Paris Hilary Hahn, Orchestre Philharmonique de Radio France & Mikko Franck

• Ernest Amedee Chausson (1855 - 1899):
• 1 Chausson: Poème for Violin and Orchestra, Op. 25 16:55
• Sergei Prokofiev (1891 - 1953): Violin Concerto No. 1 in D Major, Op. 19:
• 2 Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino. Andante assai 09:36
• 3 Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo 03:55
• 4 Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato 07:56
• Einojuhani Rautavaara (1928 - 2016): Deux Sérénades (Written for Hilary Hahn):
• 5 Rautavaara: Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato 07:50
• 6 Rautavaara: Deux Sérénades (Written for Hilary Hahn): No. 2. Sérénade pour la vie. Andante assai. Comodo. Agitato 06:37
• Total Runtime 52:49

Info zu Paris

Außergewöhnlicher musikalischer Reigen: Hilary Hahn ist eine der innovativsten und interessantesten Künstlerrinnen unserer Zeit. Mit ihrem lang erwarteten neuen Album kehrt die dreifache GRAMMY-Preisträgerin zurück zur Deutschen Grammophon und präsentiert eine Hommage an das reiche kulturelle Erbe einer Stadt, die im Werdegang der amerikanischen Geigerin von großer Bedeutung ist.

»Auf Paris geht es um Ausdruck«, sagt Hahn, »um Emotionen, um das Gefühl, mit einer Stadt und einem kulturellen Schnittpunkt auf eine Weise verbunden zu sein, die Interpret und Hörer inspiriert. Auf dem Album wird die Stadt auf vielfältige Weise gespiegelt. Aber sie steht auch in Bezug zum Verlauf meiner Karriere. In Paris bin ich schon als Teenager aufgetreten.«

Die erste Idee zu Paris geht auf Hahns Zeit als artist-in-residence beim OPRF während der Saison 2018/19 zurück. Nach einer Aufführung von Rautavaaras Violinkonzert mit Mikko Franck im Jahr 2014 fragte sie den Dirigenten, ob sein Freund und Landsmann nicht noch ein Konzert schreiben könne. Franck und Rautavaara diskutierten Serenaden, doch die schlechte Gesundheit des Komponisten durchkreuzte die Gedanken. Rautavaara starb im Juli 2016 mit 87 Jahren. Zu Francks Überraschung zeigte ihm Rautavaaras Witwe später das Manuskript einer fast fertigen herrlich elegischen Komposition für Violine und Orchester. Die vorliegende Aufnahme entstand im Februar 2019 bei der Welturaufführung dieses Werks in einem bewegenden Konzert, das Rautavaaras Œuvre zum letzten Mal um einen neuen Eintrag bereicherte. Neben dieser Weltersteinspielung von Einojuhani Rautavaaras Deux Sérénades hat Hahn zusammen mit dem Orchestre Philharmonique de Radio France und dessen Musikdirektor Mikko Franck auch das Poème von Ernest Chausson und das Violinkonzert Nr. 1 von Serge Prokofieff, welches 1923 in der französischen Hauptstadt uraufgeführt wurde, eingespielt.

»Diese drei Werke sind Ausdruck lebendiger Kunst- und Kulturgeschichte, und alles bei diesen Aufnahmen ist ein Werk der Liebe: der Liebe zur Musik und zum musikalischen Ausdruck.« (Hilary Hahn)

Hilary Hahn, Violine
Orchestre Philharmonique de Radio France
Mikko Franck, Dirigent

Hilary Hahn
Three-time Grammy Award-winning violinist Hilary Hahn is renowned for her virtuosity, expansive interpretations, and creative programming. Her dynamic approach to music-making and her commitment to sharing her musical experiences with a broad global community have made her a fan favorite.

Hahn’s distinct stylistic choices honor the traditional violin literature while delving into the unexpected. In the past two seasons in recital tours across the United States, Europe, and Japan, she premiered six new partitas for solo violin by composer Antón García Abril. The works were Hahn’s first commissioning project for solo violin and her first commission of a set of works from a single composer. García Abril was also one of the composers for “In 27 Pieces: the Hilary Hahn Encores,” Hahn’s multi-year commissioning project to revitalize the duo encore genre. Her album of those encores won a Grammy for Best Chamber Music/Small Ensemble Performance in 2015, and the print edition of the complete sheet music will be released by Boosey & Hawkes. Complete with Hahn’s fingerings, bowings, and performance notes, the sheet music will ensure that the encores become part of the active violin repertoire.

