1823 Noelia Rodiles

• Franz Schubert (1797 - 1828): Moments Musicaux, D. 780:
• 1 Schubert: Moments Musicaux, D. 780: I. Moderato 06:31
• 2 Schubert: Moments Musicaux, D. 780: II. Andantino 06:56
• 3 Schubert: Moments Musicaux, D. 780: III. Allegretto moderato 02:00
• 4 Schubert: Moments Musicaux, D. 780: IV. Moderato 05:43
• 5 Schubert: Moments Musicaux, D. 780: V. Allegro vivace 02:53
• 6 Schubert: Moments Musicaux, D. 780: VI. Allegretto 09:25
• Martín Sánchez Allú (1823 - 1858): Piano Sonata in E-Flat Major, Op. 1:
• 7 Allú: Piano Sonata in E-Flat Major, Op. 1: I. Andante - Allegro brillante 11:21
• 8 Allú: Piano Sonata in E-Flat Major, Op. 1: II. Andante cantabile 06:08
• 9 Allú: Piano Sonata in E-Flat Major, Op. 1: III. Minuetto. Vivace 02:40
• 10 Allú: Piano Sonata in E-Flat Major, Op. 1: IV. Allegro final. Grazioso 04:56
• Total Runtime 58:33

Info zu 1823

Noelia Rodiles wurde als „einer der wahren aufsteigenden Sterne des spanischen und internationalen Klavierspiels“ bezeichnet. Für ihr neues Aufnahmeprojekt „1823“ hat sie Schuberts Moments Musicaux D. 780 mit der Ersteinspielung der ersten Klaviersonate von Martín Sánchez Allú kombiniert. Allú, ein spanischer Komponist des 19. Jahrhunderts, der sich in der Madrider Musikszene seiner Zeit einen Namen gemacht hatte, schrieb diese Sonate in einem bewusst klassizistischen Stil. Schuberts Sechs Momente Musicaux, die er im Jahr vor seinem frühen Tod komponierte, gehören zu den beliebtesten Werken Schuberts für Klavier. Noelia Rodiles spielt großzügig, enthusiastisch und kontrastreich in einer Aufnahme, die in der hervorragenden Akustik des Auditorio de Zaragoza, Spanien, entstanden ist.

Noelia Rodiles, Klavier

Noelia Rodiles
Considered a reference for “the most advanced, resolute and affirmative piano playing” (El Cultural), Noelia Rodiles’ performances have been described as “a masterclass in virtuosity and artistic sensitivity, combined with an overwhelming technique” (Bachtrack).

Her concerts are notable for their creative choices of repertoire, which often include works by contemporary composers whom she brings into dialogue with the great classical composers, as well as works recovered by forgotten composers.

Noelia has performed as a soloist with orchestras such as the Orquesta Nacional de España, the Filarmónica de la UNAM (Mexico), the Orquesta de Radio Televisión Española, the Heinrich Heine Orchestra of Düsseldorf (Germany), the Filarmónica de Querétaro (Mexico), the Orchesta de la Comunidad de Madrid, la Orquesta Sinfónica del Principado de Asturias, The Soloists of London or the Oviedo Filarmonía, among others, under the direction of maestros such as Pablo González, Lucas Macías, Víctor Pablo Pérez, Ludwig Carrasco, José Ramón Encinar, Michael Thomas, Ramón Tébar or Silke Löhr.

She has given concerts in halls such as the Wigmore Hall in London, Tonhalle Düsseldorf or the Sala Nezahualcóyotl in Mexico City, as well as the main Spanish halls such as the Auditorio Nacional in Madrid or the Palau de la Música in Barcelona. She is a regular guest at festivals such as the Quincena Musical Donostiarra, the Festival Internacional de Santander, the Schubertíada de Vilabertrán or the Festival Rafael Orozco in Córdoba, as well as at other festivals and venues in France, Germany, the United Kingdom, Italy, Poland, Mexico, Tunisia, Bolivia or Jordan.

In her latest album, Mysterium, described as “a truly sensational CD” (Scherzo), Noelia has recorded Julián Orbón’s Partita No. 4 and the world premiere of Cloches, by Manuel Martínez Burgos, together with the Oviedo Filarmonía Orchestra and maestro Lucas Macías, thanks to a Leonardo Scholarship from the BBVA Foundation.

Her previous albums have received awards such as the Melómano de Oro, the Exceptional Record from Scherzo magazine and a nomination for the Latin Grammys. Among them, we can highlight 1823, with the recovery and first recording of the Piano Sonata by Martín Sánchez Allú, together with Schubert's Moments Musicaux, The Butterfly Effect, with works composed for her by Jesús Rueda, David del Puerto or Joan Magrané together with compositions by Schumann, Mendelssohn and Schubert, both with the Eudora Records label, or Ligeti, Schubert (Solfa Records), for which she was already recognized by critics as “one of the most solid values ​​of Spanish pianism, of international pianism” (Scherzo).

Noelia studied at the conservatories of Avilés, Madrid and Berlin with Ana Serrano, Lidia Stratulat, Ana Guijarro and Galina Iwanzowa, and furthered her studies with Dimitri Bashkirov and Claudio Martínez Mehner at the Reina Sofía School of Music in Madrid, where she was awarded the prize for “Most Outstanding Student” in the piano and chamber music departments. She has received master classes from Daniel Barenboim, Menahem Pressler, Ferenc Rados, Elisso Virsaladze, Aldo Ciccolini and Boris Berman, among others.

Booklet für 1823