Praetorius & Schildt: Selected Organ Works Bernard Foccroulle

• Jacob Praetorius (1586 - 1651): Von allen Menschen abgewandt:
• 1 Von allen Menschen abgewandt: Primus versus 04:19
• 2 Von allen Menschen abgewandt: [Secundus] versus 05:15
• Vater unser im Himmelreich:
• 3 Vater unser im Himmelreich: [Versus] Manualiter a 4 03:25
• 4 Vater unser im Himmelreich: Versus [a 3, pedaliter] 02:07
• 5 Vater unser im Himmelreich: Versus [manualiter] 02:01
• 6 Vater unser im Himmelreich: Versus, Pedaliter 01:38
• 7 Vater unser im Himmelreich: Versus a 3 auff 2 Clav 01:49
• 8 Vater unser im Himmelreich: Versus auff 2 Clavir Pedaliter 02:30
• 9 Vater unser im Himmelreich: Versus, Pedaliter (II) 02:58
• Praeambulum [F Dur]:
• 10 Praeambulum [F Dur] 01:57
• [Fantasia sopra] Durch Adams Fall ist ganz verderbt:
• 11 [Fantasia sopra] Durch Adams Fall ist ganz verderbt 10:56
• Melchior Schildt (1592 - 1667): Herr Christ, der einig Gottessohn:
• 12 Herr Christ, der einig Gottessohn: [I. Versus] a 4 midt dem pedahll vnndt 2 Clauier 02:08
• 13 Herr Christ, der einig Gottessohn: [II. Versus] a 3 Manual oder dem Co[rahll] im ped[ahll] 01:56
• 14 Herr Christ, der einig Gottessohn: [III. Versus] a 4, pedal 02:21
• 15 Herr Christ, der einig Gottessohn: IV. Vers[us] a 3, Corahll im Bass 01:49
• 16 Herr Christ, der einig Gottessohn: [V. Versus] a 3 01:57
• Praeambulum [G Dur]:
• 17 Praeambulum [G Dur] 01:36
• Magnificat primi modi:
• 18 Magnificat primi modi: [I. Versus] Choral im Tenore 01:43
• 19 Magnificat primi modi: II. Versus, Auff 2 Clavier 08:45
• 20 Magnificat primi modi: Tertius Versus, a 4 Voc. 04:00
• 21 Magnificat primi modi: Quartus Versus, a 3 Voc., [Choralis] in Tenore 01:44
• 22 Magnificat primi modi: Quintus Versus [a 3] 01:33
• Total Runtime 01:08:27

Info zu Praetorius & Schildt: Selected Organ Works

Bernard Foccroulle devotes his latest recording — the last of the anthology of Northern German organ music of the Baroque period — to Jacob Praetorius and Melchior Schildt, both pupils of Sweelinck. Praetorius and Schildt’s music is not only strongly marked by Lutheran tradition, in which the chorale played a fundamental part, but also by other influences, principally Italian, that prepared the way for the explosion of the stylus fantasticus at the end of the 17th century. Bernard Foccroulle was born in Liège (Belgium) in 1953. He began his international career as an organist in the mid-70s, playing a wide range of repertoire from Renaissance to contemporary music. He has performed dozens of world premieres of works by Philippe Boesmans, Brian Ferneyhough, Betsy Jolas, Xavier Darasse, Jonathan Harvey and Pascal Dusapin, among others. In the 1980s, he was a member of the Ricercar Consort, an ensemble devoted mainly to German baroque music. Since then, he has made his name as an organist as well as a composer and artistic director of major musical institutions.

Bernard Foccroulle, organ

Bernard Foccroulle
was born in Liège (Belgium) in 1953. He began his international career as an organist in the mid-70s, playing a wide range of repertoire from Renaissance to contemporary music. He has performed dozens of world premieres of works by Philippe Boesmans, Brian Ferneyhough, Betsy Jolas, Xavier Darasse, Jonathan Harvey and Pascal Dusapin, among others. In the 1980s, he was a member of the Ricercar Consort, an ensemble devoted mainly to German baroque music. Since then, he has made his name as an organist as well as a composer and artistic director of major musical institutions.

Bernard Foccroulle’s discography as a soloist includes more than forty CDs. He has won various awards, including a Diapason d’Or for his recording of Dietrich Buxtehude’s complete organ works for the Ricercar label, and for the complete organ works of Johann Sebastian Bach, which he recorded on beautifully preserved historic instruments. In 2014 he released a recording of the complete works of Matthias Weckmann on Ricercar and an album of his own organ works on Aeon.

As a soloist, Bernard Foccroulle regularly appears worldwide at the major concert halls of Tokyo, Seoul, New York, Sydney, Madrid, Torino, Oslo, Brussels, Paris, Luxembourg, Salzburg, Cologne, and Hamburg. In 2016, he inaugurated the new organ of the Paris Philharmonie together with other prominent organists.

In addition to solo organ recitals, he regularly plays with cornetto players such as Jean Tubéry and Lambert Colson, as well as with singers such as Palestinian singer and ‘Ud player Moneim Adwan. Another important aspect of Bernard Foccroulle’s work is the combination of music with other art forms, for example his collaboration with choreographers Jan Fabre (Preparatio mortis) and Salva Sanchis. One of his most outstanding current projects is Darkness and Light, in collaboration with Australian video artist Lynette Wallworth.

While continuing his career as organist, he became director of the Brussels opera house La Monnaie in 1992, holding this position until 2007. In 1993, he founded the "Culture and Democracy" association, which seeks to broaden participation in cultural life. From 2007 to 2018 he was Artistic Director of the Festival of Aix-en-Provence. In 2017, he received the Leadership Award at the International Opera Awards in London.

As composer, Bernard Foccroulle has written works for soprano and orchestra (Am Rande der Nacht after Rilke), for baritone and chamber music ensemble (Due after De Luca…), for soprano, baritone and chamber music ensemble (E vidi quattro stelle after Dante’s Purgatorio), soprano and piano (Quatre mélodies d’après Verlaine). Zauberland, a song cycle for soprano and piano based on poems by Martin Crimp, will premiere in April 2019 at the Théâtre des Bouffes du Nord in Paris under the direction of Katie Mitchell. He has also composed a cycle of pieces for historic organs (CD AEON, Diapason d’Or 2016).

Bernard Foccroulle is the author of La naissance de l'individu dans l 'art (Grasset, 2003), written in collaboration with Robert Legros and Tzvetan Todorov. He has also published two other books, which are based on interviews: Entre passion et résistance (Labor, 2005) and Faire vivre l'opéra, un art qui donne sens au monde (Actes Sud, 2018).

He is Doctor Honoris Causa of Montréal University and Aix-Marseille Université, and has been Professor of Organ at the Conservatoire Royal de Musique in Brussels since 2010.

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