Tributes Antonio Farao with John Patitucci and Jeff Ballard

• 1Tributes06:19
• 2Right One06:51
• 3Shock06:53
• 4I Love You07:30
• 5Tender07:21
• 6MT04:33
• 7Memories Of Calvi06:36
• 8Syrian Children04:58
• 9Song For Shorter07:35
• 10Matrix05:40
• Total Runtime01:04:16

Info zu Tributes

„Ich bin stolz darauf, Teil von Criss Cross zu sein“, sagt Antonio Faraò über seine Jungfernfahrt für das Label. Zu diesem Anlass, der im Juli 2023 in den Meudon Studios in Paris stattfand, versammelte der damals 58-jährige Mailänder Pianist ein ebenso virtuoses Trio, bestehend aus dem Bassisten John Patitucci und dem Schlagzeuger Jeff Ballard, legte ihnen acht Eigenkompositionen und zwei Standards vor und ließ sie los. Bei diesem lyrischen, kinetischen, schön proportionierten 65-minütigen Konzert läuft jedes Mitglied zu kreativer Höchstform auf.

Unter dem Titel Tributes ist Faraòs Criss Cross-Debüt vom Gefühl und der Einstellung her näher an den Alben Black Inside, Thorn und Next Stories, die zwischen 1998 und 2001 für Enja aufgenommen wurden und auf denen sich Faraò mit den New Yorker Altmeistern Ira Coleman und Jeff Watts, Drew Gress und Jack deJohnette sowie Ed Howard und Gene Jackson zusammengetan hat. Er agiert ganz auf Augenhöhe und spricht die Dialekte seiner pianistischen Helden - universelle „Postbop“-Einflüsse wie Herbie Hancock, Chick Corea, McCoy Tyner, Keith Jarrett, Bill Evans und Kenny Kirkland, aber auch Oscar Peterson, Erroll Garner, Lennie Tristano und Martial Solal - auf ihre eigene Art und Weise an, mit der Gewandtheit eines Muttersprachlers. Er macht sich ihre Stile zu eigen, bricht sie in ein persönliches Argot und verwandelt anspruchsvolle Rhythmen und anspruchsvolle Harmonien in anmutige Melodien. Er vermeidet ironische Ablenkungen und überflüssige strukturelle Komplikationen und bewahrt sich eine Haltung des unmittelbaren Schaffens und einen unbändigen Willen zum Swing.

„Ich mag es, geradlinig zu spielen, aber gleichzeitig offen und unkonventionell zu sein“, sagt Faraò. „Auf diese Weise zu spielen, gibt mir Freiheit, und diese Rhythmusgruppe weiß, wie man mit dieser Dimension umgeht. Ich denke über nichts nach, wenn ich spiele. Ich versuche, der Linie zu folgen. Wenn man anfängt zu denken, macht man einen Fehler. Du solltest natürlich spielen. Lebe dich selbst. Gestalte den Weg. Wenn ich komponiere, lasse ich mich meist von der Vergangenheit inspirieren, als ich ein Teenager war. Es ist selten, dass ich mich von der Zukunft inspirieren lasse.“

Antonio Farao, Klavier
John Patitucci, Bass
Jeff Ballard, Schlagzeug

Antonio Farao
“I'm not often surprised by the recordings of musicians the way I was overwhelmed the first time I heard Antonio Farao' on one of his recent CD's. What amazed me was what I felt inside of me. There is so much warmth, conviction and power to his playing. I was immediately attracted to his harmonic conception, the joy of his rhythms and swing feel and the grace and ingenuity of his melodic improvisational lines. Antonio is not only a fine pianist but a great one.” (Herbie Hancock)

Originally from Rome (Class of 1965), Faraò’s musical sensibility together with a remarkable knack for melodic improvisation, have contributed to his reputation as one of the most respected pianists in the International scene. Faraò’s style is unique: flawless technical proficiency, unbridled creativity and exhilarating vitality, and remarkable rhythmic skills.

