Scott Miller: Tipping Point Scott Miller

• 1 Tipping Point 10:42
• 2 Forth and Back 17:05
• 3 Pure Pleasure 05:02
• 4 Twilight 05:12
• 5 Funhouse 13:37
• 6 Consortia 10:33
• Total Runtime 01:02:11

Info zu Scott Miller: Tipping Point

Scott Millers Tipping Point chronicles a long collaborative relationship between him and Minneapolis based new music ensemble, Zeitgeist. The members of Zeitgeist have regularly acted as a musical proving ground for Millers explorations, particularly those combining acoustic instruments with interactive-electronic effects. From the opening measures of the title track, Millers approach to integrating acoustic instruments into an electroacoustic environment is apparent. The tipping point Miller refers to may well be the edge at which we can no longer identify where the acoustic instruments end and the electronics begin. Funhouse dives immediately into this ambiguity, as snarling bass clarinet multiphonics mimic and later become absorbed into the carefully crafted noise world of the electronics. Pure Pleasures percussive rhythms are manipulated timbrally as well as sent swirling around the stereo field in passages of spatialized virtuosity. Featuring soprano Carrie Henneman Shaw, Forth and Backs haunting minimalism suggests the slow evolution of a mind at work as it gains understanding over a puzzling paradigm: none other than time itself and our ability to transcend it through union with another. Mr. Miller is currently the President of the Society for Electro-Acoustic Music in the United States (SEAMUS).

Scott L. Miller
is a composer of electroacoustic, orchestral, chamber, choral and multimedia works frequently performed at venues and in exhibitions throughout North America and Europe. His music has been described as 'not for the faint-hearted listener' (Juliet Patterson, mnartists.orgExternal Links icon) and 'inspir[ing] real hope & optimism for the future of electroacoustic music.' (Simon Cummings, 5against4.comExternal Links icon).

Known for his interactive electroacoustic chamber music and experimental performance pieces, Miller is a Fulbright Scholar, has twice been named a McKnight Composer Fellow, and his work has been recognized by the Jerome Foundation, the Minnesota State Arts Board, the Central Minnesota State Arts Board, and the MUSICA NOVA 98 International Electroacoustic Music Competition. Recordings of his music have been released on the Innova, Eroica, CRS, rarescale and SEAMUS labels.

Scott Miller is a Professor of Music at St. Cloud State University, Minnesota, where he teaches composition, electroacoustic music and theory. He is currently President of the Society for Electro-Acoustic Music in the U.S. (SEAMUS). He holds degrees from The University of Minnesota, The University of North Carolina - Chapel Hill and the State University of New York at Oneonta, and has studied composition at the Czech-American Summer Music Institute and the Centre de Creation Musicale Iannis Xenakis.

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