That's It! Preservation Hall Jazz Band

• 1 That's It! 03:23
• 2 Dear Lord (Give Me the Strength) 04:10
• 3 Come with Me 02:43
• 4 Sugar Plum 04:29
• 5 Rattlin' Bones 03:17
• 6 I Think I Love You 03:20
• 7 August Nights 04:24
• 8 Halfway Right, Halfway Wrong 04:19
• 9 Yellow Moon 02:37
• 10 The Darker it Gets 03:02
• 11 Emmalena's Lullaby 01:45
• Total Runtime 37:29

Info zu That's It!

Preservation Hall Jazz Band and its music continue to evolve as they embrace tradition and history while inspiring a new generation. Preservation Hall Jazz Band and My Morning Jacket first met a few years ago and also performed together on tour and in New Orleans. As their support for each other has grown, Jim James (My Morning Jacket) decided to take on the role as co-producer with Ben Jaffe on what is the first release of original music from Preservation Hall Jazz Band. With songs co-written with Dan Wilson, Chris Stapleton and the legendary Paul Williams, these new recordings have a fresh approach but still capture the classic feel of what has kept Preservation Hall Jazz Band relevant over the past 50 years.

Ben Jaffe, Creative Director, Tuba
Mark Braud, Band Leader, Trumpet
Charlie Gabriel, Clarinet, Saxophone
Freddie Lonzo, Trombone
Joe Lastie jr., Drums, Percussion
Rickie Monie, Piano
Ronell Johnson, Tuba
Clint Maedgen, Saxophone

Preservation Hall Jazz Band
Although New Orleans' traditional jazz scene had many top players in the 1950s, there was no one center for the city's veteran greats to play. In 1961, local art dealer Larry Borenstein opened a building in the French Quarter called Preservation Hall. The young tuba player Allan Jaffe ran the hall and organized tours for the musicians who often performed there, naming the band after the venue. In the Hall's early days, the key musicians included, at various times, trumpeters Kid Thomas Valentine, Punch Miller, or De De Pierce; trombonists Louis Nelson or Jim Robinson; clarinetists George Lewis, Albert Burbank, or Willie Humphrey; and pianists Joseph Robichaux, Billie Pierce, or Sweet Emma Barrett. By the early '70s, trumpeter Percy Humphrey, his brother Willie on clarinet, and trombonist Jim Robinson (who, after his death in 1976, was succeeded by Frank Demond) usually comprised the front line. The deaths of the Humphreys and Percy's occasional fill-in Kid Sheik Colar in the mid-'90s signalled more lineup changes. Four decades after the group's genesis, the Preservation Hall Jazz Band continues to honor the musical traditions of New Orleans, despite these switches in personnel.

In general, the group's best recordings are their early records under the leadership of Barrett and the Pierces; they also cut three hit-or-miss albums for Columbia during 1976-1992. The Preservation Hall Jazz Band's worldwide tours have resulted in a good deal of goodwill, and the band remained on the road throughout much of 2005 and early 2006, due to the temporary closure of Preservation Hall in the wake of Hurricane Katrina. Although the hurricane devastated the city, it left some of the band's archival recordings unscathed, resulting in the release of Made in New Orleans: The Hurricane Sessions in 2007. In 2010, they delivered the charity album, Preservation: An Album to Benefit Preservation Hall & the Preservation Hall Music Outreach Program, which featured guest appearances by an eclectic mix of artists including Del McCoury, Steve Earle, Angelique Kidjo, Terence Blanchard, and many others. A year later, they collaborated once again with McCoury on the jazz meets bluegrass album American Legacies. In 2013, Preservation Hall released That's It!, the band's first album of all-original material in its entire 50 year career.

Dieses Album enthält kein Booklet