Emily's D+Evolution (Deluxe Edition) Esperanza Spalding

• 1 Good Lava 03:38
• 2 Unconditional Love 03:46
• 3 Judas 04:11
• 4 Earth To Heaven 03:52
• 5 One 03:15
• 6 Rest In Pleasure 04:59
• 7 Ebony And Ivy 04:20
• 8 Noble Nobles 03:34
• 9 Farewell Dolly 02:08
• 10 Elevate Or Operate 04:04
• 11 Funk The Fear 05:07
• 12 I Want It Now 02:51
• 13 Change Us 03:57
• 14 Unconditional Love 09:40
• Total Runtime 59:22

Info zu Emily's D+Evolution (Deluxe Edition)

Esperanza Spalding presents her latest project Emily's D+Evolution a rekindling of her childhood interest in theater, poetry and movement, which delves into a broader concept of performance. Taking a new approach to her on-stage persona, the remarkable Spalding taps into new creative energy, delivering musical vignettes inspired during a 'sleepless night of full moon inspiration.'

As she puts it, 'Emily is my middle name, and I'm using this fresh persona as my inner navigator. This project is about going back and reclaiming un-cultivated curiosity, and using it as a compass to move forward and expand. My hope for this group is to create a world around each song, there are a lot of juicy themes and stories in the music. We will be staging the songs as much as we play them, using characters, video, and the movement of our bodies.'

Esperanza assembled a new band for Emily’s D+Evolution including guitarist Matthew Stevens (Christian Scott) and drummer Karriem Riggins (Madlib, Erykah Badu). She recorded some of the album’s eleven tracks in front of a small audience in a Los Angeles studio. The result is otherworldly cosmic soul, kinetic songs that burst with energy and life. Album opener 'Good Lava” offers a grand salvo: sinewy riffs doubled on electric bass and distorted guitar with melodies that stick and float across registers.

„Spalding’s resume as a Grammy winner, educator and one of this generation’s “jazz saviors” certainly marks her as a late bloomer, and while Emily’s D+Evolution lags at the end, the high quality work that characterizes the first three-fourths of the record will get her on the Dean’s List with a very solid B. Recommended.“ (Howard Dukes, Soultracks)

Esperanza Spalding
“Ms. Spalding is still enamored of Wayne Shorter’s harmonic depth and Stevie Wonder’s melodic lift, but her frame of reference has broadened in salutary ways: ‘Funk Your Fear’ ha(s) the serpentine gnarl of a Funkadelic anthem, and ‘Noble Nobles’ brazenly evoke(s) Hejira-era Joni Mitchell.”--NY Times

“...a fresh artistic vision for the four-time Grammy winner, a daring tapestry of music, vibrant imagery, performance art and stage design.”--Ebony

“Emily’s D+Evolution is more than a recording project, it’s an awakening of her inner child. It’s an audio portrait stretching Spalding beyond music and into storytelling through acting, staging, and movement.”--Amy Poehler’s Smart Girls

Seven collaborative and five solo albums into her career at 31, Esperanza Spalding has always resolutely, intuitively, deftly expanded upon both her art and herself as a world-renowned genre- bending composer, bassist and vocalist. Spalding’s work, grounded in jazz traditions but never bound by them, has won her four Grammy awards and brought her onstage at the Oscars, the Nobel Prize Ceremony, the White House, and with Prince and Herbie Hancock. Not only does she know who she is, we know who she is.

Or, rather, we think we do. The elastic self and work of a true artist is always changing; ideas are channeled, shape-shifting becomes necessary. Emily’s D+Evolution (pronounced “d plus evolution”) is where we meet Emily--both Esperanza’s middle name and the label for the spirit- muse that flows through this multi-dimensional, theatrical performance artwork wrapped in a brilliantly urgent, vivacious record. With 6 tracks co-produced by Tony Visconti (David Bowie) and drawing, at times, from wellsprings as disparate as Cream to Shostakovich to St. Vincent, Emily’s D+Evolution is a kaleidoscopic project; raw, honest, luminous.

"Whether you want to see it as devolution and evolution, and the place where they co-exist without one diminishing the other, or...barely having the tools that you need, but having to move forward, and having to keep moving," Spalding explained to NPR in a recent interview, the album conceptually addresses the always exciting, sometimes messy process of reconciling the aspects of our selves that are in conflict. Exploding with literal and proverbial electricity, this album’s complex but immediate compositions were committed to tape partially live, and partially in front of a control room packed full of 20 or more onlookers. The trio of Spalding (fretless electric bass and vocals), Matthew Stevens (electric guitar) and Justin Tyson and Karriem Riggins (splitting drum duties) often decided to use the first take--a testament to the project’s particular energy and Spalding’s virtuosity. Many of the compositions on Emily’s D+Evolution were, after all, incubated onstage during the rigorous live performance schedule that preceded it.

Armed with the entity of Emily flowing through her, Spalding’s visionary performance of the album is an experience to behold and an integral part of the project itself. Here, Spalding is, for the first time, incorporating stage design, movement and acting into her already vivid musical storytelling practice. She’s working with stage director and playwright Will Wiegler to manifest her concepts physically now that they’ve come to life aurally. Each track on the album, from the soaring ode to uninhibited self-expression “Good Lava” to the affecting, shimmery funk ballad “Unconditional Love”, Emily’s D+Evolution is rich, surprising and labyrinthian, yet classic and timeless, as if these songs have always existed out there in the ether. Turns out that Spalding just had to tune in to Emily to bring them here to Earth.

Booklet für Emily's D+Evolution (Deluxe Edition)