Dvorak: Complete Symphonies & Concertos Alisa Weilerstein

• 1 1. Maestoso - Allegro 11:28
• 2 2. Adagio di molto 11:44
• 3 3. Allegretto 09:16
• 4 4. Finale (Allegro animato) 12:25
• 5 1. Allegro 14:42
• 6 2. Adagio ma non troppo 11:23
• 7 3. Finale (Allegro moderato) 12:38
• 8 1. Allegro con moto 12:43
• 9 2. Poco adagio 15:33
• 10 3. Scherzo (Allegro con brio) 12:09
• 11 4. Finale (Allegro con fuoco) 11:21
• 12 1. Allegro ma non troppo - Quasi moderato 09:28
• 13 2. Adagio, ma non troppo 10:18
• 14 3. Finale (Allegro giocoso, ma non troppo) 09:46
• 15 1. Allegro moderato 11:01
• 16 2. Adagio molto, tempo di marcia 15:31
• 17 3. Finale (Allegro vivace) 08:31
• 18 1. Allegro agitato 19:12
• 19 2. Andante sostenuto 08:59
• 20 3. Allegro con fuoco 11:40
• 21 1. Allegro 12:34
• 22 2. Andante sostenuto e molto cantabile 11:40
• 23 3. Scherzo (Allegro feroce) 06:41
• 24 4. Finale (Allegro con brio) 09:33
• 25 1. Allegro, ma non troppo 13:56
• 26 2. Andante con moto 07:25
• 27 3. Scherzo. Allegro scherzando 08:36
• 28 4. Allegro molto 13:25
• 29 1. Allegro non tanto 13:16
• 30 2. Adagio 10:51
• 31 3. Scherzo (Furiant: Presto) 08:01
• 32 4. Finale (Allegro con spirito) 10:31
• 33 1. Allegro maestoso 11:20
• 34 2. Poco adagio 09:51
• 35 3. Scherzo (Vivace) 07:26
• 36 4. Finale (Allegro) 09:22
• 37 1. Allegro con brio 10:02
• 38 2. Adagio 10:43
• 39 3. Allegretto grazioso - Molto vivace 06:18
• 40 4. Allegro ma non troppo 10:36
• 41 1. Adagio - Allegro molto 09:55
• 42 2. Largo 12:45
• 43 3. Scherzo (Molto vivace) 08:17
• 44 4. Allegro con fuoco 11:53
• Total Runtime 08:04:45

Info zu Dvorak: Complete Symphonies & Concertos

Der vielfache Grammophone Award-Gewinner Jirí Belohlávek und die Tschechische Philharmonie präsentieren den seit 60 Jahren ersten Dvorák-Zyklus auf Decca! Die Veröffentlichung „Dvorák: Sämtliche Symphonien und Konzerte“ auf HighResAudio kennzeichnet die Rückkehr Belohláveks zur Tschechischen Philharmonie, nachdem er als Dirigent großer internationaler Orchester weltweites Ansehen erlangte.

Dvoráks drei Konzerte für Cello, Violine und Klavier werden von Deccas hervorragender Cellistin Alisa Weilerstein sowie von dem Geiger Frank Peter Zimmermann und dem Pianisten Garrick Ohlsson interpretiert.

Alisa Weilerstein, Cello
Frank Peter Zimmermann, Violine
Garrick Ohlsson, Klavier
Czech Philharmonic Orchestra
Jirí Belohlávek, Dirigent

Bitte beachten Sie: Die analoge Aufnahme hat Bandrauschen!

Alisa Weilerstein
American cellist Alisa Weilerstein has attracted widespread attention worldwide for her combination of natural virtuosic command and technical precision with impassioned musicianship. The intensity of her playing has regularly been lauded, as has the spontaneity and sensitivity of her interpretations. Following her Zankel Hall recital debut, New York Magazine wrote: “Whatever she plays sounds custom-composed for her, as if she has a natural affinity with everything.”

Weilerstein was born in 1982 into a distinguished musical family (her father Donald was first violin in the Cleveland Quartet; her mother is the noted pianist Vivian Weilerstein). She made her professional debut with the Cleveland Orchestra when she was 13 and her Carnegie Hall debut with the New York Youth Orchestra in March 1997. In 2000 she received an Avery Fisher Career Grant and in 2000-01 she was selected for two prestigious young artists programmes: the ECHO (European Concert Hall Organization) “Rising Stars” recital series and the Chamber Music Society of Lincoln Center’s Chamber Music Society Two. In May 2004, she graduated from Columbia University in New York with a degree in Russian History. She was named the winner of the 2006 Leonard Bernstein Award, and in 2008 she was awarded Lincoln Center’s Martin E. Segal prize for exceptional achievement. A graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss, she was appointed artist-in-residence at the institute beginning August 2009.

