Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra Berliner Philharmoniker, Rundfunkchor Berlin & Kirill Petrenko

• Arnold Schoenberg (1874 - 1951): Jacob's Ladder, Oratorio for solo voices, choruses and orchestra:
• 1 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Ob rechts, ob links, vorwärts oder rückwärts (Gabriel, Chorus) 04:30
• 2 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Gleichviel! Weiter! (Gabriel, Chorus) 05:18
• 3 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Ich suchte die Schönheit (Ein Berufener) 02:45
• 4 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Du bist immerhin zufrieden mit dir (Gabriel) 00:43
• 5 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Geboten gehorchen (Ein Aufrührerischer) 01:23
• 6 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Dies Entweder und dies Oder (Gabriel) 00:52
• 7 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Alter Weisheit, Gesagtem (Ein Ringender, Gabriel) 02:47
• 8 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Gegen seinen und euren Willen (Gabriel) 01:56
• 9 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Ich sollte nicht näher (Der Auserwählte) 02:49
• 10 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Hier hast du Auge und Ohr (Gabriel) 02:08
• 11 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Herr, verzeih meine Überhebung! (Der Mönch) 02:10
• 12 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Wie du doch schwankst (Gabriel) 02:24
• 13 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Herr, mein ganzes Leben lang (Der Sterbende) 02:59
• 14 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Nahst du wieder dem Licht? (Die Seele, Gabriel, Chorus) 03:09
• 15 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Großes symphonisches Zwischenspiel. Langsam 06:21
• 16 Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Sehr ruhig 01:23
• Total Runtime 43:37

Info zu Schoenberg: Jacob's Ladder, Oratorio for solo voices, choruses and orchestra

Provokation! Anarchie! Skandal! Allzu oft begegnen wir Arnold Schönberg in Schriften als Enfant terrible, als radikalen Innovator, der die spätromantische Tonalität für sein hochkomplexes System der „Komposition mit zwölf nur aufeinander bezogenen Tönen“ opferte. In dieser Ausgabe zeigen die Berliner Philharmoniker und ihr Chefdirigent Kirill Petrenko, dass in Schönbergs Musik „Herz und Verstand“ – wie der Komponist einen seiner Essays betitelte – tatsächlich im Gleichgewicht sind und dass auch die Zwölftontechnik ganz im Dienste des Ausdrucks steht. Die Aufnahme erscheint im Anschluss an das 150. Geburtsjahr des Komponisten und präsentiert fünf zentrale Werke, die alle Stilperioden Schönbergs veranschaulichen.

Arnold Schönberg bezeichnete Jakobsleiter als Oratorium. Die dramatischen Qualitäten dieses als Fragment hinterlassenen Werks für Solisten, Chor und Orchester machen die Komposition für eine szenische Umsetzung geeignet – wie sie auch hin und wieder erfolgt. Schönberg selbst übernahm die Rolle des Librettisten und stützte sich dabei auf die Bibel (Genesis, Kapitel 28, Verse 12–13), ging aber auch über die jüdisch-christliche Tradition hinaus. Schönberg vermittelt seine Botschaft in spannungsgeladenen Soli, die häufig als „Sprechgesang” eingesetzt werden, sowie in mitreißenden Chorpassagen. Sein Erzengel Gabriel verkündet: „Ob rechts, ob links, vorwärts oder rückwärts, bergauf oder bergab – man hat weiterzugehen, ohne zu fragen, was vor oder hinter einem liegt”.

Wolfgang Koch, Bassbariton (Gabriel)
Daniel Behle, Tenor (Der Berufene)
Wolfgang Ablinger-Sperrhacke, Tenor (Der Rebellische)
Johannes Martin Kränzle, Bassbariton (Der Kämpfende)
Gyula Orendt, Bariton (Der Auserwählte)
Stephan Rügamer, Tenor (Der Mönch)
Nicola Beller Carbone, Sopran (Die Sterbende)
Liv Redpath, Sopran (Die Seele)
Berliner Philharmoniker
Rundfunkchor Berlin
Kirill Petrenko, Dirigent

Kirill Petrenko
was born in Omsk in 1972 where he studied piano at the College of Music. At the age of eleven he gave his first public performance as a pianist with the Omsk Symphony Orchestra. In 1990 his family (his father a violinist and his mother a musicologist) relocated to Vorarlberg where his father worked as an orchestra musician and music teacher. Petrenko first continued his studies in Feldkirch before moving to Vienna to study conducting at the Academy of Music and Performing Arts.

