Sola: Music for Viola by Women Composers Rosalind Ventris

• Grażyna Bacewicz (1909 - 1969): Kaprys Polski:
• 1 Bacewicz: Kaprys Polski 03:10
• Lillian Fuchs (1901 - 1995): Sonata Pastorale:
• 2 Fuchs: Sonata Pastorale: I. Fantasia 04:34
• 3 Fuchs: Sonata Pastorale: II. Pastorale 07:22
• Amanda Feery (b. 1984): Boreal:
• 4 Feery: Boreal 07:11
• Sally Beamish (b. 1956): Penillion:
• 5 Beamish: Penillion 06:27
• Elisabeth Lutyens (1906 - 1983): Echo of the Wind, Op. 157:
• 6 Lutyens: Echo of the Wind, Op. 157 07:39
• Elizabeth Maconchy (1907 - 1994): Five Sketches:
• 7 Maconchy: Five Sketches: I. Molto moderato – Più mosso 01:51
• 8 Maconchy: Five Sketches: II. Allegro deciso – Meno mosso 02:21
• 9 Maconchy: Five Sketches: III. Andantino 02:07
• 10 Maconchy: Five Sketches: IV. Poco lento 02:59
• 11 Maconchy: Five Sketches: IV. Presto 01:40
• Imogen Holst (1907 - 1994): Suite for Viola:
• 12 Holst: Suite for Viola: I. Prelude 03:07
• 13 Holst: Suite for Viola: II. Cinquepace 02:13
• 14 Holst: Suite for Viola: III. Saraband 03:34
• 15 Holst: Suite for Viola: IV. Gigue 01:45
• Thea Musgrave (b. 1928): In the Still of the Night:
• 16 Musgrave: In the Still of the Night 04:56
• Light at the End of the Tunnel:
• 17 Musgrave: Light at the End of the Tunnel 01:34
• Total Runtime 01:04:30

Info zu Sola: Music for Viola by Women Composers

Rosalind Ventris' Debüt-Soloalbum enthält eine Auswahl von Musik für unbegleitete Bratsche, die zwischen 1930 (Imogen Holsts beeindruckende Suite für Bratsche) und der Gegenwart (eine Sperrminiatur von Thea Musgrave aus dem Jahr 2020) entstanden ist.

Das größtenteils britische und irische Programm ermöglicht es Ventris, bedeutende, aber immer noch oft übersehene Werke von Komponistinnen des 20. Jahrhunderts wiederzubeleben - nicht nur Holst, sondern auch Lillian Fuchs, Elizabeth Maconchy, Elisabeth Lutyens und Grażyna Bacewicz - neben neueren Repertoirezugängen von Musgrave, Sally Beamish und Amanda Feery.

Da mehrere der Komponisten selbst professionelle Streicher sind, handelt es sich nach den Worten von Ventris um "wunderbare Musik, die zufällig von Komponistinnen stammt".

"Man denkt nicht immer an die Bratsche als einsames Instrument, wenn man sie in Konzerten hört, dann meist mit anderen Instrumentalisten, aber hier zeigt Rosalind Ventris, dass die reichen elegischen tiefen Töne und das singende hohe Register des Instruments eine wirklich ausdrucksstarke Protagonistin sein können..." (Robert Hugill)

Rosalind Ventris, viola

Rosalind Ventris
leads an international career as a soloist and chamber musician. As a recitalist, she has performed at the Royal Festival Hall, Wigmore Hall, Dublin International Chamber Music Festival, Purcell Room, Bozar, Flagey, Slovak Philharmonic, Aldeburgh Festival and Het Concertgebouw. As a concerto soloist, she has worked with the European Union Chamber Orchestra, Oxford Philharmonic Orchestra, Sinfonia Cymru, London Mozart Players, l’Orchestre Royal de Chambre de Wallonie and the Belgian National Orchestra. Rosalind’s debut album, featuring music by leading women composers of the twentieth and twenty-first centuries, will be released on Delphian Records in January 2023.

As a chamber musician, Rosalind frequently performs as part of the Kaleidoscope Chamber Collective (Associate Ensemble of the Wigmore Hall), and is the violist of flute, viola and harp ensemble Trio Anima. She has collaborated with internationally renowned artists such as Mitsuko Uchida, Tabea Zimmermann, the Nash Ensemble, the Arcanto Quartett, the Endellion Quartet, the Marmen Quartet, Barry Douglas, John O’Conor, Gerhard Schultz and the Benedetti Elschenbroich Grynyuk Trio. She has been invited to perform at many prestigious festivals internationally, including the West Cork, Marlboro, Salzburg and Båstad Festivals, IMS Prussia Cove Open Chamber Music, and venues such as the Auditorium du Louvre, Paris, and the Beethoven-Haus, Bonn.

Praised for her ‘beguiling’ and ‘characterful’ playing (Gramophone), recordings featuring Rosalind as a chamber musician have received favourable reviews in the national and international press. She has recorded for Delphian, Chandos, Signum, Tŷ Cerdd and Navona record labels, and broadcast on BBC Radio 3, RTÉ Lyric FM, and NPO Radio 4. Rosalind also enjoys contemporary music collaborations, having performed alongside composers Garth Knox and Sally Beamish. As a former founder member of the Albion Quartet she recorded Richard Blackford’s Kalon with the Czech Philharmonic at the Rudolfinum (Prague). She has also premiered several works by Edwin Roxburgh, and in 2016 Rosalind recorded a new work for clarinet, viola and piano by Rory Boyle for Delphian Records. Rory Boyle has also written a work for Trio Anima, premiered in London in 2019.

Rosalind is the Director of Musical Performance and Performance Studies at the University of Oxford, and is a Professor of Viola at the Guildhall School of Music & Drama. She is also one of the Artistic Directors of the Cowbridge Music Festival in Wales.

Dieses Album enthält kein Booklet