In November 2009, Alisa Weilerstein was one of four artists selected to participate in a White House classical music event that included student workshops hosted by the First Lady, Michelle Obama, and playing for guests including President Obama and the First Family. In December 2009 she was the soloist on a tour of Venezuela with the Simón Bolívar Symphony Orchestra and Gustavo Dudamel.

Another milestone in her career came in spring 2010: Weilerstein made her Berlin Philharmonic debut playing the Elgar Concerto with conductor Daniel Barenboim; the concert was repeated in Oxford, televised live around the world and later issued on DVD. The Guardian reviewer of the Oxford concert wrote: “Alisa Weilerstein gave the most technically complete and emotionally devastating performance of Elgar’s Cello Concerto that I have ever heard live.” In August of that year, Weilerstein made her BBC Proms debut with the Minnesota Orchestra and Osmo Vänskä playing Shostakovich’s Cello Concerto No. 1, a work she performed in spring 2011 with the St. Petersburg Philharmonic under Yuri Temirkanov on a US tour.

Alisa Weilerstein signed an exclusive contract with Decca Classics in 2011. Her first recording under the agreement, a coupling of the concertos by Elgar and Elliott Carter, with Barenboim conducting the Berlin Staatskapelle, was released in January 2013. The New York Times acclaimed “the soloist’s superb control keenly matched by the conductor’s insightful support”. In April 2014 (US pre-release in January) Decca will issue her new recording of the Dvořák Cello Concerto, with Jiří Bělohlávek conducting the Czech Philharmonic Orchestra, and October will bring the release of her first solo album.

Alisa Weilerstein has already appeared with all of the other major orchestras throughout North America and Europe, with conductors including Marin Alsop, Pablo Heras-Casado, Sir Andrew Davis, Sir Mark Elder, Christoph Eschenbach, Manfred Honeck, Marek Janowski, Paavo Järvi, Jeffrey Kahane, Lorin Maazel, Zubin Mehta, Ludovic Morlot, Tadaaki Otaka, Peter Oundjian, Matthias Pintscher, Yuri Temirkanov, Juraj Valcuha, Simone Young and David Zinman. She also appears at major music festivals throughout the world as a soloist, recitalist and chamber player, including as part of a core group of musicians at the Spoleto Festival USA and performing with her parents, Donald and Vivian Hornik Weilerstein, as the Weilerstein Trio.

Committed to expanding the cello repertoire, Ms. Weilerstein is a fervent champion of new music. She has performed Osvaldo Golijov’s Azul for cello and orchestra around the world. She also frequently performs Golijov’s Omaramor for solo cello. In 2008 she gave the world premiere of Lera Auerbach’s 24 Preludes for cello and piano with the composer at the Caramoor Festival.

Highlights of Alisa Weilerstein’s 2012-13 season included North American and European tours with pianist Inon Barnatan and her debut with the Academy of St. Martin in the Fields for a 16-city United States tour. She gave concerts in Berlin performing the Elliott Carter Cello Concerto with Daniel Barenboim and the Berlin Staatskapelle, appeared with Gianandrea Noseda and the Philadelphia Orchestra, made her debut with conductor Lionel Bringuier and the Atlanta Symphony and performed at the Kennedy Center with Christoph Eschenbach and the National Symphony Orchestra. Her festival appearances in summer 2013 included Ravinia, Vail, Aspen, Grand Teton, Bonn Beethovenfest, Tivoli and Aarhus.

In the 2013/14 season Ms. Weilerstein is artist-in-residence with the Cincinnati Symphony Orchestra and has engagements with the Toronto, San Francisco, Boston, Dallas and Chicago symphonies and the New York, Los Angeles, Oslo and Israel philharmonic orchestras. Further plans include performances with the Australian Chamber, Philharmonia, Hallé and Zurich Tonhalle orchestras, the Netherlands Philharmonic and the NHK Symphony Orchestra as well as recitals in Europe and North America.

Booklet für Dvorak: Complete Symphonies & Concertos