No shube doobie please! Dzsindzsa feat. Mateusz Rybicki

• 1 Farigcsa 01:04
• 2 No shube doobie please! 02:31
• 3 A beléd hasító felismerés 01:45
• 4 Pattogó 03:25
• 5 Not yet 04:05
• 6 Umbalé 03:32
• 7 Vendégváró 02:39
• 8 We are open 03:53
• 9 Free will 02:50
• 10 Fanyarka 03:58
• 11 Dolce vita 02:08
• 12 Baklavos 04:15
• 13 Zoster Dreams 06:41
• 14 Chromatik boogie 02:09
• 15 Sure enough 02:56
• 16 Ha egyszer eljutunk oda 05:59
• Total Runtime 53:50

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"One wind player, one bass player, one drummer: this is perhaps the most traditional jazz formation, both in terms of line-up and sound, suggesting tight austerity on paper, but actually offering extraordinary freedom. The musicians of the Dzsindzsa trio know exactly how to make the most of it: they play surprisingly short but substantial and extremely dynamic compositions. They play together with heart and soul, and they have enough ideas to make three albums. The Dzsindzsa speaks the language of jazz in a way that can easily sweep anyone off their feet with its witty improvisational style, subtle irony and sensitivity." (Magyar Narancs)

"This is another of those fascinating recordings coming to us from Hungary's Hunnia Records, the band here featuring multi-instrumentalist Mateusz Rybicki on clarinet and tenor sax in addition to its usual drums, sax and bass lineup. Recorded as live at SuperSize studios, it lives up to its provocative title with a complete lack of 'easy jazz' posturing. Instead, it's raw, punchy and just a little bit rough and murky, combining elements of jazz, folk and funk, but maintaining that sense of musicians improvising with no filter, just seeing where the music takes them. If the whole concept of 'audiophile jazz' turns you off, give this one a try: it's both immediate and invigorating, with some magnificent playing and truly demonstration-quality sound, celebrating real instruments played by very real musicians." (HiFi-News, UK)

Gábor Weisz, saxophones
Ernő Hock, double bass
Hunor G. Szabó, drums
Mateusz Rybicki, clarinets, tenor saxophone

Dzsindzsa
is a Hungarian jazz, free-jazz, ethno-jazz, free music trio, founded 15 years ago. In their playing the most important thing is the momentary freedom of the music and the individual, each time the compositions are played in a different way, in a different form, or even in a completely free musical experience. As the members are not only active in jazz, but also in many areas of popular music, the influence of this can be found in their music, which is characterized by a grotesque-ironic tone and humour, combined with outstanding musical sophistication, virtuoso solos and excellent instrumental solutions.

Mateusz Rybicki
is a new generation composer/improviser from Poland. He plays the clarinet, bass clarinet and tenor saxophone in addition to making use of his voice. In his music he combines elements of freedom, jazz and folklore from Eastern Europe. His inspirations include Afro-American free jazz, European improvised music, contemporary music, Baroque music, minimalism, ethnic music and traditional music. Rybicki has collaborated with musicians like Tristan Honsinger, Samuel Hall, Lennart Heyndels, Piotr Domasiewicz, and others. In addition to giving concerts, he collaborates with dancers and theatre-makers. He has worked with Peter Brötzmann, Alexander von Schlippenbach, Steve Noble, Jason Adasiewicz, Toshinori Kondō, etc.

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