VV. AA.: Musica dalle lettere di Mazzini suonata sulle sue chitarre Marco Battaglia

• Niccolò Paganini (1782 - 1840): n. 16 In cor più non mi sento [da La Molinara di Giovanni Paisiello]:
• 1 Paganini: n. 16 In cor più non mi sento [da La Molinara di Giovanni Paisiello] 02:35
• n. 17 Le Streghe:
• 2 Paganini: n. 17 Le Streghe 02:11
• n. 20 Là ci darem la mano [da Don Giovanni di Wolfgang Amadeus Mozart]:
• 3 Paganini: n. 20 Là ci darem la mano [da Don Giovanni di Wolfgang Amadeus Mozart] 02:57
• n. 31 Minuetto, Andante:
• 4 Paganini: n. 31 Minuetto, Andante 01:32
• n. 37 Adagetto con espressione [temi di Rossini-Paganini]:
• 5 Paganini: n. 37 Adagetto con espressione [temi di Rossini-Paganini] 01:51
• n. 38 Vivace:
• 6 Paganini: n. 38 Vivace 00:58
• Luigi Moretti (1907 - 1973): from Sonata op. 2:
• 7 Moretti: from Sonata op. 2: [Andante – Grazioso] 04:51
• Mauro Giuliani (1781 - 1829): Variazioni sul tema […] Io ti vidi e t’adorai [da Amazilia di Giovanni Pacini]:
• 8 Giuliani: Variazioni sul tema […] Io ti vidi e t’adorai [da Amazilia di Giovanni Pacini] 09:44
• Rossiniana n. 5:
• 9 Giuliani: Rossiniana n. 5 14:39
• Studio n. 1 (Moderato):
• 10 Regondi: Studio n. 1 (Moderato) 04:11
• Caspar Joseph Mertz (1806 - 1856): Opern-Revue op. 8 n. 29 [Fantasia su "La traviata" di Giuseppe Verdi]:
• 11 Mertz: Opern-Revue op. 8 n. 29 [Fantasia su "La traviata" di Giuseppe Verdi] 13:34
• Luigi Rinaldo Legnani (1790 - 1877): n. 2:
• 12 Legnani: n. 2 01:25
• n. 7 (Prestissimo):
• 13 Legnani: n. 7 (Prestissimo) 02:55
• n. 36 (Moderato):
• 14 Legnani: n. 36 (Moderato) 01:47
• Total Runtime 01:05:10

Info zu VV. AA.: Musica dalle lettere di Mazzini suonata sulle sue chitarre

Giuseppe Mazzini, der größte Revolutionär des 19. Jahrhunderts in Europa, war sehr musikbegeistert, er besuchte Theater und organisierte ein jährliches Konzert zur Unterstützung der von ihm gegründeten Italienischen Schule in London. Er veröffentlichte 1836 in Paris eine sehr interessante "Philosophie der Musik", und wie wir aus den Briefen an seine Mutter wissen, die er in Zeiten des italienischen Exils schrieb, spielte er gerne Gitarre. Seine drei Gitarren, die zum ersten Mal auf einer einzigen Aufnahme zu hören sind, werden in seinem Geburtshaus in Genua, dem heutigen Museo del Risorgimento - Istituto Mazziniano, im Istituto Storico Nazionale Domus Mazziniana in Pisa, wo er starb, und in der Privatsammlung von Marco Battaglia in Mailand aufbewahrt. Das Album enthält ein abwechslungsreiches und faszinierendes Repertoire an Originalmusik von Niccolò Paganini, Luigi Moretti, Giulio Regondi und Luigi Legnani, ein Lied, das in einem Brief von Mazzini ausdrücklich erwähnt wird, ein Thema von Giovanni Pacini, das von Mauro Giuliani variiert wurde, der auch Autor eines Potpourris ist, das Teile von Werken von Gioachino Rossini enthält, und eine Fantasie über Verdis Traviata, die von Caspar Joseph Mertz ausgearbeitet wurde.

