Live At The Troubadour (Remastered) Carole King & James Taylor
Album Info
Album Veröffentlichung:
2010
HRA-Veröffentlichung:
22.10.2021
Das Album enthält Albumcover
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- 1 Blossom (Live At The Troubadour / 2007) 03:10
- 2 So Far Away (Live At The Troubadour / 2007) 05:40
- 3 Machine Gun Kelly (Live At The Troubadour / 2007) 02:59
- 4 Carolina In My Mind (Live At The Troubadour / 2007) 04:16
- 5 It’s Too Late (Live At The Troubadour / 2007) 05:11
- 6 Smackwater Jack (Live At The Troubadour / 2007) 05:49
- 7 Something In The Way She Moves (Live At The Troubadour / 2007) 04:36
- 8 Will You Love Me Tomorrow (Live At The Troubadour / 2007) 04:25
- 9 Country Road (Live At The Troubadour / 2007) 04:29
- 10 Fire And Rain (Live At The Troubadour / 2007) 06:31
- 11 Sweet Baby James (Live At The Troubadour / 2007) 03:35
- 12 I Feel The Earth Move (Live At The Troubadour / 2007) 04:39
- 13 You've Got A Friend (Live At The Troubadour / 2007) 06:24
- 14 Up On The Roof (Live At The Troubadour / 2007) 04:09
- 15 You Can Close Your Eyes (Live At The Troubadour / 2007) 02:49
Info zu Live At The Troubadour (Remastered)
1970 traten die beiden Singer/Songwriter-Legenden erstmals zusammen im Troubadour in West Hollywood auf. James Taylor hatte gerade auf dem von den Beatles aus der Taufe gehobenen Label Apple Records sein Debütalbum herausgebracht und Carole King, die zuvor nur Hits für andere Künstler geschrieben hatte, war dabei, ihre eigene Plattenkarriere zu starten. Im November 2007, 36 Jahre nach dem ersten Troubadour-Auftritt, trafen sich die beiden wie guter Wein gereiften Stars mit den Mitgliedern ihrer alten Band The Section (feat. Gitarrist Danny Kortchmar, Bassist Leland Sklar und Drummer Russell Kunkel) noch einmal im Troubadour, um zum 50. Geburtstag des Clubs aufzuspielen.
"Es ist alles beim Alten geblieben (und das ist gut so!): das brillante, transparente Gitarrenspiel von James Taylor, sein präzises Picking, bei dem jeder Ton sitzt, und natürlich seine prägnante, leicht nasale und etwas zurückhaltende Stimme. Demgegenüber beeindrucken der nach wie vor oft kraftvolle Gesang von Carole King sowie ihr dynamisches Pianospiel. Schade eigentlich nur, dass mit "(You Make Me Feel Like) A Natural Woman" ein weiterer toller "Tapestry"-Song fehlt, und das, obwohl Carole King und James Taylor die Fans vor ihrer 'Wiedervereinigung' zu einem 'Troubadour Reunion Song Request Contest' aufgerufen hatten (nachzusehen nach wie vor als Video auf den Homepages von Carole King und James Taylor). Schade auch, dass die beiden nur selten Duett-mäßig gemeinsam singen; entsprechende Gelegenheiten wären genug vorhanden gewesen.
Dennoch überwiegt bei Weitem das Positive. Für mich ist das Album für Freunde von Carole King und/oder James Taylor ein ganz klarer Tipp!" (Jürgen Hauß, rocktimes.info)
Carole King, Gesang, Klavier
James Taylor, Gesang, Gitarre, Mundharmonika
Danny Kortchmar, Gitarre
Leland Sklar, Bass
Russ Kunkel, Schlagzeug
Carole King
Since writing her first number one hit (“Will You Love Me Tomorrow”) at the tender age of 17, Carole King has arguably become the most celebrated singer-songwriter of all time. As the most successful female pop songwriter of the 20th century, King scored an astonishing 118 charting hits, while her compositions have been recorded by more than 1,000 artists.
King spent the first decade of her career writing dozens of enduring hits with her then-husband, Gerry Goffin, before embarking on a solo career in 1970. Just one year later, Tapestry rocketed King to incredible new heights: earning four GRAMMYS® (including Song of the Year, making King the first woman to receive the award) and selling more than 25 million units worldwide. For 25 years, Tapestry remained the best-selling album by a female artist.
In addition to breaking records and glass ceilings, King went on to release more than 20 albums, amassing three more platinum records and eight gold certifications. She also became a New York Times bestselling author with her 2012 memoir, A Natural Woman. In 2014, the Tony-award-winning Beautiful: The Carole King Musical opened on Broadway and quickly became one of the top-grossing musicals of all time. The show has since been staged in London’s West End, as well as in Japan and Australia.
In addition to multiple GRAMMY® Awards, King has received the BMI Icon Award and The Gershwin Prize for Popular Song, among many others. She has also been inducted into the Songwriters Hall of Fame and was a Kennedy Center Honoree in 2015. In 2021, King became the first person to be inducted twice into the Rock and Roll Hall of Fame—both as a songwriter (1990) and a performing artist (2021). Most recently, King co-wrote “Here I Am (Singing My Way Home)” for Jennifer Hudson’s star turn as Aretha Franklin in the biopic Respect. The film also includes Hudson’s bravura performance of Goffin/King’s “(You Make Me Feel Like ) ANatural Woman,” the 1967 hit credited as cementing Franklin’s status as a superstar.
James Taylor
One of the best-selling recording artists of all time, James Taylor began his career as a defining figure in the ’70s singer-songwriter movement. More than five decades later, his warm baritone, introspective lyrics, and unique guitar stylings still blaze a path to which young musicians aspire. His songs have had a profound influence on songwriters and music lovers from all walks of life, including “Fire and Rain,” “Country Road,” “Something in the Way She Moves,” “Carolina In My Mind,” “Don’t Let Me Be Lonely Tonight,” and “Shower the People,” among countless others.
Taylor has sold more than 100 million albums since the release of his self-titled debut in 1968. He has won multiple GRAMMY® Awards and has been inducted into both the Rock and Roll Hall of Fame and the Songwriters Halls of Fame. Taylor was awarded the National Medal of Arts by President Barack Obama in 2011 and was presented with the Presidential Medal of Freedom four years later. In 2016, he received the Kennedy Center Honors. Most recently, Taylor released his 19th studio album, American Standard, which earned him a GRAMMY® Award for Best Traditional Pop Vocal Album.
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