Transeamus The Hilliard Ensemble

• 1Thomas gemma Cantuariae / Thomas cesus in Doveria02:39
• 2St. Thomas Honour We03:19
• 3Clangat Tuba06:39
• 4Anna mater06:53
• 5Lullay, I Saw02:41
• 6O pulcherrima mulierum03:17
• 7There Is No Rose04:43
• 8Stella caeli06:40
• 9Marvel Not Joseph04:46
• 10Ecce quod natura04:38
• 11Ave Maria, mater Dei02:59
• 12Ah! My Dear Son07:12
• 13Sancta mater gracie / Dou Way Robin02:36
• 14Ah, Gentle Jesu08:28
• Total Runtime01:07:30

Info zu Transeamus

Nach mehr als 20 seit Mitte der 80er Jahre für ECM aufgenommenen Alben schließt das Hilliard Ensemble seine Diskografie mit einer letzten Veröffentlichung ab: Transeamus, eine Sammlung polyphoner Gesänge – für zwei, drei und vier Stimmen – aus dem England des 15. Jahrhunderts. Schon die erste ECM-Aufnahme des britischen Vokalensembles enthielt Musik vom Hof Heinrich des VIII., mit Transeamus kehrt nun die musikalische Reise der Gruppe durch die Zeiten zu diesem Ausgangspunkt zurück. Das Album enthält viele Lieblingsstücke der Gruppe aus dieser Ära, darunter bisher nicht aufgenommene Titel aus ihren Konzertprogrammen, von Komponisten wie John Plummer, Walter Lambe und William Cornysh. Einige der Werke auf dem Album stammen von Komponisten, deren Namen heute nicht mehr bekannt sind, doch ihre Musik ist reich an zeitloser persönlicher Ausdruckskraft.

Tenor David James sagt: „Diese lieblichen Harmonien mögen unkompliziert wirken, doch diese Transparenz des Klangs schafft eine faszinierende, sich steigernde Wirkung. Das Album endet mit ‚Ah gentle Jesu‘. Wir kennen den Namen seines Komponisten, Sheryngham, aber sonst praktisch nichts. Auf dem Papier ist das ein schlichter Dialog zwischen dem gekreuzigten Christus und einem reuigen Sünder, doch die Musik ist so überwältigend intensiv, dass wir im Konzert immer wieder erleben, wie sowohl die Zuhörer als auch wir Ausübenden in fassungsloser Stille zurückbleiben.“

The Hilliard Ensemble
David James, CounterTenor
Rogers Covey-Crump, Tenor
Steven Harrold, Tenor
Gordon Jones, Baritone

Recorded November 2012 at Propstei St. Gerold
Engineered by Peter Laenger
Produced by Manfred Eicher

The Hilliard Ensemble Unrivalled for its formidable reputation in the fields of both early and new music, The Hilliard Ensemble is one of the world's finest vocal chamber groups. Its distinctive style and highly developed musicianship engage the listener as much in medieval and renaissance repertoire as in works specially written by living composers.

The group’s standing as an early music ensemble dates from the 1980s with its series of successful recordings for EMI (many of which have been re-released on Virgin) and its own mail-order record label hilliard LIVE, now available on the Coro label; but from the start it has paid equal attention to new music. The 1988 recording of Arvo Pärt’s Passio began a fruitful relationship with both Pärt and the Munich-based record company ECM, and was followed by their recording of Pärt’s Litany. The group has recently commissioned other composers from the Baltic States, including Veljo Tormis and Erkki-Sven Tüür, adding to a rich repertoire of new music from Gavin Bryars, Heinz Holliger, John Casken, James MacMillan, Elena Firsova and many others.

In addition to many a cappella discs, collaborations for ECM include most notably Officium and Mnemosyne with the Norwegian saxophonist Jan Garbarek, a partnershipwhich continues to develop and renew itself, and Morimur with the German Baroque violinist Christoph Poppen and soprano Monika Mauch. Based on the research of Prof. Helga Thoene, this is a unique interweaving of Bach’s Partita in D minor for solo violin with a selection of Chorale verses crowned by the epic Ciaconna, in which instrumentalist and vocalists are united.

The group continues in its quest to forge relationships with living composers, often in an orchestral context. In 1999, they premiered Miroirs des Temps by Unsuk Chin with the London Philharmonic Orchestra and Kent Nagano. In the same year, James MacMillan’s Quickening, commissioned jointly by the BBC and the Philadelphia Orchestra, was premiered at the BBC Proms. With Lorin Maazel and the New York Philharmonic, they performed the world premiere of Stephen Hartke’s 3rd Symphony which was subsequently premiered in Europe by the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern and Christoph Poppen. They have also collaborated with the Munich Chamber Orchestra with a new work by Erkki-Sven Tüür. In 2007 they joined forces with the Dresden Philharmonic Orchestra to premiere Nunc Dimittis by the Russian composer Alexander Raskatov, also recording this for ECM. In 2009 worked with the Arditti Quartet performing a substantial new work, Et Lux by Wolfgang Rihm.

A new development for the group began in August 2008 with the premiere at the Edinburgh International Festival of a music theatre project written by Heiner Goebbels in a production by the Théâtre Vidy, Lausanne: I went to the house but did not enter. This has subsequently been presented throughout Europe and the US.

With the release of their third collaboration with Jan Garbarek on the ECM label, Officium Novum, the group continues to tour extensively in Europe. The composer Alexander Raskatov features highly in their planning as does a new work by Nico Muhly which they will tour with the viol group Fretwork.

Booklet für Transeamus