Conjunction (Remastered) Attila Zoller & Masahiko Sato

Album Info

Album Veröffentlichung:
1985

HRA-Veröffentlichung:
22.12.2014

Label: ENJA Records

Genre: Guitar

Subgenre: Jazz

Interpret: Attila Zoller & Masahiko Sato

Komponist: Attila Zoller

Das Album enthält Albumcover

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Formate & Preise

Format Preis Im Warenkorb Kaufen
FLAC 96 $ 13,50
MQA $ 15,30
  • 1 Conjunction 08:11
  • 2 Hella 07:51
  • 3 Keserges for Albert 08:01
  • 4 Don Albard 08:22
  • Total Runtime 32:25

Info zu Conjunction (Remastered)

Die Direct-to-Disk-Methode wurde sehr von Gitarrist Attila Zoller angenommen. „Sie erlaubt mir innerhalb von Sekundenbruchteilen von Pianissimo zu Fortissimo zu wechseln – etwas, was ich davor in einer normalen Aufnahmesituation nie geschafft hätte.“

Auf „Conjunction“ finden wir vier spontane Improvisationen, beginnend mit dem bluesigen Keserges for Albert, das Attila seinem engen Freund und Kollegen Albert Mangelsdorff widmete.

John Abercrombie: „Diese Aufnahme hat mich mein Konzept der Jazz Improvisation überdenken lassen, ein Meilenstein.“

Attila Zoller, Gitarre

Recorded on 11. October 1979 at Tonstudio Bauer, Ludwigsburg, Germany
Engineered and recorded by Carlos Albrecht
Produced by Horst Weber, Matthias Winckelmann

Digitally remastered


Attila Cornelius Zoller (June 13, 1927 – January 25, 1998)
was a Hungarian-born jazz guitarist. He won the Deutscher Filmpreis for "Beste Filmmusik" (best score) in Germany for the film Das Brot der frühen Jahre in 1962.

Born in Visegrád, Hungary, as a child Zoller was taught classical violin by his father, who was a professional violinist. In his teens, he switched to flugelhorn, then bass, and finally guitar. Zoller quit school during the Russian occupation of Hungary following World War II and began playing professionally in Budapest jazz clubs. He escaped Hungary in 1948 just before the permanent Soviet blockade of the country and began his serious music career after he moved to Vienna in 1948. He formed a jazz group with the accordionist and vibraphonist Vera Auer. Zoller left Austria for Germany in 1954, where he played with pianist Jutta Hipp, saxophonist Hans Koller and trombonist Albert Mangelsdorff. Visiting American musicians Oscar Pettiford and Lee Konitz found Zoller's work notable and they urged him to move to the US which he did in 1959, after winning a scholarship to the Lenox School of Jazz. There he studied with Jim Hall and roomed with Ornette Coleman and Don Cherry, whose influence sparked Zoller's interest in free jazz.

Zoller played in drummer Chico Hamilton's group in 1960, with Benny Goodman and flautist Herbie Mann from 1962-1965. In 1965, he began leading a free jazz-influenced group with the pianist Don Friedman, and in 1968 co-led a group with Konitz and Mangelsdorff.

Zoller played and recorded with, among others, Tony Scott, Stan Getz, Red Norvo, Jimmy Raney, Herbie Hancock, Ron Carter, Shirley Scott and Cal Tjader. In addition, his concert and touring activities took him regularly to the European festival circuit, to Japan, and to various US jazz clubs.

Zoller was the founding president of the Vermont Jazz Center (1985) where he also taught music until 1998. In 1995, he received the Lifetime Achievement Award from the New England Foundation for the Arts for his lifelong musical contribution to jazz. He was also a designer of musical instruments; he patented a bi-directional pickup for guitars in 1971 and helped design his own signature line of guitars with different companies. He died in Townshend, Vermont. A tribute album of his music is in the works and is to be released in 2015 with ENJA Records. The recording will include artists such as Ron Carter, John Abercrombie, Mike Stern, Peter Bernstein, Pat Metheny' Jim Hall, Gene Bertoncini. The album is being produced by David Becker.

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