A Night In San Francisco (Live) (Remastered) Van Morrison
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- 1Did Ye Get Healed? (Live)04:19
- 2Medley: It's All In the Game / Sitting In the Park / Make It Real One More Time (Live)04:20
- 3I've Been Working (Live)03:23
- 4I Forgot That Love Existed (Live)06:18
- 5Medley: Vanlose Stairway / Trans-Euro Train / Fool For You (Live)06:55
- 6You Make Me Feel So Free (Live)03:14
- 7Beautiful Vision (Live)04:11
- 8Medley: See Me Through / Soldier Of Fortune / Thank You (Falettinme Be Mice Elf Agin) (Live)10:18
- 9Ain't That Loving You Baby? (Live)04:44
- 10Medley: They Call It Stormy Monday / Have You Ever Loved a Woman? / No Rollin' Blues (Live)06:09
- 11Medley: Help Me / Green Onions (Live)06:10
- 12Good Morning Little School Girl (Live)03:33
- 13Tupelo Honey (Live)04:02
- 14Medley: Moondance / My Funny Valentine (Live)09:09
- 15Jumpin' with Symphony Sid (Live)04:49
- 16It Fills You Up (Live)04:42
- 17Medley: I'll Take Care of You / It's a Man's, Man's, Man's World (Live)16:23
- 18Medley: Lonely Avenue / Be-Bop-A-Lula / 4 O'Clock In the Morning (Try for Sleep) / Family Affair / You Give Me Nothing but the Blues / When Will I Become a Man? / Sooner or Later / Down the Line (Live)14:51
- 19Medley: So Quiet In Here / That's Where It's At (Live)05:01
- 20Medley: In the Garden / You Send Me / Real Real Gone / Allegheny (Live)09:41
- 21Have I Told You Lately That I Love You? (Live)03:51
- 22Medley: Shakin' All Over / Gloria (Live)11:30
- 23Medley: Cleaning Windows / The Street Only Knew Your Name (Live)03:46
Info zu A Night In San Francisco (Live) (Remastered)
A Night in San Francisco is a live album by Northern Irish singer-songwriter Van Morrison, released in 1994. Guest artists were Candy Dulfer, John Lee Hooker, Junior Wells and Jimmy Witherspoon as well as Morrison's daughter, Shana Morrison. James Hunter and Brian Kennedy helped out with the vocals and Georgie Fame was also present.
"Van Morrison's third commercially released live album takes a show format that frequently spotlights the backup band, led by organist/singer Georgie Fame and featuring singers Brian Kennedy and James Hunter, as well as saxophonist Candy Dulfer and blues singers John Lee Hooker, Junior Wells, and Jimmy Witherspoon. Even Morrison's daughter Shana comes on to sing his "Beautiful Vision." The material is not limited to Morrison compositions, either. In fact, it isn't so much that Morrison and company cover a variety of rock, pop, blues, R&B, and jazz standards as that many pieces are medleys that contain complete songs and quotes from others, rather in the way that a jazz soloist will suddenly throw in a few bars of a familiar tune. Those who want to see Morrison as an esoteric singer/songwriter rather than a showman may find this album a mongrel creation, but it's undeniably lively, and that's the first requirement of a live album." (William Ruhlmann, AMG)
Van Morrison, vocals, guitar, alto saxophone, harmonica
Haji Ahkba, flugelhorn, background vocals
Geoff Dunn, drums
Georgie Fame, vocals, organ, background vocals
Ronnie Johnson, guitar
Teena Lyle, vibraphone, percussion, recorder, background vocals
Jonn Savannah, vocals, piano, background vocals
Nicky Scott, bass, background vocals
Kate St John, soprano and tenor saxophones, oboe
James Hunter, vocals, guitar, background vocals
Brian Kennedy, vocals, background vocals
Candy Dulfer, alto saxophone, background vocals
John Lee Hooker, vocals on "Gloria"
Shana Morrison, vocals on "Beautiful Vision"
Junior Wells, vocals, harmonica on "Help Me" and "Good Morning Little School Girl"
Jimmy Witherspoon, vocals on "Have You Ever Loved a Woman?", "No Rollin' Blues", "When Will I Become a Man?" and "Sooner Or Later"
One of music’s true originals Van Morrison’s unique and inspirational musical legacy is rooted in postwar Belfast.
