R. Schumann Collection - String Quartets and Piano Quintet (Live) Quatuor Strada & Théo Fouchenneret

• Robert Schumann (1810 - 1856): String Quartet No. 1 in A Minor, Op. 41 No. 1:
• 1 Schumann: String Quartet No. 1 in A Minor, Op. 41 No. 1: I. Introduzione. Andante espressivo - Allegro (Live) 08:36
• 2 Schumann: String Quartet No. 1 in A Minor, Op. 41 No. 1: II. Scherzo. Presto - Intermezzo (Live) 03:37
• 3 Schumann: String Quartet No. 1 in A Minor, Op. 41 No. 1: III. Adagio (Live) 05:05
• 4 Schumann: String Quartet No. 1 in A Minor, Op. 41 No. 1: IV. Presto (Live) 06:01
• String Quartet No. 2 in F Major, Op. 41 No. 2:
• 5 Schumann: String Quartet No. 2 in F Major, Op. 41 No. 2: I. Allegro vivace (Live) 04:51
• 6 Schumann: String Quartet No. 2 in F Major, Op. 41 No. 2: II. Andante quasi variazioni (Live) 07:23
• 7 Schumann: String Quartet No. 2 in F Major, Op. 41 No. 2: III. Scherzo. Presto (Live) 03:08
• 8 Schumann: String Quartet No. 2 in F Major, Op. 41 No. 2: IV. Allegro molto vivace (Live) 06:55
• String Quartet No. 3 in A Major, Op. 41 No. 3:
• 9 Schumann: String Quartet No. 3 in A Major, Op. 41 No. 3: I. Andante espressivo - Allegro molto moderato (Live) 06:46
• 10 Schumann: String Quartet No. 3 in A Major, Op. 41 No. 3: II. Assai agitato (Live) 05:56
• 11 Schumann: String Quartet No. 3 in A Major, Op. 41 No. 3: III. Adagio molto (Live) 06:57
• 12 Schumann: String Quartet No. 3 in A Major, Op. 41 No. 3: IV. Finale. Allegro molto vivace (Live) 06:57
• Piano Quintet in E-Flat Major, Op. 44:
• 13 Schumann: Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante (Live) 08:47
• 14 Schumann: Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia, un poco largamente (Live) 07:37
• 15 Schumann: Piano Quintet in E-Flat Major, Op. 44: III. Scherzo. Molto vivace (Live) 04:48
• 16 Schumann: Piano Quintet in E-Flat Major, Op. 44: IV. Finale. Allegro ma non troppo (Live) 07:28
• Total Runtime 01:40:52

Info zu R. Schumann Collection - String Quartets and Piano Quintet (Live)

In der vierten Folge ihrer Schumann-Sammlung führen uns Pierre und Théo Fouchenneret zusammen mit ihren Mitmusikern des Quatuor Strada durch das Jahr 1842. Der Komponist war in dieser Zeit sehr produktiv, entstanden doch in diesem Jahr die drei Streichquartette op. 41 und das Quintett für Klavier und Streicher op. 44.

Theo Fouchenneret, Klavier
Quatuor Strada

Zur Info: wir bieten dieses Album in der nativen Abtastrate von 48 kHz, 24-Bit an. Die uns zur Verfügung gestellte 96 kHz-Version wurde hochgerechnet und bietet keinen hörbaren Mehrwert!

Théo Fouchenneret
Born in Nice, Théo Fouchenneret started studying piano in his hometown with Christine Gastaud. At thirteen years old, he entered the CNSM in Paris, first in the class of Alain Planès, then with Hortense Cartier-Bresson, with whom he continued his studies during the 3rd cycle. He also studied chamber music with Jean-Frédéric Neuburger and Yann Ollivo, and received the advice of many renowned professors. Théo Fouchenneret won the Gabriel Fauré Prize in 2013. An adept of chamber music, he founded the Ensemble Messiaen, with which he won 1st Prize at the Lyon Competition. He currently leads an active career as chamber musician and soloist, regularly performing with renowned musicians at festivals in France and in Switzerland, as well as in Lebanon, China and Japan.

Quatuor Strada
The new quartet Strada brings together four internationally renowned soloists, from the most prestigious ensembles such as the quartet Ysaye or the National Orchestra of France. After long years of experience of chamber music , they are brought together by their friendship and their passion and decide to create this dynamic and unusual group, serving in parallel brilliant careers and love for a rigorous work. Not long after its creation, the quartet Strada is soon being invited by numerous festivals and musical seasons.

They offer a programme exclusively dedicated to the late quartets of Beethoven - a challenge for the musicians and an outstanding cultural event for music lovers. Thus we shall be able to witness one of the most powerful stylistic and aesthetic evolutions in the history of music. The controlled complexity of these late works gives them an amazing beauty, born of the spirituality of this revolutionary composer, who had withdrawn from the world to build a timeless monument.

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