His first job after graduation took him directly to the Vienna Volksoper where he was hired by Nikolaus Bachler as Kapellmeister. From 1999 until 2002 Kirill Petrenko was General Music Director at the Meininger Theater. It was in 2001 in his role as conductor of Wagner's Der Ring des Nibelungen, in the production by Christine Mielitz and with scenery by Alfred Hrdlicka, that he first achieved international acclaim. In 2002 Kirill Petrenko became General Music Director of the Komische Oper Berlin where, until 2007, he was credited with a series of highly significant productions.

During his time in Meiningen and Berlin his international career also began to flourish. In 2000 Kirill Petrenko made his debut at the Maggio Musicale Fiorentino, in 2001 at the Vienna Staatsoper and the Dresden Semperoper, in 2003 at the Gran Teatre del Liceu in Barcelona, the Opéra National de Paris, the Royal Opera House Covent Garden in London, the Bayerische Staatsoper, the New York Metropolitan Opera and in 2005 at the Oper Frankfurt. In Lyon, in collaboration with Peter Stein, he conducted all three Pushkin-inspired operas by Tchaikovsky (Mazeppa, Eugene Onegin and Pique Dame) from 2006 until 2008, which were also performed as a cycle in early 2010.

After moving on from the Komische Oper Berlin Kirill Petrenko worked as a freelance conductor. During this period his projects included conducting a new production of Leoš Janáček's Jenůfa (Production: Barbara Frey) at the Bayerische Staatsoper in 2009. In Frankfurt he conducted Pfitzner's Palestrina (Production: Harry Kupfer) and Puccini's Tosca (Production: Andreas Kriegenburg). In 2011 he worked on two new productions of Tristan and Isolde at the Opéra National de Lyon and at the Ruhrtriennale.

To date, the most important orchestras Kirill Petrenko has been invited to conduct include the Berlin Philharmonic, the Dresden Staatskapelle, the BR Symphony Orchestra, the Bayerische Staatsorchester, the WDR Cologne Symphony Orchestra, the Hamburg Philharmonic and the NDR Hamburg Symphony Orchestra, the Frankfurt Opern- und Museumsorchester, the Amsterdam Concertgebouworkest, the Vienna Radio Symphony Orchestra, the Vienna Symphony, the Cleveland Orchestra, the Chicago Symphony Orchestra, the London Philharmonic Orchestra, the Oslo Philharmonic Orchestra, the Santa Cecilia Orchestra in Rome, the RAI National Symphony Orchestra in Turin and the Israel Philharmonic Orchestra. Kirill Petrenko has also conducted concerts at the Bregenz and Salzburg Festivals. From 2013 to 2015 he swung his baton for the new production of Richard Wagner's Der Ring des Nibelungen during the Bayreuth Festival.

Since September 2013 Kirill Petrenko has been General Music Director at the Bayerische Staatsoper. He has held this position until the end of the 2019/20 season. Since 2013, he has taken to the rostrum for premieres of Die Frau ohne Schatten, La clemenza di Tito, Die Soldaten, Lucia di Lammermoor, Lulu, Die Meistersinger von Nürnberg, Lady Macbeth of the Mtsenk District and Tannhäuser as well as the world premiere of Miroslav Srnka’s South Pole and a revival of Wagner's Der Ring des Nibelungen among other works. In June 2015, Kirill Petrenko was named future Chief Conductor of the Berlin Philharmonic, starting this position in autumn 2019.

In the current season at the Bayerische Staatsoper Kirill Petrenko led an new production of Verdi's Otello and Strauss' Salome. Furthermore, Kirill Petrenko conducts revivals of Die Meistersinger von Nürnberg, Fidelio, and Parsifal as well as two Academy Concerts with the Bayerische Staatsorchester.

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