Marco Battaglia, Gitarre

Marco Battaglia
was born in 1969 in Milan (Italy) where his high school studies were concentrated in the classics and afterwards he studied law and philosophy at the State University. On top of all this, he dedicated himself to the guitar carrying out his training at the "Claudio Abbado" Civic School of Music. In 1995 he graduated from the Conservatory and went on to specialize in the interpretation of 19th century music paying close attention to matters of performance practice and is an esteemed interpreter of Classical and Romantic period sources utilizing period guitars. Carring out an intense career as a performer, lecturer, teacher and researcher, Marco Battaglia gives his concerts as a soloist in 27 nations through the five continents also in collaboration with Unversities, Festivals, Italian Embassies, Consulates and Institutes of Culture. Past performances, recitals and masterclasses, include tours in the USA, in New York, Radford University International Guitar Festival, Virginia, Appalachian State University in Boone, North Carolina, Mexico City, Peru – Lima International Guitar Festival, Australia (in Sydney – Conservatorium of Music for The Italian Festival, Melbourne – Melba Hall, Spring Early Music Festival, Brisbane – Griffith University, Adelaide, Hobart, Canberra – Australian National University, Wollongong, Newcastle and, organised by the Italian Consulate in

Perth, at Fremantle Foley Hall), in New Zealand (Wellington, Auckland University, Christchurch), China (Beijing Italian Institute of Culture Theater, Hong Kong International Guitar Festival at Sha Tin Auditorium and Shenzhen Press Building), Russia (Moskow Conservatory, Rachmaninoff Hall, “The Universe of Sound” Festival), Bangkok (Stock Exchange Auditorium), Jakarta (Schouwburg Festival, Gedung Kesenian Theatre), Tunisia, and, in Europe, hundreds of concerts in Paris (UNESCO Headquarters), Lyon, Marseilles, Lisbon, London, Oslo, Copenhaghen, Krakow, Amsterdam, Berlin - Potsdam, Frankfurt, Bonn, Duesseldorf, Rust (Vienna) International Guitar Festival, Basel, Bern, Athens, Hermoupolis Guitar Festival, Ljubljana (Radio Slovenia), Lipica Festival, Zagreb, Belgrade (Philarmonic Hall), Rome (Palazzo Barberini), Milan (Teatro alla Scala Museum concert season, Castello Sforzesco..), Mantova, Genoa (“Carlo Felice” Theatre, Conservatory), Imperia Guitar Festival, Florence (Palazzo Pitti and 'Il Suono dell'anima' Festival, for various festival like Sagra Mysicale Umbra, Estate Spoletina, Taormina Arte, and in Naples, Bari, Cagliari and Messina (Laudamo Philarmonic).

His interviews and performances have been broadcasted by RAI (Italian State TV and Radio), Slovenian State TV and Radio, RTS (Serbian State Television), Kultura TV (Moskow), Asian TV (Thailand), TVB (Hong Kong), ABC, SBS (Australia), Radio New Zealand and many others. Specialized magazines (“The Classic Voice”, "Chitarra acustica", "Seicorde"...) have extensively written articles about him, as well as the most important newspapers, the “Sydney Morning Herald”, the “Canberra Times” (“...there was much to enjoy in his playing...a unique and most enjoyable recital.”), the “Jakarta Post”, the “Bangkok Post”, the ”General-Anzeiger-Bonn”, the “Corriere della Sera” and “La Stampa” (“Battaglia plays with grace and taste, playing with the subtitles…; the pages…that Marco Battaglia performed wonderfully, creating clinking resonance for the arias of “Italiana in Algeri”, “Otello” and “Armida” with a taste for an intimate sound, almost secret” - Paolo Gallarati).

He performed in Genoa Opera Theatre on a guitar which once belonged to Italian patriot Giuseppe Mazzini (Gennaro Fabricatore, Naples, 1821), property of the Risorgimento Museum of Genoa; the event was following the first concert in modern times with this historical instrument at the Stelline Foundation of Milan (on the program were solo pieces for guitar by the composers cited in the letters and “Philosophy of music” of Mazzini). It was his idea to restore the instrument for this occasion. ...

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