In 2017–18 Hahn returns to repertoire from the 19th and 20th centuries, performing the Tchaikovsky, Dvořák, and first Prokofiev violin concertos across the United States and Europe. She performs Bernstein’s Serenade (after Plato’s “Symposium”) with the Los Angeles Philharmonic, Philadelphia Orchestra at home and at Carnegie Hall, and Houston Symphony at home and on tour in Belgium, Poland, Austria, and Germany as part of the celebrations of Bernstein’s centennial season.

As part of recent residencies at the Vienna Konzerthaus, Seattle Symphony, and National Orchestra of Lyon, Hahn piloted free – and sometimes surprise – concerts for parents with their babies, as well as a knitting circle, a community dance workshop, a yoga class, and art students. She will continue to create these community-oriented concerts as the 2017–18 Artist-in-Residence at the Philadelphia Orchestra, encouraging music lovers to combine live performance with their interests outside the concert hall and providing opportunities for parents to enjoy live music with their infants. She also plays a free concert to promote a college membership program and participates in the Philadelphia Orchestra’s ongoing educational activities.

Hahn took her first violin lessons in the Suzuki program of the Peabody Institute in her hometown of Baltimore at the age of three, and at five she began lessons with Klara Berkovich, who had just emigrated from St. Petersburg. At ten, Hahn was admitted to the Curtis Institute of Music in Philadelphia to study with Jascha Brodsky, a former pupil of Eugène Ysaÿe and Efrem Zimbalist. Hahn completed her university requirements at sixteen, having already made her solo debuts with the Baltimore, Pittsburgh, Utah, and Bavarian Radio symphony orchestras; the Philadelphia, Cleveland, and Budapest Festival orchestras, and the New York Philharmonic, among others. Hahn continued her studies for three more years, delving into languages, literature, and writing, and received her bachelor’s degree at nineteen. She spent four summers at the Marlboro Music Festival and another four in the total-immersion German, French, and Japanese programs at Middlebury College. She holds honorary doctorates from Middlebury College and Ball State University, where there are also three scholarships in her name.

Hahn has released sixteen albums on the Deutsche Grammophon and Sony labels, in addition to three DVDs, an Oscar-nominated movie soundtrack, an award-winning recording for children, and various compilations. Spanning an extremely wide range of repertoire, including Bach, Stravinsky, Elgar, Beethoven, Vaughan Williams, Mozart, Schoenberg, Paganini, Spohr, Barber, Bernstein, Ives, Higdon, and Tchaikovsky, her recordings have received every critical prize in the international press and have met with equal popular success. All have debuted in the top ten of the Billboard classical chart. Her seventeenth album will be a retrospective collection that also contains new live material and art from her fans, in keeping with a decades-long tradition of collecting fan art at concerts. Hahn’s first Grammy came in 2003 for her Brahms and Stravinsky concerto album. A pairing of the Schoenberg and Sibelius concerti spent 23 weeks on the charts and earned Hahn her second Grammy. In 2010 she premiered her recording of Jennifer Higdon’s Violin Concerto along with the Tchaikovsky concerto. Higdon’s composition, which was written for Hahn, went on to win the Pulitzer Prize. In 2012 Hahn launched Silfra with experimental prepared-pianist Hauschka. The album was produced by Valgeir Sigurðsson and was entirely improvised by Hahn and Hauschka following an intensive period of development.

Hahn is an avid writer, having posted journal entries for two decades on her website, hilaryhahn.com, and published articles in mainstream media. On her YouTube channel, youtube.com/hilaryhahnvideos, she interviews colleagues about their experiences in music. Her violin case comments on life as a traveling companion, on Twitter and Instagram at @violincase. In 2001, Hahn was named “America’s Best Young Classical Musician” by Time magazine, and in 2010, she appeared on The Tonight Show with Conan O’Brien. Hahn was featured in the Oscar-nominated soundtrack to The Village and has participated in a number of non-classical productions, collaborating on two records by the alt-rock band ….And You Will Know Us By The Trail of Dead, on the album Grand Forks by Tom Brosseau, and on tour with folk-rock singer-songwriter Josh Ritter.

Booklet für Paris