Silent Ascent Downliners Sekt

Cover Silent Ascent

Album Info

Album Veröffentlichung:


Label: InFiné

Genre: Electronic

Subgenre: Electronica

Interpret: Downliners Sekt

Das Album enthält Albumcover Booklet (PDF)


Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 44.1 $ 8,80
  • 1Soul débris08:15
  • 2Silent Ascent04:36
  • 3This American Life07:10
  • 4Hors phase01:49
  • 5Balt Shakt I05:48
  • 6Eiger Dreams07:03
  • 7Reversal01:22
  • 8Junior High06:13
  • 9Etern05:52
  • 10Balt Shakt II06:09
  • 11Once Mercurial07:48
  • 12Give Him Your Heart01:23
  • Total Runtime01:03:28

Info zu Silent Ascent

Drittes Album des begnadeten Electronic-Duos aus Barcelona, produziert von der Berliner Ikone an den Reglern, Rashad Becker (Dubplates & Mastering)!

Downliners Sekt zählen zu den bemerkenswertesten Künstlern der brodelnden Electronic-Szene Barcelonas. Auf ihrem dritten Longplayer „Silent Ascent“ fesseln sie den Hörer mit einer überzeugenden Mixtur aus Post-Dubstep, Berliner Techno-Dub und Leftfield-Hip Hop. Ihr deeper Sound ist inspiriert von der Wissenschaft von Autechre, den Geisterechos des Basic Channel-Sublabels Burial Mix und dem Shoegaze von My Bloody Valentine.

Zu ihren Fans zählen solch gestandene Kollegen wie Mount Kimbie, John Talabot, Kevin „The Bug“ Martin oder Mary Anne Hobbs. Deshalb wundert es nicht, dass sie für die Produktion von „Silent Ascent“ die Berliner Produzentenlegende Rashad Becker gewinnen konnten, der maßgeblich am Basic Channel-Sound beteiligt war.

Downliners Sekt are one of the most pleasant and intriguing surprises of Barcelona’s increasin- gly in-the-spotlight electronic scene. The duo’s sound references the science of Autechre, the ghostly echoes of Rhythm and Sound’s Burial Mix series, even shards of melted My Bloody Valentine-esque shoegaze. They have won over a range of characters including Mount Kimbie, Mary Anne Hobbs and John Talabot.

Downliners Sekt’s reputation amongst the international electronic music scene was significantly heightened from their 2010-2011 trilogy of EPs – ‘Hello Lonely, Hold the Nation’, ‘We Make the Hits, Not the Public’ and ‘Meet the Decline’ – on Barcelona’s Disboot label. XLR8R’s 2012 Bubblin’ Up interview sumerises “Taken together, the trilogy forms a wide picture of Downli- ners Sekt’s production scope, one that’s not quite experimental in its aims, but also refuses to be confined to any particular genre”.

A remix for Cubenx’s 2012 ‘These Days’ single on InFiné led to Downliners Sekt signing to the Parisian label. Subsequent EPs ‘Trim/Tab’ and ‘Balt Shakt’ displayed a further evolution and gave an indication to the direction of the long player they had begun work on: “There is an extra emphasis put on the texture and sonic weight of these productions. To its creators, the sound of these tracks is «just as important as the music,» and the emphasis on low-end content is entirely by design, with the duo emphasizing that the bass and sub-bass are integral parts of its work” – XLR8R.

Now complete, mastered by Berlin renowned sound scientist Rashad Becker, this - their “third- but-still-feels-like-a-debut” LP ‘Silent Ascent’ - is Downliners Sekt’s defining sonic statement: a fractured hymn to the dancefloor and the sounds that move it.

Booklet für Silent Ascent

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