Beethoven: Piano Concerto No. 1 in C Major, Op. 15 Krystian Zimerman

• Ludwig van Beethoven (1770 - 1827): Piano Concerto No. 1 in C Major, Op. 15:
• 1 Beethoven: Piano Concerto No. 1 in C Major, Op. 15 I. Allegro con brio 13:43
• 2 Beethoven: Piano Concerto No. 1 in C Major, Op. 15 II. Largo 11:19
• 3 Beethoven: Piano Concerto No. 1 in C Major, Op. 15 III. Rondo. Allegro 08:53
• Total Runtime 33:55

Info zu Beethoven: Piano Concerto No. 1 in C Major, Op. 15

Krystian Zimerman, Sir Simon Rattle, and Ludwig van Beethoven: three exceptional musicians and five great piano concertos are brought together for a landmark recording. Over 30 years ago, in 1989, Krystian Zimerman and Leonard Bernstein recorded Beethoven’s Piano Concertos Nos. 3, 4 and 5. They were united in their total dedication to music – in mind, heart and soul – resulting in an exceptional recording. Sadly, Bernstein died before the cycle was recorded in completion. Zimerman went on to conduct the remaining Concertos Nos. 1 and 2 from the keyboard in 1991.

“The impression Bernstein’s approach to music made on me was very clear,” Zimerman says. “He gave me the courage and confidence to be daring with my interpretations, trying out musical ideas that were completely new. […] I have found almost the same approach, however, in one other conductor: Simon Rattle. It’s as if he becomes the music himself – and Bernstein was exactly the same. I never thought of Bernstein ‘conducting’ a piece: you thought it’s his piece, he’s composing the moment he’s on stage with it. There’s a similarity with Simon: what happens in the concert is not necessarily the same as what happened in the rehearsal. We’ll set up a frame of functioning, but he knows that I at any moment can snap and I know that he at any moment can follow it, and vice versa. When I make a joke, he does not let me get away with this – I will get it back in the next two minutes!”

The unique rapport between Krystian Zimerman and Sir Simon Rattle is based upon years of shared ideals and mutual respect. Gramophone described their partnership as ‘a thing of wonder’, praising their ‘thrilling sense of purpose’.

Now, 30 years after his first recordings, Zimerman returns to Beethoven’s Piano Concertos. He offers an exceptional new interpretation recorded with Sir Simon Rattle and the London Symphony Orchestra. This release is among the biggest highlights to conclude the Beethoven anniversary celebrations.

Krystian Zimerman, piano
London Symphony Orchestra
Sir Simon Rattle, conductor

Krystian Zimerman
Krystian Zimerman rose to fame at an early age when he was the youngest pianist to be awarded First Prize in the Chopin Competition at the age of 18. He has since embarked on a world-class career working with the world’s most prestigious orchestras and giving recitals in the top international concert halls.

Born into a family with a music-making tradition, musicians would meet almost daily in Zimerman’s home to play chamber music, and these performances afforded him an intimate, natural, everyday contact with live music. He undertook his first steps in music under his father’s supervision and then, at the age of seven, started working systematically with Andrzej Jasinski, then a senior lecturer at the conservatoire in Katowice.

He has collaborated with many pre-eminent musicians: chamber partners such as Gidon Kremer, Kyung-Wha Chung and Yehudi Menuhin, and conductors such as Leonard Bernstein, Herbert von Karajan, Seiji Ozawa, Riccardo Muti, Lorin Maazel, André Previn, Pierre Boulez, Zubin Mehta, Bernard Haitink, Stanisław Skrowaczewski and Sir Simon Rattle. In 2010 Zimerman performed the Chopin Birthday recital on the anniversary of the composer’s birth in the International Piano Series in London as part of the Chopin 200 celebrations. Since 2013 marks the 100th anniversary of the birth of Lutoslawski, Zimerman will be performing the Piano Concerto, which the composer wrote for him, in a number of cities worldwide including at the Royal Festival Hall, London with the Philharmonia Orchestra and Esa-Pekka Salonen.

Since making the decision to transport his own piano for every performance, he has alerted audiences to the complexities and capabilities of the instrument. The confidence which is afforded by always performing on his own, thoroughly-familiar instrument, combined with his own piano- building expertise (acquired in Katowice and developed through close co-operation with Steinway’s in Hamburg) allows him to reduce to an absolute minimum anything which might distract him from purely musical issues.

Zimerman lives with his wife and family in Switzerland where he has spent the greater part of his life, dividing his time between family, concert life, chamber music and, over the last few years, a teaching position at the Music Academy in Basel. He limits himself to 50 concerts per season and pursues a comprehensive approach to the musical profession, organising his own management, studying hall acoustics, the latest sound technology and instrument construction. He has also applied himself to the study of psychology and computer science.

He has developed a similar approach to recording, a process which he controls at each and every stage. During his long collaboration with Deutsche Grammophon his recordings have earned him many of the most prestigious awards. In 1999 he recorded the Chopin Concertos with an orchestra specially formed for this project, the Polish Festival Orchestra, with whom he then toured throughout Europe and America, performing these two works to commemorate the 150th anniversary of Chopin’s death. His most recent recording is a disc of chamber music to celebrate the 100th anniversary of Polish composer Grazyna Bacewicz whose music he has championed. (Source: Harrison Parrott)

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