Born in 1945 Van heard his Shipyard worker father’s collection of blues, country and gospel early in life.
Feeding off musical greats such as Hank Williams, Jimmie Rodgers, Muddy Waters, Mahalia Jackson and Leadbelly he was a travelling musician at 13 and singing, playing guitar and sax, in several bands, before forming Them in 1964.
Making their name at Belfast’s Maritime Club Them soon established Van as a major force in the British R&B scene. Morrison’s matchless vocal and songwriting talents produced instant classics such as the much covered ‘Gloria’ and ‘Here Comes The Night’.
Those talents found full astonishing range in Van’s solo career.
After working with Them’s New York producer Bert Berns on beautiful Top 40 pop hit ‘Brown Eyed Girl’ (1967), Morrison moved to another realm.
Recorded over 3 days with legendary jazz musicians Astral Weeks (1968) is a still singular album combining street poetry, jazz improvisation, Celtic invocation and Afro Celtic Blues wailing.
Morrison would weave these and myriad other influences into the albums that followed in quick succession.
Reflecting on new life in America on the joyous Sinatra soul of Moondance (1970) and the country inflected Tupelo Honey (1971) he summoned old spiritual and ancestral life in the epic St Dominic’s Preview (1972) closer track Listen To The Lion.
Double live album Too Late To Stop Now (1973) highlighted Morrison’s superlative performing and bandleader skills. Mapping out a richly varied musical course throughout the 70s he shone among an all-star cast including Bob Dylan and Muddy Waters on The Band’s Last Waltz.
Indeed, borne of his Irish Showband instincts, the magic of the live performance has been a consistent feature of Morrison’s career.
Settling back into life in the UK in 1980 he released Common One an album centring on Summertime In England an extraordinary invocation of literary, sensual and spiritual pleasure the song would often become a thrilling improvised centrepiece to his live shows.
Steering his own course throughout the 80s on albums such as No Guru, No Method, No Teacher he claimed Celtic roots with The Chieftains on Irish Heartbeat. Teaming with Georgie Fame brought new impetus to his live show while Avalon Sunset saw him back in the album and single charts by the decades end.
Van Morrison continued to advance on his status as a game- changing artist through the 90s and into the 21st century.
Awards and accolades - a Brit, an OBE, an Ivor Novello, 6 Grammys, honourary doctorates from Queen’s University Belfast and the University of Ulster, entry into The Rock n Roll Hall of Fame and the French Ordres Des Artes Et Des Lettres - attested to the international reach of Van’s musical art.
Yet there was never any suggestion that Morrison, one of the most prolific recording artists and hardest working live performers of his era, would ever rest on his laurels.
Collaborations with, among others, John Lee Hooker, Ray Charles, Lonnie Donegan, Mose Allison and Tom Jones confirmed the breadth of his musical reach.
Morrison’s visionary songwriting and mastery of many genres continued to shine on albums celebrating and re-exploring his blues, jazz, skiffle and country roots.
The influence of the musical journey that began back in Post War Belfast stretches across the generations, and Morrison’s questing hunger insures that the journey itself continues.
Constantly reshaping his musical history in live performance, Morrison reclaimed Astral Weeks on 2009’s album Live At The Hollywood Bowl.
The subtitle of Van Morrison's latest album, Born to Sing: No Plan B, indicates the power that music still holds for this living legend. "No Plan B means this is not a rehearsal," says Morrison. "That’s the main thing—it’s not a hobby, it’s real, happening now, in real time."
With one of the most revered catalogues in music history and his unparalleled talents as composer, singer and performer Morrison’s past achievements loom large. But, as throughout his extraordinary career, how that past informs his future achievements and still stirs excitement and keen anticipation.
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