted, and the whole world was shaken. "If the gods are here to kill, then I prefer to be the Devil because mine doesn't kill, mine advocates peace and love through music, blues, and rock 'n' roll," Manu said, getting a devil tattooed on his back. This strong image was immortalized by photographer Eric Martin and became the cover of the album "BLUES, BOOZE AND ROCK’N’ROLL" released in 2016. ​

"BLUES, BOOZE AND ROCK’N’ROLL" is undoubtedly Manu's album of maturity and earned him praise from the music press and recognition from professionals. The album was selected as one of the "Best Albums of the Year" by Le Parisien, his show was recognized as one of the best performances of the year by Rock & Folk magazine, and Manu was nominated for "Best Male Performer" at the 2017 Globes de Cristal. Finally, a bluesman appeared among the big names in the French music scene.

Acclaimed by an increasingly large audience at "Le Diable" concerts and hailed by his peers such as Paul Personne, who regularly joins him on stage, or Johnny Hallyday, who invites him to open for him, Manu perfectly embodies the disillusioned bluesman who sings about life's low blows while remaining an optimistic rocker who advocates for devil's music for a better world.

After releasing his first three albums between 2000-2006, in which he mainly focused on rock music, Manu Lanvin finally found his most natural path with the Devil Blues, a power trio that suits him perfectly. ​

Undoubtedly, it was his collaboration with Texan singer Calvin Russell that triggered this new direction. In 2009, he co-wrote, produced, and directed Russell's testament album "Dawg Eat Dawg." This sharp turn was a wise choice because as soon as the album "MAUVAIS CASTING" was released in 2012, success and events rapidly followed for our national bluesman. ​

In 2013, he played 120 concerts, including prestigious stages in Europe and the United States (such as Olympia, Apollo Theater, and Montreux Jazz Festival), and was jointly invited by Claude Nobs and Quincy Jones to perform at the Jazz Foundation of America's galas in New York. He was selected to represent France at the International Blues Challenge (IBC) in Memphis in 2014, and finally won the Cognac Blues Passions Prize in July 2015. During this infernal tour, the Devil Blues found time to produce the brilliant "SON(S) OF THE BLUES" in 2014, which retains a large part of the musical heritage of the southern United States and Highway 61. ​

On November 13, 2015, Paris and particularly the Bataclan suffered an unprecedented terrorist attack. Youth, freedom, and the world of entertainment were targeted, and the whole world was shaken. "If the gods are here to kill, then I prefer to be the Devil because mine doesn't kill, mine advocates peace and love through music, blues, and rock 'n' roll," Manu said, getting a devil tattooed on his back. This strong image was immortalized by photographer Eric Martin and became the cover of the album "BLUES, BOOZE AND ROCK’N’ROLL" released in 2016. ​

"BLUES, BOOZE AND ROCK’N’ROLL" is undoubtedly Manu's album of maturity and earned him praise from the music press and recognition from professionals. The album was selected as one of the "Best Albums of the Year" by Le Parisien, his show was recognized as one of the best performances of the year by Rock & Folk magazine, and Manu was nominated for "Best Male Performer" at the 2017 Globes de Cristal. Finally, a bluesman appeared among the big names in the French music scene.

Acclaimed by an increasingly large audience at "Le Diable" concerts and hailed by his peers such as Paul Personne, who regularly joins him on stage, or Johnny Hallyday, who invites him to open for him, Manu perfectly embodies the disillusioned bluesman who sings about life's low blows while remaining an optimistic rocker who advocates for devil's music for a better world.

During the 2017 tour, Manu and his team stopped for three days at the 4A Sound Factory, a recording studio located near the Forges Les Eaux casino, to record some covers. These 3 days quickly turned into 13 studio days, during which Manu, surrounded by his favorite musicians, Jimmy Montout (on drums), Nicolas Bellanger (on bass), Diabolo (on harmonica), Mike Latrell (on keyboards), and Jérémy Lacoste (on slide guitar), embarked on recording a new full album consisting of some revisited blues classics as well as original songs, all recorded live in this superb vintage-equipped recording studio. ​

The result is "GRAND CASINO" a pure Blues n' Roll album where one also discovers and savors with delight some duets with prestigious friends who have answered the Devil's call : ​

Taj Mahal, Beverly Jo Scott, Johnny Gallagher, Popa Chubby and Paul Person.

Dieses Album enthält kein Booklet