The New Folk Sound Of Terry Callier (Deluxe Remastered Edition) Terry Callier

• 1 900 Miles 05:04
• 2 Oh Dear, What Can The Matter Be 02:55
• 3 Johnny Be Gay If You Can Be 04:23
• 4 Cotton Eyed Joe 05:26
• 5 It’s About Time 03:30
• 6 Promenade In Green 04:05
• 7 Spin, Spin, Spin 03:04
• 8 I’m A Drifter 08:48
• 9 Jack O’Diamonds 05:37
• 10 Golden Apples Of The Sun 06:40
• 11 Promenade In Green (Take 1) 03:54
• 12 Be My Woman (Take 1) 05:46
• 13 900 Miles (Take 1) 05:02
• 14 It's About Time (Take 2) 03:28
• 15 Oh Dear, What Can The Matter Be (Take 2) 02:51
• Total Runtime 01:10:33

Info zu The New Folk Sound Of Terry Callier (Deluxe Remastered Edition)

2018 Deluxe Edition remastered from the original analog master tapes in 96kHz, 24bit of the debut album from the folk-soul master on Prestige! Gentle, thoughtful, spacious takes on traditional folk songs such as 'It's About time', '900 Miles' and 'Cotton Eyed Joe'. Beautiful record!

This deluxe reissue features unreleased tracks and bonus tracks. Almost a lost album, The New Folk Sound of Terry Callier encompasses Terry’s blue’s voice and jazz, soul, gospel music fusion. The New Folk Sound of Terry Callier conveys the promise and power of Callier in his earliest days.

Recorded in 1965 at the height of the folk revival, Terry Callier's debut album, marked him as an important new voice. His approach to traditional material was comparable to that of other African-Americans like Paul Robeson or Josh White, but evidence of his originality can be heard on every song on this rerelease, including three that are issued for the first time. Callier's guitar work was quite adventurous by folk standards, incorporating chord voicings one might expect to hear in a modern jazz context. He was also a powerful vocalist with a flair for drama that could evoke Odetta at her best. Recent years have seen Callier return to performing and recording after a long hiatus, a development as welcome as it is overdue.

"The New Folk Sound of Terry Callier was not released until 1968, about three years after the project was originally completed; while the long delay almost certainly crippled the momentum of Callier's fledgling career, the impact on the music itself was at most minimal -- while not the singer's best album, it's his most timeless and inviting, adhering closely to the folk stylings addressed by the title while largely ignoring the mystical jazz dimensions which texture his later material. Surprisingly, none of the album's eight songs are originals, relying instead on traditional tunes like "900 Miles" and "Cotton Eyed Joe"; while Callier's spiralling acoustic guitar lines and the use of two bassists (Terbour Attenborough and John Tweedle) reflect his admiration of John Coltrane, New Folk Sound is for the most part stark and simple, possessed of a subtle grace which spotlights his remarkably moving vocals to excellent effect -- it's a debut which holds all the promise fulfilled by his classic recordings for Cadet." (Jason Ankeny, AMG)

Terry Callier, acoustic guitar, vocals
John Tweedle, bass
Terbour Attenborough, bass

Digitally remastered

Terry Callier
For far too long, folk-jazz mystic Terry Callier was the exclusive province of a fierce but small cult following; a singer/songwriter whose cathartic, deeply spiritual music defied simple genre categorization, he went all but unknown for decades, finally beginning to earn the recognition long due him after his rediscovery during the early '90s. Born in Chicago's North Side -- also home to Curtis Mayfield, Jerry Butler, and Ramsey Lewis -- and raised in the area of the notorious Cabrini Green housing projects, Callier began studying the piano at the age of three, writing his first songs at the age of 11 and regularly singing in doo wop groups throughout his formative years. While attending college, he learned to play guitar, eventually setting up residency at a Chicago coffeehouse dubbed the Fickle Pickle and in time coming to the attention of Chess Records arranger Charles Stepney, who produced Callier's debut single, "Look at Me Now," in 1962.

In 1964, Callier met Prestige label producer Samuel Charters, and a year later they entered the studio to record his full-length bow, The New Folk Sound of Terry Callier; upon completion of the session, however, Charters traveled to Mexico with the master tapes in tow, and the album went unreleased before finally appearing to little fanfare in 1968. Undaunted, Callier remained a fixture of the Windy City club scene, and in 1970 he and partner Larry Wade signed on with his boyhood friend Jerry Butler's Chicago Songwriters Workshop. There they composed material for local labels including Chess and Cadet, most notably authoring the Dells' 1972 smash "The Love We Had Stays on My Mind." The song's success again teamed Callier with Stepney, now a producer at Cadet, and yielded 1973's Occasional Rain, a beautiful fusion of folk and jazz textures that laid the groundwork for the sound further explored on the following year's What Color Is Love?

Despite earning strong critical notices and building up a devoted fan base throughout much of urban America, Callier failed to break through commercially, and after 1975's I Just Can't Help Myself he was dropped by Cadet; in 1976, he also suffered another setback when Butler closed the Songwriters Workshop. Upon signing to Elektra at the behest of label head Don Mizell, Callier resurfaced in 1978 with the lushly orchestrated Fire on Ice; with the follow-up, 1979's Turn You to Love, he finally cracked the pop charts with the single "Sign of the Times," best known as the longtime theme for legendary WBLS-FM disc jockey Frankie Crocker. He even appeared at the Montreux Jazz Festival. However, when Mizell exited Elektra, Callier was quickly dropped from his contract; after a few more years of diligent touring, he largely disappeared from music around during the early '80s; a single parent, he instead accepted a job as a computer programmer, returning to college during the evenings to pursue a degree in sociology.

Although he had essentially retired from performing, Callier continued composing songs, and in 1991 he received a surprise telephone call from fan Eddie Pillar, the head of the U.K. label Acid Jazz. Pillar sought permission to re-release Callier's little-known, self-funded single from 1983, "I Don't Want to See Myself (Without You)." Seemingly overnight, the record became a massive success on the British club circuit, and the singer was soon flown to Britain for a pair of enormously well-received club dates. In the coming months, more gigs followed on both sides of the Atlantic, and in 1996, Callier even recorded a live LP, TC in DC. In 1997, he teamed with British singer Beth Orton, another of his most vocal supporters, to record a pair of tracks for her superb EP Best Bit; the following year, Callier also released his Verve Forecast debut Timepeace, his first major-label effort in close to two decades. Lifetime followed in 1999, and two years later came Alive, recorded live at London's Jazz Cafe. Callier returned in 2002 with Speak Your Peace and 2005 with Lookin' Out. In May of 2009, Hidden Conversations, co-written and produced by Massive Attack, was released on Mr. Bongo in the U.K.; a release in the United States followed in the fall of 2010. Two years later, however, he died from cancer in Chicago on October 27, 2012. Terry Callier was 67 years old.

Dieses Album enthält kein Booklet