Album Info

Album Veröffentlichung:
2014

HRA-Veröffentlichung:
03.09.2014

Label: Warner Classics

Genre: Classical

Subgenre: Classical Crossover

Interpret: Alison Balsom

Komponist: Michel Legrand (1932-), Eddy Marnay (1920-2003), Eddie Barclay (1921-2005), Joseph Kosma (1905-1969), Olivier Eugène Prosper Charles Messiaen (1908-1992), Astor Piazzólla (1921-1992), Maurice Ravel (1875-1937), Django Rheinardt (1910-1953), Erik Alfred Leslie Satie (1866-1925)

Das Album enthält Albumcover

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  • 1 3 Gymnopedies: III. Lent et grave 02:32
  • 2 II. Café 1930 07:09
  • 3 Oblivion 04:08
  • 4 La valse des lilas 03:33
  • 5 Vingt regards sur l'enfant Jesus: XV. La baiser de l'enfant Jesus - Tres lent, calme 05:45
  • 6 Vingt regards sur l'enfant Jesus: XV. La baiser de l'enfant Jesus - Mod?r? I 02:03
  • 7 Vingt regards sur l'enfant Jesus: XV. La baiser de l'enfant Jesus - Mod?r? II 03:00
  • 8 Adagio assai 02:47
  • 9 Ravel / Arr Barker & Balsom: Piano Concerto in G Major: II. Adagio assai 08:26
  • 10 3 Gnossiennes: III. Lent 03:25
  • 11 Les feuilles mortes (Autumn Leaves) 05:01
  • 12 Nuages 04:16
  • Total Runtime 52:05

Info zu Paris

Alison brings her glamour, poise and dazzling virtuosity to Paris with a selection of music written in and inspired by the most romantic city in the world. “The Parisian concept developed organically the more I looked for music that I loved, that could work in this sound world,” explains Alison. “I spent a key part of my musical life in Paris at the Conservatoire, and whilst this album is anything but a stereotype of a 'Parisian' sound, every track has a link to the world of Paris.

I should admit though, that on the first day of recording even the musicians asked if we were making two separate albums, the pile of music on their stands being so wildly diverse and unexpected...” Accessible yet surprising at every turn, the programme ranges from 20th-century French composers (Satie, Ravel, Messiaen) to jazz (Django Reinhardt) and popular chanson française (Joseph Kosma), all in enchanting arrangements for trumpet.

Alison Balsom, trumpet
The Guy Barker Orchestra
Guy Barker, conductor


Alison Balsom
has cemented an international reputation as one of classical music’s great ambassadors. She has been honoured with numerous awards by Classic FM, Gramophone and Echo Klassik and in 2009 she became the first ever Briton to be crowned “Female Artist of the Year” at the Classical BRITs. In September 2009 Alison headlined classical music’s most celebrated concert – The Last Night of the BBC Proms – which reached its biggest ever global audience of an estimated 150 million.

Recent and upcoming highlights include appearances with the Los Angeles Philharmonic, Orchestre de Paris, San Francisco Symphony Orchestra, Orchestre National de France, City of Birmingham Symphony Orchestra, BBC Philharmonic and the Orchestra Sinfonica di Milano Giuseppe Verdi. Alison also looks forward to embarking on major international tours with I Musici di Roma, the Scottish Ensemble and Alison’s own Balsom Ensemble in 10/11 and beyond.

While represented by the Young Concert Artists Trust, Alison caught the ear of EMI Classics with whom she records exclusively. Her internationally celebrated Bach Trumpet and Organ disc of 2005 was quickly followed by the Caprice album which won her further critical acclaim. Her third album, featuring the great pillars of the trumpet repertoire, the concertos of Haydn and Hummel, firmly established her as the world's leading trumpeter. Her eagerly awaited follow up album which was released in autumn 2010 to great critical acclaim includes a selection of Italian Baroque Concertos

Under the auspices of the BBC Radio 3 New Generation Artists scheme, Alison performed at the Wigmore Hall and with all of the BBC orchestras.

Alison studied trumpet at the Guildhall School of Music, the Paris Conservatoire, and with Håkan Hardenberger. She was previously a member of the Gustav Mahler Jugendorchester and the National Youth Orchestra of Great Britain. Alison was a concerto finalist in the BBC Young Musician competition in 1998 and received the Feeling Musique Prize for quality of sound in the 4th Maurice André International Trumpet Competition. She is Visiting Professor of Trumpet to the Guildhall School of Music. Alison performs a wide range of recital and concerto repertoire, from Albinoni to Zimmermann and performs on both modern and baroque trumpets.

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