Haochen Zhang Plays Beethoven and Liszt Haochen Zhang

• Ludwig van Beethoven (1770 - 1827): Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier":
• 1 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro 10:21
• 2 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace 02:39
• 3 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto (Appassionato e con molto sentimento) 18:37
• 4 Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo — Allegro — Allegro risoluto (Fuga a tre voci, con alcune licenze) 12:37
• Franz Liszt (1811 - 1886): Piano Sonata in B Minor, S. 178:
• 5 Liszt: Piano Sonata in B Minor, S. 178: Lento assai — Allegretto energico — Grandioso — Recitativo 12:23
• 6 Liszt: Piano Sonata in B Minor, S. 178: Andante sostenuto — Quasi adagio 07:30
• 7 Liszt: Piano Sonata in B Minor, S. 178: Allegro energico — Più mosso — Stretta quasi presto — Presto — Prestissimo — Andante sostenuto — Allegro moderato — Lento assai 11:17
• Total Runtime 01:15:24

Info zu Haochen Zhang Plays Beethoven and Liszt

Nach seinen Aufnahmen, die Beethovens Klavierkonzerten (BIS-2281) und Franz Liszts Transcendentalen Etüden (BIS-2681), dem Goldmedaillengewinner beim 13. Van Cliburn International Piano Competition im Jahr 2009 gewidmet sind, bringt Haochen Zhang jetzt diese beiden Komponisten auf dieser neuen Aufnahme mit zwei Gipfeln des Klaviers aus dem 19. Jahrhundert zusammen. Literatur: Beeth. oven's 'Hammerklavier' Sonata und Liszt's Sonata in B-Moll. The Piano Sonata No. 29, der 'Hammerklavier', ist die längste, reichste und vielleicht meisterhafteste von Beethovens 32 Sonaten. Darin bringt er das Instrument und den Darsteller an ihre Grenzen und sogar darüber hinaus. Seine immense Komplexität, die absolute Vielfalt ihrer Bewegungen und ihre gewagte strukturelle Konzeption geben der Sonate einen unvergleichlichen Platz in Beethovens Öuvre. Es wurde zu Beethovens Lebzeiten sehr selten gespielt, und Franz Liszt trug mit einer Konzertaufführung in Paris bei, die seitdem in die Geschichte eingegangen ist. Kein Fremder der Beschreibung "unperformable", Liszt wollte auch "die" Klaviersonate schreiben, die seine eigene Herangehensweise an den Pianismus mit Beethovens Vermächtnis in Einklang bringen würde. Seine Sonate in B-Moll, ein monumentales Werk, das das Klavier in ein virtuelles Orchester verwandelt, ist ein Wahrzeichen, das Liszts Genie zusammenfasst.

Haochen Zhang, Klavier

Haochen Zhang
Since his gold medal win at the Thirteenth Van Cliburn International Piano Competition in 2009, 26-year-old Chinese pianist Haochen Zhang has captivated audiences in the United States, Europe, and Asia with a unique combination of deep musical sensitivity, fearless imagination and spectacular virtuosity.

He has already appeared with many of the world’s leading festivals and concert series and following his performance of Liszt Concerto No. 1 at the BBC Proms with Yu Long and the China Philharmonic received rave reviews: ‘He made the Allegretto dance with Mendelssohnian lightness and Lisztian diablerie, and played the melody of the Quasi Adagio with melting softness.’ Ivan Hewitt, The Telegraph.

A popular guest soloist for many orchestras in his native China, Haochen made his debut in Munich with the Munich Philharmonic and the late maestro Lorin Maazel in April 2013, preceding their sold-out tour. Haochen has also toured in China with the Sydney Symphony and David Robertson, in Tokyo, Beijing and Shanghai with the NDR Hamburg and Thomas Hengelbrock and following a performance in December 2014 with Valery Gergiev and the Mariinsky Orchestra in Beijing, Mo. Gergiev immediately invited him to his Easter Festival in Moscow, Russia.

Highlights of the 16/17 season include a new recital CD, to be released by BIS in February, which includes works of Schumann, Brahms, Janacek and Liszt; extensive recital and concerto tours in Asia with performances in China, Hong Kong and Japan; return engagements with Philadelphia Orchestra, Osaka Philharmonic, Singapore Symphony and the Pacific Symphony Orchestra. Haochen will also give recitals in San Francisco, Palma de Malloca, Imola, Helsingborg, among others. He makes his debuts with the RTV Slovenia and Asturias Symphony Orchestras, and will tour Europe with the Hangzhou Philharmonic Orchestra having been their resident artist in the previous season.

In past seasons, Haochen Zhang has performed with the Philadelphia Orchestra, Munich Philharmonic, San Francisco Symphony, LA Philharmonic, Pacific Symphony, Kansas City Symphony, Seattle Symphony, Israel Philharmonic, Sydney Symphony, London Symphony, Japan Philharmonic Singapore Symphony and Hong Kong Philharmonic orchestras. In recital he has performed at Spivey Hall, La Jolla Music Society, Celebrity Series of Boston, CU Artist Series, Cliburn Concerts, Krannert Center, Wolf Trap Discovery Series, Lied Center of Kansas and UVM Lane Series, among others. International tours have taken him to cities including Beijing, Hong Kong, Tokyo, Tel Aviv, Berlin, Munich, Paris, Dresden, Rome, Tivoli, Verbier, Montpellier, Helsingborg, Bogota and Belgrade. Haochen is also an avid chamber musician, collaborating with colleagues such as the Shanghai String Quartet, Benjamin Beilman and is frequently invited by chamber music festivals in the US.

Haochen’s performances at the Cliburn Competition were released to critical acclaim by Harmonia Mundi in 2009. He is also featured in Peter Rosen’s award-winning documentary chronicling the 2009 Cliburn Competition, A Surprise in Texas. His complete competition performances are available on www.cliburn.tv.

Haochen is a graduate of the Curtis Institute of Music in Philadelphia where he studied under Gary Graffman. He was previously trained at the Shanghai Conservatory of Music and the Shenzhen Arts School, where he was admitted in 2001 at the age of 11 to study with Professor Dan Zhaoyi.

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