Antonio Faraò was born into an extremely musical family. His mother was a known painter, his father was a jazz drummer. However, both of them had a great affinity and introduced him to the jazz music. By means of that he grew up listening to musicians such as: Benny Goodman, Count Basie, Due Ellington, Frank Sinatra and last but not least Ella Fitzgerald. Because of the parent’s life pioneering Antonio Faraò gained the love for swing from them. First influenced by that style today’s influences are different. At the age of 6 he started playing vibraphone which was followed by drum playing. Finally he began to play piano and he joined piano classes with Adriano Giustina and Riccardo Risaliti at a classical school. It was the Giuseppe Verdi Conservatory where Antonio Faraò studied for a degree. The completion of all studies was done after a period of 8 years.

Based on his early interest in Afro-American jazz music Antonio Faraò had idols such as Oscar Peterson and Errol Gardner until he discovered musicians like McCoy Tyner, Herbie Hancock, Keith Jarret, Bil Evans, John Coltrane, Miles Davis, Charlie Parker and Thelonious Monk. Just to name the most important examples. Among the musicians influencing him there also is to mention John Williams, composer of the famous film music for ET, Stars Wars Indiana Jones …

The “Jazz four Roses Competition Price” was awarded to him at the Ciak Theatre in Milano in 1991. The most prestigious “Competition of jazz piano Martial Solal” a competition of the city Paris which takes place only every ten years invited a small number of top international piano talents. Antonio Faraò as one of those talents won that extraordinary competition in 1998.

Antonio Faraò has worked with a number of great jazz musicians including a recording at the famous Abbey Road Studios in London with André Ceccarelli and the London Symphony Orchestra for the soundtrack of the movie “Anthony Zimmer” with the French actress Sophie Marceau in January of 2005. He has performed and registered with the likes of Franco Ambrosetti, André Ceccarelli, Daniel Humair, Mike Clark, Gary Bartz, Lee Konitz, Steve Grossman, Christian Mc Bride, Chico Freeman, Von Freeman, Miroslav Vitous, John Abercrombie, Richard Galliano, Toots Thielemans, Jack Dejohnette, Dave Liebman, Didier Lockwood, Benny Golson, Joe Lovano, Johnny Griffin, George Garzone, Cecil Mc Bee…and with the famous italian pop singer Mina.

He recorded for the German label “Enja records” three albums: “Black Inside” (1998), Thorn (2001) with Jack DeJohnette on drums, Chris Potter on tenor sax and Drew Gress on bass. On 2002 the album “Next stories” went public.

He recorded 4 albums with the label “Cam Record” included “Far out” in quartet with Bob Berg, and in trio the albums “Encore”, “Takes on Pasolini” and “Woman’s Perfume”.

In 2010 he signs a first album with the French label Cristal Record “Domi” registered with Darryl Hall and André Ceccarelli. His album Evan (2012 Cristal Records/Jando Music) registered in NY with Joe Lovano, Ira Coleman and Jack Dejohnette features an extraordinary cast of musicians, that follows as a natural consequence of their affinity and numerous past collaborations and recordings.

His album in quartet “ Boundaries” has come out in the summer 2015 with Universal Verve Italy.

On 30 April 2015 and 2018, Antonio Faraò was invited to join the Unesco All Star Global concert in Paris and in St Petersburg to celebrate International Jazz Day together with Herbie Hancock, Wayne Shorter, Marcus Miller, Al Jarreau, Kurt Elling, Branford Marsalis, Terri Lyne Carrington… and many more.

In 2017 he recorded the album "Eklektik" (Warner Music) that features an incredible cast of musicians : Snoop Dogg, Marcus Miller, Bireli Lagrène, Lenny White, Mike Clark, Robert Davi, Didier Lockwood, Manu Katché, Krayzie Bone and many more. ​

In 2019 in Paris, Antonio received from the members of SACEM (French Society of Composers and Publishers of Music) the Price ACEG as best pianist. He recorded his latest album ASTA (Bonsai) as a co-leader together with André Ceccarelli, Sylvain Beuf and Thomas Bramerie.

In 2020 Antonio recorded 2 new arrangements in duo with the international pop star Sananda Maitreya to celebrate the genius of Duke Ellington. They collaborated again on year later for the song “Pandora’s Plight” in the new album of Sananda “Pandora's PlayHouse” that came out in March 2021.

Dieses Album enthält kein Booklet