Unforgettable: A Tribute To Dinah Washington Aretha Franklin

• 1 Unforgettable 03:41
• 2 Cold, Cold Heart 04:36
• 3 What a Diff'rence a Day Made 03:31
• 4 Drinking Again 03:28
• 5 Nobody Knows the Way I Feel This Morning 05:11
• 6 Evil Gal Blues 02:41
• 7 Don't Say You're Sorry Again 02:45
• 8 This Bitter Earth 04:35
• 9 If I Should Lose You 03:36
• 10 Soulville 02:21
• 11 Lee Cross 03:05
• Total Runtime 39:30

Info zu Unforgettable: A Tribute To Dinah Washington

Since her youth Franklin had admired Dinah Washington, and it's a safe bet that the level of emotional commitment Washington brought to her work was a major influence on the blossoming style of Aretha, not to mention Washington's effortless sense of swing. Shortly before she died, Washington took appreciate notice of her acolyte as well. So Aretha's tribute to Washington is as logical as it is satisfying. Recorded when Aretha was just 21, „Unforgettable“ is somewhat of a departure from her more R&B-oriented early work. However, the string arrangements of Johnny Mersey and the jazzy bass work of George Duvivier mesh perfectly with Franklin's high-flying vocal fireworks. From the slow, subtle caress of 'What a Difference a Day Made' to the organ-led blues of 'Nobody Knows the Way I Feel This Morning,' the young Aretha is in total command of the material here, simultaneously paying homage to and progressing from the influence of Washington.

'...a moving, deeply felt tribute to a spiritual elder sister and an early conflagration of the 21-year-old Franklin's own burning brilliance...' (Q Magazine)

Aretha Franklin, vocals, piano
Ernie Hayes, piano, organ
Paul Griffin, organ
Teddy Charles, vibes
George Duvivier, bass
Gary Chester, drums
Ernie Royal, trumpet
Buddy Lucas, tenor saxophone, harmonica Bob Asher, trombone
Robert Mersey, Strings arranged and conducted

Recorded February 7–10, 1964 at Columbia Recording Studios, New York
Produced by Robert Mersey

Digitally remastered

Aretha Franklin
She is known the world over by her first name and as the undisputed, reigning 'Queen Of Soul,' Aretha Franklin is peerless. This 2005 recipient of a Presidential Medal Of Freedom honor (the U.S.A.'s highest honor), 17 Grammy Awards (and counting), a Grammy Lifetime Achievement Award and a Grammy Living Legend Award. She has received countless international and national awards and accolades. Aretha has achieved global recognition on an unprecedented scale. She has influenced generations of singers from Chaka Khan, Natalie Cole and Mary J. Blige to 'American Idol' winner Fantasia Burrino and Oscar- winning Jennifer Hudson. Her ever-distinctive soulful, to-the-bone vocal style has graced the music charts for over four decades and while her 'live' performances have touched the hearts of literally millions since she began her musical journey as a gospel-singing child prodigy, it is her rich legacy of recordings that are a testament to the power, majesty and genius of this one-of-a-kind artist of the first order.

Beyond the timeless classic hits such as 'Respect,' 'A Natural Woman,' 'Chain Of Fools,' 'Think,' 'Daydreaming' and 'Freeway Of Love' among the dozens of chart-topping records that have established her as a cultural icon, Aretha Franklin's catalog of over forty albums informs listeners of her unmatched, unparalleled artistry as an interpreter of song, bar none. Her elevation to 'royal' status is indeed not just a function of her hitmaking ability but of her unique inventiveness as a musician who fuses art and soul seamlessly. Indeed, it's often been said that Aretha could take 'happy birthday' and turn it into a veritable opus and while those who know her will testify to her culinary skills in the kitchen, it is her mastery as a musical chef that is evident on each and every one of those forty-plus albums, many of which have achieved gold and platinum status.

As is widely known, Aretha, born in Memphis, (reared in Buffalo but a longtime resident of Detroit,) began her personal musical journey singing at her much-revered father Reverend C.L. Franklin's New Bethel Baptist Church at a very young age. While she was unquestionably influenced by the presence of such gospel luminaries as Clara Ward (a strong influence), Mahalia Jackson and the Reverend James Cleveland in the Franklin household, it was secular performers such as Dinah Washington and Sam Cooke (also visitors to the Franklin residence) who helped shape Aretha's wide-ranging interest in popular music. Young Aretha also heard the doo-wop sounds of Nolan Strong and The Diablos, The Moonglows, The 5 Royales and The Satins as well as popular '50s hitmakers such as Johnny Ace, Little Willie John, Jackie Wilson, Big Maybelle and Little Esther on the radio.

Aretha's interest in a wide range of popular music became evident when she began her own recording career at Columbia Records, although it should be noted that her powerful, emotive style was first heard on a gospel recording made in 1956 with her father and released by Chess Records in the mid-'60s. With the support of her father, Aretha traveled to New York City in 1960 and after a demo which contained her version of a Helen Humes tune titled 'Today I Sing The Blues' made its way to the ears of executive John Hammond (responsible for signing such artists as Billie Holiday, Bessie Smith and Bob Dylan), Aretha was signed to Columbia in 1960. For more information please visit the Aretha Franklin homepage.

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