Snow Catches on Her Eyelashes Eivind Aarset & Jan Bang

• 1 Purplebright 02:51
• 2 Asphalt Lake 05:28
• 3 Before the Wedding 03:03
• 4 Two Days in June 07:35
• 5 Outer Sphere 02:31
• 6 The Witness 06:19
• 7 Inner Sphere 02:36
• 8 Serenade 04:08
• 9 Monochrome 03:06
• 10 10. Nightspell 04:32
• Total Runtime 42:09

Info zu Snow Catches on Her Eyelashes

Ein norwegisches Klangdickicht: Der Gitarrist Eivind Aarset und der Live-Remixer Jan Bang veröffentlichen ihr erstes Duo-Album.

Seit dem Ende der Neunziger Jahre sind Jan Bang und Eivind Aarset zwei der wichtigsten Klangforscher der an außergewöhnlichen Sounds nicht armen Musikszene Norwegens. Bangs und Aarsets gemeinsame Projekte sind zahlreich, darunter die Jazzland-Alben „Connected“ und „Sonic Codex“. Zuletzt waren beide auf „Dream Logic“ (ECM) zu hören, das All About Jazz als „leises Meisterwerk“ bezeichnete. Alle drei Alben wurden unter Eivind Aarsets Namen veröffentlicht – nun erscheint mit „Snow catches on her Eyelashes“ das erste echte Duo-Werk der Norweger.

Aarsets Gitarre ist hier weniger ein klar erkennbares Instrument als eine hypnotische Klangfläche, die säuselt und flackert und mit elektroakustischem Summen Trancestimmung heraufbeschwört. Die melodisch orientierte Seite des Gitarristen zeigt sich im verwehten „Serenade“ und auf „Two Days in June“, das Aarset für die 2017 verstorbenen Tänzerin und Choreographin Christine Brunel schrieb.

Jan Bang verbindet die zehn Kompositionen zu unscharf am Fenster vorbeiziehenden Klanglandschaften. Mit dem Einsatz manipulierter Field Recordings und Samples sowie dem Live-Sampling von Aarsets Spiel kreiert er ein dunkles Klangdickicht, das eher poetisch als bedrohlich ist. Mit Nils Petter Molvær (Trompete), Hilde Norbakken (Klavier), Anders Engen (Schlagzeug / Percussion), Audun Erlien (Bass) und einem Vocalsample von Sidsel Endresen featuret „Snow catches on her Eyelashes“ zahlreiche Gastauftritte, die durch Bangs elektronisches Treatment bis zur Unkenntlichkeit gefiltert werden.

„Snow catches on her Eyelashes“ enthält rätselhafte, meditative, cineastische Musik. Spuren von Jazz, Ambient und Electronica wehen hindurch. Ein Album, das sich jeglicher Kategorisierung entzieht – wie von Jazzland gewohnt.

"... ein filigranes, ebenso introvertiert wie hypnotisch fließendes Album. Eine Verbeugung vor der klanglichen Feinheit." (stereoplay, März 2020)

Eivind Aarset, guitar, bass, electronics
Jan Bang, synthesizer, samples, programming
Audun Erlien, bass (track 6)
Anders Engen, cymbal, drum samples (track 6)
Audun Erlien, effects (track 8)
Hilde Norbakken, piano (track 3)
Sidsel Endresen, sampler, vocal sample (tracks 1)
Erik Honoré, synthesizer (track 1)
Nils Petter Molvær, trumpet (track 2)

Eivind Aarset
is a guitarist with a unique musical vision that absorbs and reflects all manner of music while retaining an enviable individualism and high quality craftsmanship that can span from quiet intimacy to searing intensity. His debut as a bandleader on Jazzland Recordings was described by the New York Times as "One of the best post-Miles electric jazz albums," setting a high benchmark that Aarset has consistently met and exceeded, both in the studio and in live performance.

As one of Norway's most in-demand guitarists, Eivind Aarset has worked with Jon Hassell, David Sylvian, Bill Laswell, Jan Garbarek, Paolo Fresu, Marilyn Mazur, J.Peter Schwalm, Mike Manieri, Marc Ducret, Michel Benitas Ethics, Martux-M, Stefano Battaglia, Michele Rabbia, Talvin Singh, and Andy Sheppard. He has worked with Nils Petter Molvaer's band, (appearing on all of Molvaer's albums, including the breakthrough album "Khmer" and 2006's award-winning "ER"). He also has collaborated with Dhafer Youssef, both live and in the studio.

Aarset's musical awakening happened when, at the age of 12, he heard Jimi Hendrix. "I started on the guitar as soon as I heard him," he recalls with a smile. "I bought a second hand Hendrix record and that was it. Then I started getting into rock bands like Deep Purple, Black Sabbath, Santana and Pink Floyd before my brother introduced me to the music of Miles Davis, the Mahavishnu Orchestra, Weather Report and Return to Forever. After a while, I got into the ECM sound of Jan Garbarek, and Terje Rypdal, who was a big influence. Then I went on the road with a fulltime heavy metal band, a fantastic experience, until I got tired of being angry every night! Then I quit and became a session musician."

As part of the band, Ab & Zu, he created the unique guitar style and sound he would later develop further as part of saxophonist Bendik Hofseth's group. However, it was his involvement with Bugge Wesseltoft and the Oslo Jazz underground that crystallized the sound he was seeking: "What drew me to this music was the hypnotic grooves and musical freedom I found," says Eivind. "There's no established rules or tradition in what I am doing, you can make the rules up as you go along. Rhythm is the centre of the music, the landscape the soloist travels through. It's fresh territory and I have no idea where this scene will end up, but there's a lot of great sounds and new music being created which makes it such an exciting scene."

Jan Bang
is a Norwegian musician and record producer, known from several albums and collaborations over many years with musicians like Sidsel Endresen, David Sylvian, Jon Hassell, Tigran Hamasyan, Nils Petter Molvær, Eivind Aarset, Arve Henriksen and Erik Honoré - the latter of which he co-founded the Punkt festival with in 2005.

He is one of Norway’s most accomplished and influential producers and the epithet electronics guru has stayed with him for a long time and with good reason. Bang is the kind of musical innovator and bridge-builder who consistently manages to balance progressive thinking with popular appeal. He is always looking for ways of moving music and people forward, and by creating new meeting places and musical intersections. Bang is a professor of electronic music at the University of Agder, Norway.

Dieses Album enthält kein Booklet